Empfehlungen basierend auf "Bismarck The Iron Chancellor"

Berlin in 1933 is in upheaval. Eleven-year-old Carla von Ulrich struggles to understand the tensions disrupting her family as Hitler strengthens his grip on Germany. Into this turmoil steps her mother's formidable friend and former British MP, Ethel Leckwith, and her student son, Lloyd, who soon learns for himself the brutal reality of Nazism. He also encounters a group of Germans resolved to oppose Hitler - but are they willing to go so far as to betray their country? Such people are closely watched by Volodya, a Russian with a bright future in Red Army Intelligence. The international clash of military power and personal beliefs that ensues will sweep over them all as it rages from Cable Street in London's East End to Pearl Harbor in Hawaii, from Spain to Stalingrad, from Dresden to Hiroshima. At Cambridge Lloyd is irresistibly drawn to dazzling American socialite Daisy Peshkov, who represents everything his left-wing family despise. But Daisy is more interested in aristocratic Boy Fitzherbert - amateur pilot, party lover and leading light of the British Union of Fascists. Back in Berlin, Carla worships golden boy Werner from afar. But nothing will work out the way they expect as their lives and the hopes of the world are smashed by the greatest and cruellest war in the history of the human race.

From Neil MacGregor, the author of A History of the World in 100 Objects, this is a view of Germany like no other For the past 140 years, Germany has been the central power in continental Europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people now understand themselves? Neil MacGregor argues that uniquely for any European country, no coherent, over-arching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly floated. Königsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Johann Wolfgang von Goethe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years. German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses and experiences; examining some of these is the purpose of this book. Beginning with the fifteenth-century invention of modern printing by Gutenberg, MacGregor chooses objects and ideas, people and places which still resonate in the new Germany - porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald - to show us something of its collective imagination. There has never been a book about Germany quite like it.

"A monumental new volume.... Revelatory, even revolutionary.... Clark has done a masterful job explaining the inexplicable." — Boston GlobeOne of The New York Times Book Review 's 10 Best Books of the Year • Winner of the Los Angeles Times Book Prize (History)Historian Christopher Clark's riveting account of the explosive beginnings of World War I.Drawing on new scholarship, Clark offers a fresh look at World War I, focusing not on the battles and atrocities of the war itself, but on the complex events and relationships that led a group of well-meaning leaders into brutal conflict.Clark traces the paths to war in a minute-by-minute, action-packed narrative that cuts between the key decision centers in Vienna, Berlin, St. Petersburg, Paris, London, and Belgrade, and examines the decades of history that informed the events of 1914 and details the mutual misunderstandings and unintended signals that drove the crisis forward in a few short weeks.Meticulously researched and masterfully written, The Sleepwalkers is a dramatic and authoritative chronicle of Europe's descent into a war that tore the world apart.

“When this book was first published it received some attention from the critics but none at all from the public. Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.”   That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest. And that interest has never been more prominent or potent than what we’ve seen in the past year.   They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.   A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.

Germany, 1945. Elizabeth, Karli and their mother are in Dresden when the Allied bombs begin to fall. Their home is destroyed, they must flee the ruined city through the perilous, snow-covered landscape, all the while avoiding the Russian troops who are drawing ever closer.

Fascism is a political ideology which has been identified with totalitarianism, state terror, fanaticism, orchestrated violence, and blind obedience. Fascism was directly associated with the Second World War, the most devastating annihilation of human lives in the history of mankind which left more than 40 million dead around the globe and introduced notions of inhumanity the extent of which was heretofore unknown. The mere term stirs up visions of atrocities and wanton cruelty even today, fifty years after the end of the Last European War Yet once again fascism is in the ascendant, suggesting that it is time for us to renew our understanding of its ideas, ideals, and iniquities. This anthology tries to show why fascism holds such strong appeal to many people. With a wide selection of texts written by fascist thinkers and propagandists as well as prominent anti-fascist criticism from both inside and outside Europe, before and after the Second World War, this collection offers a chilling portrait of the most feared political doctrine in modern history. Some of the topics covered in this volume include fascism in Germany and Italy, pre-1922 precursors of fascism, theories of fascism, the abortive fascist movements in the period 1922-1945, anti-fascist movements and reaction, Marxist criticism of fascist ideology, and post-war fascism. With contributions from writers as diverse as Benito Mussolini and Primo Levi, Joseph Goebbels and George Orwell, Martin Heidegger and Max Horkheimer, this insightful book evokes the pernicious effects of fascist ideology.

