Empfehlungen basierend auf "Better Off Dead in Deadwood"

"A compelling, gory, ghostly romp." —Paul Tremblay, New York Times bestselling author of Horror Movie "This is what it felt like to live in New York City during lockdown: haunted, absurd, terrifying, ridiculous, and full of hungry ghosts." —Grady Hendrix, New York Times bestselling author of How to Sell a Haunted House In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic. Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head. She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women. As Cora will soon learn, you can’t just ignore hungry ghosts. For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience―and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

WINNER OF THE AMERICAN LIBRARY ASSOCIATION’S BEST HORROR NOVEL OF THE YEAR“As much F. Scott Fitzgerald as Dean Koontz” (#1 New York Times bestselling author Patricia Briggs), Christopher Buehlman excels in twisting the familiar into newfound dread in his “genre-bending” (California Literary Review) novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet...The secret is, vampires are real and I am one.The secret is, I’m stealing from you what is most truly yours and I’m not sorry...New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.And neither are the rest of us.

A Harvey Award Nominee!An NAACP Image Awards Nominee!A Mary Sue Best YA Graphic Novel!A 2025 CBC Best Children's Book of the Year selection! Ghost Roast delivers a paranormal adventure full of first crushes, lost histories, and the impossible task of fitting in when your dad is a professional ghosthunter, all in one stand-alone YA graphic novel from authors Shawneé and Shawnelle Gibbs and debut artist Emily Cannon!For as long as she can remember, Chelsea Grant has tried everything she can think of to distance herself from the disastrous damage her father does to her social life. It's not easy to shake her reputation as Ghost Girl when Dad keeps advertising his business as a "paranormal removal expert" in big, bold, loud letters all over New Orleans!This year, Chelsea's all grown up, attending one of the most prestigious high schools in the city, and she's finally made friends with the popular crowd. Things are looking up--until a night on the town backfires spectacularly, landing her in hot water at home.Her punishment? Working for her dad at Paranormal Removal Services. All. Summer.Worst of all, her new job reveals an unexpected secret she has to keep: While Dad hunts ghosts with his own DIY tech, Chelsea can actually see them. And when she meets Oliver, a friendly spirit, at the fancy mansion her dad is getting a handsome fee to exorcize, she realizes she has to save his afterlife, even if it risks everything her father's worked for."A wonderfully executed remix of the Classic Southern Gothic ghost story. Beautiful, romantic, exciting, and essential." --John Jennings, #1 New York Times bestselling, Eisner Award-winning illustrator of Kindred: A Graphic Novel Adaptation

REALITY BITES Talk radio host and werewolf Kitty Norville has agreed to appear on TV's first all-supernatural reality show. She's expecting cheesy competitions and manufactured drama starring shapeshifters, vampires, and psychics. But what begins as a publicity stunt will turn into a fight for her life. The cast members, including Kitty, arrive at the remote mountain lodge where the show is set. As soon as filming starts, violence erupts and Kitty suspects that the show is a cover for a nefarious plot. Then the cameras stop rolling, cast members start dying, and Kitty realizes she and her monster housemates are ironically the ultimate prize in a very different game. Stranded with no power, no phones, and no way to know who can be trusted, she must find a way to defeat the evil closing in . . . before it kills them all.

It's the end of the ride--for now! Fright-master R.L. Stine saves the most shocking surprises for last as all of HorrorLand's secrets are revealed! The kids who are trapped in HorrorLand thought they had reason enough to panic. That was before they reached Panic Park. It seemed like the only way to escape the mysterious villain who's playing puppet-master with their lives. But Panic Park is a perilous place, and it makes HorrorLand seem like HappyLand! Now they must face their greatest fears--and team up with the unlikeliest allies--in this shocking conclusion to the ride of a lifetime.

The first four terrifying adventures of a young boy whose visit to a mysterious freak show leads him on a journey into a dark world of vampires has been packaged in this set of mass-market paperbacks.

Jamie and Tom are night fishing and decide to visit their secret dinosaur world in the dark! As they emerge into the Triassic, they hear the night-time sounds of the prehistoric jungle. Together with their dino friend, Wanna, they set up a camp and settle down to tell scary ghost stories, but when some noisy Triassic frogs start up their mating call, it makes the boys jump! And just as they get back to their stories, a sharp-toothed Coelophysis runs past their lantern and they discover they're surrounded . . .

Part text, part video, all chills and thrills -- Patrick Carman's Skeleton Creek returns! Strange things happen in Skeleton Creek…and when they do, Ryan writes them down and Sarah captures them on video. Now, the spookiness is spreading, and the mystery is going to take them far beyond Skeleton Creek-into places both unexpectedly sinister and spine-chillingly haunted. Patrick Carman broke new ground for publishing with the first two Skeleton Creek stories, creating the most successful hybrid of text and web video yet. Now he ups the ante even further, taking the suspense to new places, and taking his legions of readers with him.

With more than 3.2 million copies sold across all channels, READY, FREDDY! is a huge success with first-grade readers! It's Halloween time, and Freddy is already spooked -- something has been making strange noises in his family's attic! Can Freddy solve the mystery, or will he be too frightened to find out?