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Since its first publication in 1890, Oscar Wilde's only novel, The Picture of Dorian Gray, has remained the subject of critical controversy. Acclaimed by some as an instructive moral tale, it has been denounced by others for its implicit immorality. After having his portrait painted, Dorian Gray is captivated by his own beauty. Tempted by his world-weary friend, decadent friend Lord Henry Wotton, he wished to stay young forever and pledges his very soul to keep his good looks. As Dorian's slide into crime and cruelty progresses, he stays magically youthful, while his beautiful portrait changes, revealing the hideous corruption of moral decay. Set in fin-de-siécle London, the novel traces a path from the studio of painter Basil Howard to the opium dens of the East End. The text of this edition is derived from the Oxford English Texts, which prints acritically established version of the first book edition of 1891. Also included is a new, fuller introduction, which considers the difference between the 1890 and 1891 texts, Wilde's range of sources, significant critical approaches to the novel and its reputation since 1891, full explanatory notes that identify Wilde's sources, and an up-to-date-bibliography.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

One summer afternoon in 1862, the Rev. Charles Lutwidge Dodgson took a rowboat out on the Thames. With him were three young friends from the Liddell family—the sisters Lorina, Edith, and Alice. Dodgson often spun fairy tales on these boating trips to pass the time, and on this particular afternoon the story was particularly well received by Alice, who afterwards entreated him to write it down for her. Dodgson recalled the pivotal moment thusly: "In a desperate attempt to strike out some new line of fairy-lore, I had sent my heroine straight down a rabbit-hole, to begin with, without the least idea what was to happen afterwards."The tale, initially titled Alice's Adventures Under Ground, became Alice's Adventures in Wonderland, which Dodgson published in 1865 as Lewis Carroll. So began the journey, now in its 150th year, of one of the most beloved stories of all time.The Annotated Alice: 150th Anniversary Deluxe Edition compiles over half a century of scholarship by leading Carrollian experts to reveal the history and full depth of the Alice books and their enigmatic creator. This volume brings together Martin Gardner’s legendary original 1960 publication, The Annotated Alice; his follow-ups, More Annotated Alice and the Definitive Edition; his continuing explication through the Knight Letter magazine; and masterly additions and updates edited by Mark Burstein, president emeritus of the Lewis Carroll Society of North America. In these pages Lewis Carroll's mathematical riddles and curious wordplay, ingeniously embedded throughout the Alice works, are delightfully decoded and presented in the margins, along with original correspondence, amusing anecdotal detours, and fanciful illustrations by Salvador Dalí, Beatrix Potter, Ralph Steadman, and a host of other famous artists.Put simply, this anniversary edition of The Annotated Alice is the most comprehensive collection of Alice materials ever published in a single volume. May it serve as a beautiful and enduring tribute to the charming, utterly original "new line of fairy-lore" that Lewis Carroll first spun 150 years ago.The deluxe anniversary edition of The Annotated Alice includes:A rare, never-before-published portrait of Francis Jane Lutwidge, Lewis Carroll's motherOver 100 new or updated annotations, collected since the publication of Martin Gardner's Definitive Edition of The Annotated Alice in 1999More than 100 new illustrations, in vibrant color, by Salvador Dalí, Beatrix Potter, Ralph Steadman, and 42 other artists and illustrators, in addition to the original artwork by Sir John TennielA preface by Mark Burstein, president emeritus of the Lewis Carroll Society of North America, and all of Gardner's introductions to other editionsA filmography of every Alice-related film by Carroll scholar David Schaefer