Ernst Jünger was one of twentieth-century Germany's most important--and most controversial--writers. Decorated for bravery in World War I and the author of the acclaimed western front memoir Storm of Steel, he frankly depicted war's horrors even as he extolled its glories. As a Wehrmacht captain during World War II, Jünger faithfully kept a journal in occupied Paris and continued to write on the eastern front and in Germany until its defeat--writings that are of major historical and literary significance. Jünger's Paris journals document his Francophile excitement, romantic affairs, and fascination with botany and entomology, alongside mystical and religious ruminations and trenchant observations on the occupation and the politics of collaboration. While working as a mail censor, he led the privileged life of an officer, encountering artists such as Céline, Cocteau, Braque, and Picasso. His notes from the Caucasus depict the chaos after Stalingrad and atrocities on the eastern front. Upon returning to Paris, Jünger observed the French resistance and was close to the German military conspirators who plotted to assassinate Hitler in 1944. After fleeing France, he reunited with his family as Germany's capitulation approached. Both participant and commentator, close to the horrors of history but often distancing himself from them, Jünger turned his life and experiences into a work of art. These wartime journals appear here in English for the first time, giving fresh insights into the quandaries of the twentieth century from the keen pen of a paradoxical observer.

Winston Churchill's six-volume history of the cataclysm that swept the world remains the definitive history of the Second World War. Lucid, dramatic, remarkable both for its breadth and sweep and for its sense of personal involvement, it is universally acknowledged as a magnificent reconstruction and is an enduring, compelling work that led to his being awarded the Nobel Prize for literature. The Hinge of Fate describes how the tide of the war gradually turned for Britain and its allies from constant defeat to almost unbroken successes - Japan's successful assault on the Pacific, Britain's attempts to aid a beleaguered Russia and the defeat of Rommel at the Battle of Alamein.

Winston Churchill's six-volume history of the cataclysm that swept the world remains the definitive history of the Second World War. Lucid, dramatic, remarkable both for its breadth and sweep and for its sense of personal involvement, it is universally acknowledged as a magnificent reconstruction and is an enduring, compelling work that led to his being awarded the Nobel Prize for literature. Closing the Ring chronicles the period between June 1943 and July 1944 as the Allies consolidated their gains towards a drive to victory - the fall of Mussolini, Hitler's 'secret weapon', the mounting air offensive on Germany, strategies to defeat Japan and the plans for D Day.

In this magisterial narrative, Zara Steiner traces the twisted road to war that began with Hitler's assumption of power in Germany. Covering a wide geographical canvas, from America to the Far East, Steiner provides an indispensable reassessment of the most disputed events of these tumultuous years. Steiner underlines the far-reaching consequences of the Great Depression, which shifted the initiative in international affairs from those who upheld the status quo to those who were intent on destroying it. In Europe, the l930s were Hitler's years. He moved the major chess pieces on the board, forcing the others to respond. From the start, Steiner argues, he intended war, and he repeatedly gambled on Germany's future to acquire the necessary resources to fulfil his continental ambitions. Only war could have stopped him-an unwelcome message for most of Europe. Misperception, miscomprehension, and misjudgment on the part of the other Great Powers leaders opened the way for Hitler's repeated diplomatic successes. It is ideology that distinguished the Hitler era from previous struggles for the mastery of Europe. Ideological presumptions created false images and raised barriers to understanding that even good intelligence could not penetrate. Only when the leaders of Britain and France realized the scale of Hitler's ambition, and the challenge Germany posed to their Great Power status, did they finally declare war.