Empfehlungen basierend auf "Black Skin, White Masks"

Published to worldwide critical acclaim, with more than one million copies already in print, this is the lush, wondrous story of an unrequited love that survives half a century and more than 600 distractions.

“The relation between what we see and what we know is never settled” -- so opens John Berger’s revolutionary million-copy bestseller on how to look at artJohn Berger's Ways of Seeing is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about which the Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures." By now he has.

'A groundbreaking work . . .Federici has become a crucial figurefor . . .a new generation of feminists' Rachel Kushner, author of The Mars RoomA cult classic since its publication in the early years of this century, Caliban and the Witch is Silvia Federici's history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages through the European witch-hunts, the rise of scientific rationalism and the colonisation of the Americas, it gives a panoramic account of the often horrific violence with which the unruly human material of pre-capitalist societies was transformed into a set of predictable and controllable mechanisms. It Is a study of indigenous traditions crushed, of the enclosure of women's reproductive powers within the nuclear family, and of how our modern world was forged in blood.'Rewarding . . . allows us to better understand the intimate relationship between modern patriarchy, the rise of the nation state and the transition from feudalism to capitalism' Guardian

It is easier to imagine the end of the world than the end of capitalism. After 1989, capitalism has successfully presented itself as the only realistic political-economic system - a situation that the bank crisis of 2008, far from ending, actually compounded. The book analyses the development and principal features of this capitalist realism as a lived ideological framework. Using examples from politics, film (Children Of Men, Jason Bourne, Supernanny), fiction (Le Guin and Kafka), work and education, it argues that capitalist realism colors all areas of contemporary experience, is anything but realistic and asks how capitalism and its inconsistencies can be challenged. It is a sharp analysis of the post-ideological malaise that suggests that the economics and politics of free market neo-liberalism are givens rather than constructions.New Edition includes: Forward by Zoe Fisher, Mark’s wife, talking about Mark as a person Introduction by Alex Niven, his friend and colleague, talking about the political significance of the book thirteen years after it was written Afterword by Tariq Goddard, the original editor and publisher, describing the writing and editing of the book, its original reception, and Mark’s own view of it"A quick and entertaining read." Socialist Standard"A provocative and necessary read...for anyone wanting to talk seriously about the politics of education today. " Times Higher Educational Supplement

Karl Marx and Friedrich Engels’ landmark text that continues to influence and provoke debate on capitalism and class, now in a stunning clothbound edition designed by Coralie Bickford-Smith.The Communist Manifesto, Marx and Engels's revolutionary summons to the working classes, is one of the most important and influential political theories ever formulated. After four years of collaboration, the authors produced this incisive declaration of their idea of Communism, in which they envisage a society without classes, private property or a state. They argue that increasing exploitation of industrial workers will eventually lead to a revolution in which Capitalism is overthrown. This vision provided the theoretical basis of political systems in Russia, China, Cuba and Eastern Europe, affecting the lives of millions.Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Once described as the 'longest and most charming love-letter in literature', the Virginia Woolf's Orlando is edited by Brenda Lyons with an introduction and notes by Sandra M. Gilbert in Penguin Classics. Written for Virginia Woolf's intimate friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young sixteenth-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness. Virginia Woolf (1882-1941) is regarded as a major 20th century author and essayist, a key figure in literary history as a feminist and modernist, and the centre of 'The Bloomsbury Group'. This informal collective of artists and writers, which included Lytton Strachey and Roger Fry, exerted a powerful influence over early twentieth-century British culture. Between 1925 and 1931 Virginia Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929) a passionate feminist essay. If you enjoyed Orlando, you might like Woolf's The Waves, also available in Penguin Modern Classics. 'I read this book and believed it was a hallucinogenic, interactive biography of my own life and future' Tilda Swinton

Go Tell It On The Mountain, first published in 1953, is Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.

What We Talk about When We Talk about Love (Vintage Classices)

The American classic about a young girl's coming of age at the turn of the century. "A profoundly moving novel, and an honest and true one. It cuts right to the heart of life...If you miss A Tree Grows in Brooklyn you will deny yourself a rich experience...It is a poignant and deeply understanding story of childhood and family relationships. The Nolans lived in the Williamsburg slums of Brooklyn from 1902 until 1919...Their daughter Francie and their son Neely knew more than their fair share of the privations and sufferings that are the lot of a great city's poor. Primarily this is Francie's book. She is a superb feat of characterization, an imaginative, alert, resourceful child. And Francie's growing up and beginnings of wisdom are the substance of A Tree Grows in Brooklyn." --New York Times "One of the most dearly beloved and one of the finest books of our day." --Orville Prescott "One of the books of the century."--New York Public Library

From the universally acclaimed, best-selling author of the National Book Award-winning The Year of Magical Thinking: ten pieces never before collected that offer an illuminating glimpse into the mind and process of a legendary writer. Here are six pieces written in 1968 from the "Points West" Saturday Evening Post column Joan Didion shared from 1964 to 1969 with her husband, John Gregory Dunne about: American newspapers; a session with Gamblers Anonymous; a visit to San Simeon; being rejected by Stanford; dropping in on Nancy Reagan, wife of the then-governor of California, while a TV crew filmed her at home; and an evening at the annual reunion of WWII veterans from the 101st Airborne Association at the Stardust Hotel in Las Vegas. Here too is a 1976 piece from the New York Times magazine on "Why I Write"; a piece about short stories from New West in 1978; and from The New Yorker, a piece on Hemingway from 1998, and on Martha Stewart from 2000. Each one is classic Didion: incisive, bemused, and stunningly prescient.