The definitive biography of George VI, the hero of The King's Speech George VI reigned through taxing times. Acceding to the throne upon his brother's abdication, he was immediately confronted with the turmoil in European politics leading up to the Second World War, then the War itself, followed by a period of austerity, social transformation and loss of Empire. George was unprepared for kingship, suffering from a stammer which could make public occasions very painful for him. Moreover he had grown up in the shadow of his brother, a man who had been idolized as no royal prince has been, before or since. However, as Sarah Bradford shows in this sympathetic biography, although George was not born to be king, he died a great one. 'A triumph ... Sarah Bradford looks set to inherit Lady Longford's mantle as royal biographer supreme' Mail on Sunday 'Lucid, convincing and admirably fair ... George VI has been fortunate in his biographer' Philip Ziegler 'Vivid, thorough and enjoyable' Independent Sarah Bradford is a historian and biographer. Her books include Cesare Borgia (1976), Disraeli (1982), winner of the New York Times Book of the Year, Princess Grace (1984), Sacherevell Sitwell (1993), Elizabeth: A Biography of Her Majesty the Queen (1996), America's Queen: The Life of Jacqueline Kennedy Onassis (2000), Lucrezia Borgia (2005) and Diana (2007).She lives in London and is married to the 8th Viscount Bangor. She is currently working on a full scale biography of Queen Victoria.

With gorgeous full-color illustrations, ornate decorative elements, lettering in metallic ink, and engaging text, The Language of Flowers: A Fully Illustrated Compendium of Meaning, Literature, and Lore for the Modern Romantic is a treasure for flower lovers. A sumptuous, contemporary anthology of 50 of the world's most storied and popular flowers, each of its entries offers insight to the meaning associated with the flower, and is a fascinating mix of foklore, classic mythology, literature, botanical information and popular culture.Following an introduction that provides a short history of the language of flowers, a fad which reached its peak during the reign of Queen Victoria, each uniquely illustrated and designed entry is an enjoyable read full of history and little-known facts. Here is the story of Tulipmania; how the pansy got its "face," and why the most particular pollination process of a certain orchid has made the vanilla bean a very dear commodity. You'll also dicover how Christian Dior's passion for lily of the valley inspired his classic perfume Diorissimo and its extraordinary bottle; why Oscar Wilde had a penchant for wearing green carnations in his lapel; and how Greeks and Romans believed snapdragons could ward off witchcraft, so they planted them at entryways to their homes.With more than a dozen two-page paintings evoking the romance of noteworthy Victorian gardens and symbolic bouquets, a cross-referenced index of flowers and meanings, and suggestions for further reading, this book is a must for lovers of floriology and Victoriana.

While King Henry VIII lies on his deathbed, Queen Catherine Parr searches for the person who murdered the London printer who had her shocking, confessional memoir. By the author of Heartstone. 30,000 first printing.

NEW YORK TIMES BESTSELLER • For the first time in decades comes a fresh look at the fabled Tudor dynasty, comprising some of the most enigmatic figures ever to rule a country.“A thoroughly readable and often compelling narrative . . . Five centuries have not diminished the appetite for all things Tudor.”—Associated PressIn 1485, young Henry Tudor, whose claim to the throne was so weak as to be almost laughable, crossed the English Channel from France at the head of a ragtag little army and took the crown from the family that had ruled England for almost four hundred years. Half a century later his son, Henry VIII, desperate to rid himself of his first wife in order to marry a second, launched a reign of terror aimed at taking powers no previous monarch had even dreamed of possessing. In the process he plunged his kingdom into generations of division and disorder, creating a legacy of blood and betrayal that would blight the lives of his children and the destiny of his country.The boy king Edward VI, a fervent believer in reforming the English church, died before bringing to fruition his dream of a second English Reformation. Mary I, the disgraced daughter of Catherine of Aragon, tried and failed to reestablish the Catholic Church and produce an heir. And finally came Elizabeth I, who devoted her life to creating an image of herself as Gloriana the Virgin Queen but, behind that mask, sacrificed all chance of personal happiness in order to survive.The Tudors weaves together all the sinners and saints, the tragedies and triumphs, the high dreams and dark crimes, that reveal the Tudor era to be, in its enthralling, notorious truth, as momentous and as fascinating as the fictions audiences have come to love.Praise for The Tudors“A rich and vibrant tapestry.”—The Star-Ledger“A thoroughly readable and often compelling narrative . . . Five centuries have not diminished the appetite for all things Tudor.”—Associated Press“Energetic and comprehensive . . . [a] sweeping history of the gloriously infamous Tudor era . . . Unlike the somewhat ponderous British biographies of the Henrys, Elizabeths, and Boleyns that seem to pop up perennially, The Tudors displays flashy, fresh irreverence [and cuts] to the quick of the action.”—Kirkus Reviews“[A] cheeky, nuanced, and authoritative perspective . . . brims with enriching background discussions.”—Publishers Weekly“[A] lively new history.”—Bloomberg

