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Told from alternating perspectives, this novel follows two women, one Black and one white, whose friendship is indelibly altered by a tragic event.Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia.But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend.We Are Not Like Them is both a powerful conversation starter and a celebration of the enduring power of friendship.

A Guardian and Lit Hub most anticipated book of 2024 An exhilarating biography of the iconic poet, essayist and activist Audre Lorde Read these chapters like a collection of poems that speak in chorus in all directions. Understand each word as an opportunity for Audre's fierce love, which is the same love that birthed the volcanoes and split the continents, to reach you, wherever you are. Audre Lorde was a survivor: of childhood disability injustice, of her best friend's suicide, of the atomic age. She was a college activist against nuclear arms. A mother who knew poetry could help her children survive a racist world. And, ultimately, a cancer survivor, who understood the war going on within her cells was connected to the struggle against oppression taking place all around her. This stunning new account of Lorde's life and work illuminates how, for Lorde, survival was not simply about getting through, or about resilience. It was about how to live on, and with, a planet in transformation. Lorde's commitment to justice was intimately connected to her deep engagement with the natural world; with the planetary dynamics of geology, meteorology, and biology. For Lorde, ecological images are not simply metaphors but rather literal guides to how to be on earth, and how to live fully as a Black feminist lesbian warrior poet. In Survival Is a Promise, Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde's manuscript archives, illuminates the eternal life of Audre Lorde. Her life and work swell to become a cosmic force, showing us the grand possibility of life together on earth.

The international bestseller that changed how we talk about racism 'A critically acclaimed book that gave readers a starting point to demystify conversations about race' The Atlantic 'A classic' Jodi Picoult Walk into any racially mixed secondary school and you will see young people clustered in their own groups according to race. Is this self-segregation a problem to address or a coping strategy? Beverly Daniel Tatum, a renowned psychology Professor, guides us through how racial identity develops, from very young children all the way to adulthood, in black families, white families, and mixed race families, and helps us understand what we can do to break the silence, have better conversations with our children and with each other about race, and build a better world. A mainstay on the bookshelves of American readers since 1998, and substantially revised and updated in 2017, this evergreen bestseller is essential reading for anyone interested in understanding the dynamics of race

An uplifting anthology with essays from 28 exciting Black British voices centered around where they've found joy in their lives.Black joy is . . .The babble and buzz of the barber shop.Stepping foot in your mother country for the very first time.Feeling at one with nature.Learning to cook with your mom.Connecting with the only other Black colleague in your workplace.Loving and finding complete happiness in your fatness.Love, literature, friendship, music, carnival, travel, dance, work, nature, food - Black Joy can be found in so many places. And this anthology is an invitation for readers to ruminate on what brings them joy, too.Joy surrounds us. It can be found it in the day to day. It's what we live for. So why do we so rarely allow ourselves to revel in it? This must-read anthology is your invitation to do so - and is a true celebration of Black British culture in all its glory.Edited by award-winning journalist, and former gal-dem editor-in-chief, Charlie Brinkhurst-Cuff and up-and-coming talent Timi Sotire, twenty-eight iconic voices speak on what Black joy means to them in this uplifting and empowering anthology.With essays from:Munya Chawawa -- Leigh-Anne Pinnock -- Diane Abbott -- Jason Okundaye --Bukky Bakray -- Faridah Àbìké-Íyìmìdé -- Lavinya Stennett -- Henrie Kwushue Chanté Joseph -- Travis Alabanza -- Isaac James -- Sophia Tassew -- Lauryn Green -- Melz Owusu -- Timi Sotire -- Fope Olaleye -- Richie Brave -- Tope Olufemi -- Athian Akec -- Mikai Mcdermott -- Ife Grillo -- Rukiat Ashawe -- Mayowa Quadri -- Tobi Kyeremateng -- Haaniyah Angus -- Theophina Gabriel -- Ruby Fatimilehin -- Vanessa Kissule---"A refreshing and invigorating burst of joy, exploring the beauty in the nuances of our existence, honing in on what propels us forward, and establishing a vital hope" - BOLU BABALOLA, author of Love in Colour"Every bit as joyous as the title suggests'" CANDICE CARTY-WILLIAMS, author of Queenie"A rich, gorgeous celebration of the power in embracing joy" LIV LITTLE"Black Joy is a delightful celebration of Black Britishness" MASHABLE

"The most potent weapon in the hands of the oppressor is the mind of the oppressed." Like all of Steve Biko's writings, those words testify to the passion, courage, and keen insight that made him one of the most powerful figures in South Africa's struggle against apartheid. They also reflect his conviction that black people in South Africa could not be liberated until they united to break their chains of servitude, a key tenet of the Black Consciousness movement that he helped found.I Write What I Like contains a selection of Biko's writings from 1969, when he became the president of the South African Students' Organization, to 1972, when he was prohibited from publishing. The collection also includes a preface by Archbishop Desmond Tutu; an introduction by Malusi and Thoko Mpumlwana, who were both involved with Biko in the Black Consciousness movement; a memoir of Biko by Father Aelred Stubbs, his longtime pastor and friend; and a new foreword by Professor Lewis Gordon.Biko's writings will inspire and educate anyone concerned with issues of racism, postcolonialism, and black nationalism.

