Empfehlungen basierend auf "Blue Pastures"

“if you read this after I am deadIt means I made it”-“The Creation Coffin”The People Look like Flowers at Last is the last of five collections of never-before published poetry from the late great Dirty Old Man, Charles Bukowski.In it, he speaks on topics ranging from horse racing to military elephants, lost love to the fear of death. He writes extensively about writing, and about talking to people about writers such as Camus, Hemingway, and Stein. He writes about war and fatherhood and cats and women. Free from the pressure to present a consistent persona, these poems present less of an aggressively disruptive character, and more a world-weary and empathetic person.

An essential anthology that puts contemporary geniuses Eileen Myles and Margaret Atwood in conversation with literary classics Charles Baudelaire and Oscar Wilde about the liberating and unique combination of poetry and proseA Penguin ClassicThe prose poem has proven one of the most innovative and versatile poetic forms of recent years. In the century-and-a-half since Charles Baudelaire, Emma Lazarus, Oscar Wilde and Ivan Turgenev spread the notion of a new kind of poetry, this "genre with an oxymoron for a name" has attracted many of our most beloved writers. Yet, even now, this peculiarly rich and expansive form is still misunderstood and overlooked. Here, Jeremy Noel-Tod reconstructs the history of the prose poem for us by selecting the essential pieces of writing, covering a greater chronological sweep and international range than any previous anthology of its kind. Noel-Tod even calls it "an alternative history of modern poetry." In The Penguin Book of the Prose Poem, Patricia Lockwood and Claudia Rankine rub shoulders with Margaret Atwood and Adrienne Rich; Allen Ginsberg and Gertrude Stein appear with Lu Xun and Jorge Luis; Czeslaw Milosz sits just pages from Eileen Myles.

The New York Times-bestselling collection of poems from celebrated poet Mary OliverIn A Thousand Mornings, Mary Oliver returns to the imagery that has come to define her life’s work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. Whether studying the leaves of a tree or mourning her treasured dog Percy, Oliver is open to the teachings contained in the smallest of moments and explores with startling clarity, humor, and kindness the mysteries of our daily experience.

Following Her Widely Acclaimed Autobiography Of Red (a Spellbinding Achievement --susan Sontag), A New Collection Of Poetry And Prose That Displays Anne Carson's Signature Mixture Of Opposites--the Classic And The Modern, Cinema And Print, Narrative And Verse. In Men In The Off Hours, Carson Reinvents Figures As Diverse As Oedipus, Emily Dickinson, And Audubon. She Views The Writings Of Sappho, St. Augustine, And Catullus Through A Modern Lens. She Sets Up Startling Juxtapositions (lazarus Among Video Paraphernalia; Virginia Woolf And Thucydides Discussing War). And In A Final Prose Poem, She Meditates On The Recent Death Of Her Mother. With Its Quiet, Acute Spirituality, Its Fearless Wit And Sensuality, And Its Joyful Understanding That The Fact Of The Matter For Humans Is Imperfection, Men In The Off Hours Shows Us The Most Exciting Poet Writing In English Today (michael Ondaatje) At Her Best.

A Penguin ClassicWhile recovering from a mental collapse in a Swiss sanitarium in 1921, T. S. Eliot finished what became the definitive poem of the modern condition, one that still casts a large and ominous shadow over twentieth-century poetry. Built upon the imagery of the Grail legend, the Fisher King, and ancient fertility cults, “The Waste Land” is both a poetic diagnosis of an ailing civilization and a desperate quest for spiritual renewal. Through pastiche and collage Eliot unfolds a nightmarish landscape of sexual disorder and spiritual desolation, inhabited by the voice (literary, historical, mythic, contemporary) of an unconscious that is at turns deeply personal and culturally collective. This edition includes “The Love Song of J. Alfred Prufrock,” “Portrait of a Lady,” “Gerontion,” and more.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Poetry remains a living part of the culture of Japan today. The clichés of everyday speech are often to be traced to famous ancient poems, and the traditional forms of poetry are widely known and loved. The congenial attitude comes from a poetical history of about a millennium and a half. This classic collection of verse therefore contains poetry from the earliest, primitive period, through the Nara, Heian, Kamakura, Muromachi and Edo periods, ending with modern poetry from 1868 onwards, including the rising poets Tamura Ryuichi and Tanikawa Shuntaro.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Charles Bukowski examines cats and his childhood in You Get So Alone at Times, a book of poetry that reveals his tender side. The iconic tortured artist/everyman delves into his youth to analyze its repercussions."The Walt Whitman of Los Angeles."—Joyce Carol Oates"He brought everybody down to earth, even the angels."—Leonard Cohen, songwriter

WINNER OF THE NOBEL PRIZE FOR LITERATUREA remarkable, graceful collection from one of Europe’s most prominent and celebrated poets.In these 100 poems, Wislawa Szymborska portrays a world of astonishing diversity and richness, in which nature is wise and prodigal and fate unpredictable, if not mischievous. With acute irony tempered by a generous curiosity, she documents life's improbability as well as its transient beauty.

The collection of prose poems known as Le Spleen de Paris is an important, puzzling, and yet relatively neglected area of Baudelaire's work. This is the first study in English that is exclusively concerned with these texts. Approaching the poems chronologically, Hiddleston focuses primarily on the position of the artist and his attitude towards his art, the often enigmatic and contradictory moral message the poems purpose to convey and, above all, the relationship between prose and poetry in this hybrid and, by the poet's own admission, "dangerous" genre.

For the poet, even the most minute details of the natural world are starting points for flights of the imagination, and the pages of this collection celebrating the four seasons are brimming with an extraordinary range of observation and imagery.Here are poets past and present, from Chaucer, Shakespeare, and Wordsworth to Whitman, Dickinson, and Thoreau, from Keats, Blake, and Hopkins to Elizabeth Bishop, Ted Hughes, Amy Clampitt, Mary Oliver, and W. S. Merwin. Here are poems that speak of the seasons as measures of earthly time or as states of mind or as the physical expressions of the ineffable. From Robert Frost’s tribute to the evanescence of spring in “Nothing Gold Can Stay” to Langston Hughes’s moody “Summer Night” in Harlem, from the “stopped woods” in Marie Ponsot’s “End of October” to the chilling “mind of winter” in Wallace Stevens’s “The Snow Man,” the poems in this volume engage vividly with the seasons and, through them, with the ways in which we understand and engage the world outside ourselves.