Anne Frank's The Diary of a Young Girl is an inspiring and tragic account of an ordinary life lived in extraordinary circumstances that has enthralled readers for generations. This Penguin Classics edition is edited by Otto H. Frank and Mirjam Pressler, translated by Susan Massotty, and includes an introduction by Elie Wiesel, author of Night.'June, 1942: I hope I will be able to confide everything to you, as I have never been able to confide in anyone, and I hope you will be a great source of comfort and support.'In Amsterdam, in the summer of 1942, the Nazis forced teenager Anne Frank and her family into hiding. For over two years, they, another family and a German dentist lived in a 'secret annexe', fearing discovery. All that time, Anne kept a diary. Since its publication in 1947, Anne Frank's diary has been read by tens of millions of people. This Definitive Edition restores substantial material omitted from the original edition, giving us a deeper insight into Anne Frank's world. Her curiosity about her emerging sexuality, the conflicts with her mother, her passion for Peter, a boy whose family hid with hers, and her acute portraits of her fellow prisoners reveal Anne as more human, more vulnerable and more vital than ever.'One of the greatest books of the twentieth century'Guardian'A modern classic'Julia Neuberger, The Times

WINNER OF THE WOLFSON HISTORY PRIZE AND THE DUFF COOPER PRIZE FOR NON-FICTION 'Endlessly fascinating and enjoyable' Neil MacGregor 'A marvellous book' David Attenborough 'Full of delights' Tom Stoppard An extraordinary exploration of the medieval world - the most beguiling history book of the year This is a book about why medieval manuscripts matter. Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature. The idea for the book, which is entirely new, is to invite the reader into intimate conversations with twelve of the most famous manuscripts in existence and to explore with the author what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. Christopher de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, collectors and the international community of manuscript scholars, showing us how he and his fellows piece together evidence to reach unexpected conclusions. He traces the elaborate journeys which these exceptionally precious artefacts have made through time and space, shows us how they have been copied, who has owned them or lusted after them (and how we can tell), how they have been embroiled in politics and scholarly disputes, how they have been regarded as objects of supreme beauty and luxury and as symbols of national identity. The book touches on religion, art, literature, music, science and the history of taste. Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts conveys the fascination and excitement of encountering some of the greatest works of art in our culture which, in the originals, are to most people completely inaccessible. At the end, we have a slightly different perspective on history and how we come by knowledge. It is a most unusual book.

A charming and amusing view of Nin's early life, from age eleven to seventeen; the self-portrait of an innocent girl who is transformed, through her own insights, into an enlightened young woman. "An enchanting portrait of a girl's constant search for herself" (Library Journal). Preface by Joaquin Nin-Culmell; Index; photographs and drawings. Translated by Jean L. Sherman.

Lancaster and York. For much of the fifteenth century, these two families were locked in battle for control of the English throne. Kings were murdered and deposed. Armies marched on London. Old noble names were ruined while rising dynasties seized power and lands. The war between the royal houses of Lancaster and York, the most complex in English history, profoundly altered the course of the monarchy. Alison Weir, one of the foremost authorities on British history, brings brilliantly to life both the war itself and the larger-tha-life figures who fought it on the great stage of England. The Wars of the Roses is history at its very best—swift and compelling, rich in character, pageantry, and drama, and vivid in its re-creation of an astonishing period of history.