A People Pick!“One of the year’s must-reads.” –ELLE“[A] provocative, heart-breaking, and frequently hilarious collection.” –GLAMOUR“Essential, vital, and urgent.” –HARPER’S BAZAARIn the vein of Roxane Gay’s Bad Feminist and Issa Rae’s The Misadventures of Awkward Black Girl, but wholly its own, a provocative, humorous, and, at times, heartbreaking collection of essays on what it means to be black, a woman, a mother, and a global citizen in today's ever-changing world.Black women have never been more visible or more publicly celebrated than they are now. But for every new milestone, every magazine cover, every box office record smashed, every new face elected to public office, the reality of everyday life for black women remains a complex, conflicted, contradiction-laden experience.An American journalist who has been living and working in London for a decade, Kenya Hunt has made a career of distilling moments, movements, and cultural moods into words. Her work takes the difficult and the indefinable and makes it accessible; it is razor sharp cultural observation threaded through evocative and relatable stories.Girl Gurl Grrrl both illuminates our current cultural moment and transcends it. Hunt captures the zeitgeist while also creating a timeless celebration of womanhood, of blackness, and the possibilities they both contain. She blends the popular and the personal, the frivolous and the momentous in a collection that truly reflects what it is to be living and thriving as a black woman today.

In the late nineteenth century, the stereotype of the black male as sexual beast functioned for white supremacists as an externalized symbol of social chaos against which all whites would unite for the purpose of national renewal. The emergence of this stereotype in American culture and literature during and after Reconstruction was related to the growth of white-on-black violence, as white lynch mobs acted in "defense" of white womanhood, the white family, and white nationalism. In Writing a Red Record Sandra Gunning investigates American literary encounters with the conditions, processes, and consequences of such violence through the representation of not just the black rapist stereotype, but of other crucial stereotypes in mediating moments of white social crisis: "lascivious" black womanhood; avenging white masculinity; and passive white femininity. Gunning argues that these figures together signify the tangle of race and gender representation emerging from turn-of-the-century American literature. The book brings together Charles W. Chestnutt, Kate Chopin, Thomas Dixon, David Bryant Fulton, Pauline Hopkins, Mark Twain, and Ida B. Wells: famous, infamous, or long-neglected figures who produced novels, essays, stories, and pamphlets in the volatile period of the 1890s through the early 1900s, and who contributed to the continual renegotiation and redefinition of the terms and boundaries of a national dialogue on racial violence.

NeoSlave Narratives is a study in the political, social, and cultural content of a given literary form--the novel of slavery cast as a first-person slave narrative. After discerning the social and historical factors surrounding the first appearance of that literary form in the 1960s, NeoSlave Narratives explores the complex relationship between nostalgia and critique, while asking how African American intellectuals at different points between 1976 and 1990 remember and use the site of slavery to represent the crucial cultural debates that arose during the sixties.

"An all-encompassing, insightful and wry look at living in a racist world, by a leading Black British voice in the academy and in the media. Take a step through the looking-glass to a strange land, one where Piers Morgan is a voice worth listening to about race, where white people buy self-help books to help them cope with their whiteness, where Boris Johnson and Donald Trump are seen by the majority of the population as 'the right (white) man for the job'. Perhaps you know it. All the inhabitants seem to be afflicted by serious delusions, like that racism doesn't exist and if it does it can be cured with a one-hour inclusion seminar, and bizarre collective hallucinations, like the widely held idea that Britain's only role in slavery was to abolish it. But there is a serious side too. Black and brown people suffer from a greater number of mental health difficulties, caused in no small part by living in a racist society. But being Black and brown has itself been pathologized by the young field of psychology. Society cannot face up to the racism at its heart and in its history, so the delusions, irrationalities and hallucinations it conjures up to avoid doing so can only best be described as a psychosis, and the costs are being borne by the sons and daughters of that racist history. Kehinde Andrews is your piercing, wry and not a little funny guide back to sanity, unpicking the absurd and outrageous lies society tells to keep up the status quo and The Psychosis of Whiteness is your lifeboat out of this topsy-turvy world"--Publisher's description.

The landmark book about being black in America, now in an expanded edition commemorating the 150th anniversary of W. E. B. Du Bois’s birth and featuring a new introduction by Ibram X. Kendi, the #1 New York Times bestselling author of How to Be an Antiracist, and cover art by Kadir Nelson   “The problem of the Twentieth Century is the problem of the color-line.”   When The Souls of Black Folk was first published in 1903, it had a galvanizing effect on the conversation about race in America—and it remains both a touchstone in the literature of African America and a beacon in the fight for civil rights. Believing that one can know the “soul” of a race by knowing the souls of individuals, W. E. B. Du Bois combines history and stirring autobiography to reflect on the magnitude of American racism and to chart a path forward against oppression, and introduces the now-famous concepts of the color line, the veil, and double-consciousness.   This edition of Du Bois’s visionary masterpiece includes two additional essays that have become essential reading: “The Souls of White Folk,” from his 1920 book Darkwater, and “The Talented Tenth.”For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.