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The American Film Institute Catalog easily surpasses all other reference works in its field for comprehensiveness, reliability, and utility. Its decade-by-decade, exhaustive, detailed, and carefully descriptive coverage is simply not approached by any other source. In a field bedevilled by quickly assembled and slipshod reference books, the AFI Catalog volumes are the one essential purchase for every library's film reference shelves, and individual researchers will also find them indispensable.Following the recently published set of volumes on the teen decade, the AFI research staff has now completed this far more massive set on the thirties―reaching into a period where many films have survived, many of them easily available and much beloved by film enthusiasts.For the thirties, the improved methodology developed for the teens is deployed in three vast volumes. Hundreds of films never before identified are included, on the basis of new preservation efforts. Extensive coverage is given to Spanish- and other foreign-language films, to foreign versions produced in the U.S., and to coproductions. Surprisingly, independent films figure largely; in some years, out of 500 films produced, 150-200 were independents―works of special social and cultural significance.

The only complete collection of writings by Anne Frank, this impressive volume contains three of the extant versions of her Diary (including pages that came to light in 1998), Tales from the Secret Annex (he lesser known short stories, fables, and personal reminiscences), and Cady’s Life (her unfinished novel), along with the latest, most definitive scholarly research into Frank’s life.Anne Frank’s diary has become a modern classic. It stands alone as the moving testimony of a young girl whose world collapsed around her in the nightmare of Hitler’s Final Solution. Published in the United States in 1952, Anne Frank: A Diary of a Young Girl has been translated from the Dutch into nearly seventy languages, and millions of people the world over continue to respond to her extraordinary voice. The Diary of Anne Frank: The Revised Critical Edition presents the most fascinating, comprehensive study of that diary in existence.Prepared by the Netherlands Institute for War Documentation, this monumental work allows the reader to compare the three versions of the diary itself: Anne’s original entries; the diary as she herself edited it in the hiding place of the “Secret Annex”; and the version most popularly known, as edited by Anne’s father, Otto Frank, and a Dutch publishing house after World War II, when they removed certain family and sexual references. Every aspect of the diary—including Anne’s handwriting and the paper used—is meticulously examined, providing compelling proof and historical of its poignant testament. Absorbing biographical information on the Frank family enhances Anne’s personal perceptions, and a summary of critical events during and after the family’s arrest—including how the Nazi authorities learned about the Franks and their secret hiding places—adds a new dimension to this tragic, still resonant story.Illustrated throughout with black-and-white photographs, the Diary of Anne Frank: The Revised Critical Edition is an invaluable contribution to our awareness of the Holocaust and a stirring tribute to the author’s impressionable spirit.

With a preface written by the author especially for this edition, this is the complete collection of stories by Eudora Welty.Including the earlier collections A Curtain of Green, The Wide Net, The Golden Apples, and The Bride of the Innisfallen, as well as previously uncollected ones, these forty-one stories demonstrate Eudora Welty's talent for writing from diverse points-of-view with “vision that is sweet by nature, always humanizing, uncannily objective, but never angry” (Washington Post).

Once upon a time, in 1930s England, there were two little princesses named Elizabeth and Margaret Rose. Their father was the Duke of York, the second son of King George V, and their Uncle David was the future King of England.We all know how the fairy tale ended: When King George died, “Uncle David” became King Edward VIII---who abdicated less than a year later to marry the scandalous Wallis Simpson. Suddenly the little princesses’ father was King. The family moved to Buckingham Palace, and ten-year-old Princess Elizabeth became the heir to the crown she would ultimately wear for over fifty years.The Little Princesses shows us how it all began. In the early thirties, the Duke and Duchess of York were looking for someone to educate their daughters, Elizabeth and Margaret, then five- and two-years-old. They already had a nanny---a family retainer who had looked after their mother when she was a child---but it was time to add someone younger and livelier to the household.Enter Marion Crawford, a twenty-four-year-old from Scotland who was promptly dubbed “Crawfie” by the young Elizabeth and who would stay with the family for sixteen years. Beginning at the quiet family home in Piccadilly and ending with the birth of Prince Charles at Buckingham Palace in 1948, Crawfie tells how she brought the princesses up to be “Royal,” while attempting to show them a bit of the ordinary world of underground trains, Girl Guides, and swimming lessons.The Little Princesses was first published in 1950 to a furor we cannot imagine today. It has been called the original “nanny diaries” because it was the first account of life with the Royals ever published. Although hers was a touching account of the childhood of the Queen and Princess Margaret, Crawfie was demonized by the press. The Queen Mother, who had been a great friend and who had, Crawfie maintained, given her permission to write the account, never spoke to her again.Reading The Little Princesses now, with a poignant new introduction by BBC royal correspondent Jennie Bond, offers fascinating insights into the changing lives and times of Britains royal family.

NEW YORK TIMES BESTSELLER • For the first time in decades comes a fresh look at the fabled Tudor dynasty, comprising some of the most enigmatic figures ever to rule a country.“A thoroughly readable and often compelling narrative . . . Five centuries have not diminished the appetite for all things Tudor.”—Associated PressIn 1485, young Henry Tudor, whose claim to the throne was so weak as to be almost laughable, crossed the English Channel from France at the head of a ragtag little army and took the crown from the family that had ruled England for almost four hundred years. Half a century later his son, Henry VIII, desperate to rid himself of his first wife in order to marry a second, launched a reign of terror aimed at taking powers no previous monarch had even dreamed of possessing. In the process he plunged his kingdom into generations of division and disorder, creating a legacy of blood and betrayal that would blight the lives of his children and the destiny of his country.The boy king Edward VI, a fervent believer in reforming the English church, died before bringing to fruition his dream of a second English Reformation. Mary I, the disgraced daughter of Catherine of Aragon, tried and failed to reestablish the Catholic Church and produce an heir. And finally came Elizabeth I, who devoted her life to creating an image of herself as Gloriana the Virgin Queen but, behind that mask, sacrificed all chance of personal happiness in order to survive.The Tudors weaves together all the sinners and saints, the tragedies and triumphs, the high dreams and dark crimes, that reveal the Tudor era to be, in its enthralling, notorious truth, as momentous and as fascinating as the fictions audiences have come to love.Praise for The Tudors“A rich and vibrant tapestry.”—The Star-Ledger“A thoroughly readable and often compelling narrative . . . Five centuries have not diminished the appetite for all things Tudor.”—Associated Press“Energetic and comprehensive . . . [a] sweeping history of the gloriously infamous Tudor era . . . Unlike the somewhat ponderous British biographies of the Henrys, Elizabeths, and Boleyns that seem to pop up perennially, The Tudors displays flashy, fresh irreverence [and cuts] to the quick of the action.”—Kirkus Reviews“[A] cheeky, nuanced, and authoritative perspective . . . brims with enriching background discussions.”—Publishers Weekly“[A] lively new history.”—Bloomberg

Tennyson’s central poem is presented with an extensive introduction that provides background information on the poet and poem as well as an overview of In Memoriam’s formal and thematic peculiarities, including Tennyson’s use of the stanza and the poem’s rhyme scheme. The authoritative text is again that of the Eversley Edition of Tennyson’s Works, published in 1901–8, which is accompanied by detailed explanatory annotations.“Criticism” contains thirteen essays-―seven of which are new to the Second Edition―among them examples of formal (Sarah Gates), contextual (W. David Shaw), reader-response (Timothy Peltason), queer (Jeff Nunokawa), and genre (Alan Sinfield) criticism. A chapter from Christopher Ricks’s influential biography, Tennyson, is included.A Chronology, Selected Bibliography, and Index of First Lines are also included.

Published in 1994 to worldwide acclaim, the first edition of Jancis Robinson's seminal volume immediately attained legendary status, winning every major wine book award including the Glenfiddich and Julia Child/IACP awards, as well as writer and woman of the year accolades for its editor on both sides of the Atlantic. Combining meticulously-researched fact with refreshing opinion and wit, The Oxford Companion to Wine presents almost 4,000 entries on every wine-related topic imaginable, from regions and grape varieties to the owners, connoisseurs, growers, and tasters in wine through the ages; from viticulture and oenology to the history of wine, from its origins to the present day. More than 180 esteemed contributors (including 58 new to this edition) range from internationally renowned academics to some of the most famous wine writers and wine specialists in the world. Now exhaustively updated, this fourth edition incorporates the very latest international research to present 300 new entries on topics ranging from additives and wine apps to WSET and Zelen. Over 60 per cent of all entries have been revised; and useful lists and statistics are appended, including a unique list of the world's controlled appellations and their permitted grape varieties, as well as vineyard area, wine production and consumption by country. Illustrated with almost 30 updated maps of every important wine region in the world, many useful charts and diagrams, and 16 stunning colour photographs, this Companion is unlike any other wine book, offering an understanding of wine in all of its wider contexts—notably historical, cultural, and scientific—and serving as a truly companionable point of reference into which any wine-lover can dip and browse.

Lancaster and York. For much of the fifteenth century, these two families were locked in battle for control of the English throne. Kings were murdered and deposed. Armies marched on London. Old noble names were ruined while rising dynasties seized power and lands. The war between the royal houses of Lancaster and York, the most complex in English history, profoundly altered the course of the monarchy. Alison Weir, one of the foremost authorities on British history, brings brilliantly to life both the war itself and the larger-tha-life figures who fought it on the great stage of England. The Wars of the Roses is history at its very best—swift and compelling, rich in character, pageantry, and drama, and vivid in its re-creation of an astonishing period of history.

Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions―until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet.The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.

In the tradition of The Swerve and How to Live, this vivid biography reveals how a Renaissance scholar reshaped the visual world. Giorgio Vasari (1511–1574) was a man of many talents—a sculptor, painter, architect, writer, and scholar—but he is best known for Lives of the Artists, the classic account that singlehandedly invented the genre of artistic biography and established the canon of Italian Renaissance art. Before Vasari’s extraordinary book, art was considered a technical skill rather than an intellectual pursuit, and artists were mere decorators and craftsmen. It was through Vasari’s visionary writings that artists like Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift. Their enduring reputations testify to Vasari’s profound yet unspoken influence on western culture. An advisor to kings and pontiffs—and a confidant to Titian, Donatello, and more—Vasari enjoyed an exhilarating career amid the thrilling culture of Renaissance Italy. In The Collector of Lives, Ingrid Rowland and Noah Charney offer a lively and inviting introduction to this pivotal figure in art history, and immerse readers in the world of the Medici of Florence and the popes of Rome. A narrative of intrigue, scandal, and colorful artistic rivalry, this vivid biography shows the great works of western art taking shape under Vasari’s keen eye—and reveals how one Renaissance scholar completely redefined how we look at art.