Empfehlungen basierend auf "Baudelaire and 'Le Spleen de Paris'"

“I am large, I contain multitudes”A Penguin ClassicWhen Walt Whitman self-published his Leaves of Grass in July 1855, he altered the course of literary history. One of the greatest masterpieces of American literature, it redefined the rules of poetry while describing the soul of the American character. Throughout his great career, Whitman continuously revised, expanded, and republished Leaves of Grass, but many critics believe that the book that matters most is the 1855 original. Penguin Classics proudly presents that text in its original and complete form, with an introductory essay by the writer and poet Malcolm Cowley.“I celebrate myself, and sing myself,And what I assume you shall assume,For every atom belonging to me as good belongs to you.”For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

So Bright and Delicate: Love Letters and Poems of John Keats to Fanny Brawne is a testament to the love that inspired the passion and creativity of one of the greatest English Romantic poets. This Penguin Classics edition includes an introduction by Jane Campion, Oscar-winning director of the film Bright Star. John Keats died aged just twenty-five, leaving behind some of the most exquisite and moving verse and love letters ever written, inspired by his great love for his neighbour, Fanny Brawne. Although they knew each other for just a few short years and spent a great deal of that time apart - separated by Keats's worsening illness, which forced a move abroad - Keats wrote again and again about and to his love, right until his very last poem, called simply 'To Fanny'. She, in turn, would wear the ring he had given her until her death. So Bright and Delicate contains the love poems and correspondence composed by Keats in the heat of his passion, and is a dazzling display of a talent cruelly cut short. John Keats (1795-1821) lost both his parents at an early age. His decision to commit himself to poetry, rather than follow a career in medicine, was a personal challenge, unfounded in any prior success. His first volume of poetry, published in 1817, was a critical and commercial failure. During his short life he received little recognition, and it was not until the latter part of the nineteenth century that his place in English Romanticism began to be understood, and not until this century that it became fully appreciated. If you enjoyed So Bright and Delicate, you might like Keats's Complete Poems, also available in Penguin Classics.

Over the course of his short life, John Keats (1795-1821) honed a raw talent into a brilliant poetic maturity. By the end of his brief career, he had written poems of such beauty, imagination and generosity of spirit, that he had - unwittingly - fulfilled his wish that he should ‘be among the English poets after my death’. This wide-ranging selection of Keats’s poetry contains youthful verse, such as his earliest known poem ‘Imitation of Spenser’; poems from his celebrated collection of 1820 - including ‘Lamia’, ‘Isabella’, ‘The Eve of St Agnes’, ‘Ode to a Nightingale’ and ‘Hyperion’ - and later celebrated works such as ‘La Belle Dame sans Merci’. Also included are many poems considered by Keats to be lesser work, but which illustrate his more earthy, playful side and superb ear for everyday language.

Following Her Widely Acclaimed Autobiography Of Red (a Spellbinding Achievement --susan Sontag), A New Collection Of Poetry And Prose That Displays Anne Carson's Signature Mixture Of Opposites--the Classic And The Modern, Cinema And Print, Narrative And Verse. In Men In The Off Hours, Carson Reinvents Figures As Diverse As Oedipus, Emily Dickinson, And Audubon. She Views The Writings Of Sappho, St. Augustine, And Catullus Through A Modern Lens. She Sets Up Startling Juxtapositions (lazarus Among Video Paraphernalia; Virginia Woolf And Thucydides Discussing War). And In A Final Prose Poem, She Meditates On The Recent Death Of Her Mother. With Its Quiet, Acute Spirituality, Its Fearless Wit And Sensuality, And Its Joyful Understanding That The Fact Of The Matter For Humans Is Imperfection, Men In The Off Hours Shows Us The Most Exciting Poet Writing In English Today (michael Ondaatje) At Her Best.

"The Walt Whitman of Los Angeles."—Joyce Carol Oates, bestselling author"He brought everybody down to earth, even the angels."—Leonard Cohen, songwriterBurning in Water, Drowning in Flame is poetry full of gambling, drinking and women. Charles Bukowski writes realistically about the seedy underbelly of life.

Finalist for the 2005 National Book Critics Circle Award in Poetry—an erotic, powerful collection“One of the best books of contemporary poetry.”—Victoria Chang, Huffington Post“Vital, immediate, and cinematic in scope.”—Library Journal (Best Poetry of 2005)Selected by Nobel Prize laureate and competition judge Louise Glück as the 2004 winner of the Yale Younger Poets prize, Richard Siken’s Crush is a powerful collection of poems driven by obsession and love. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking.In her introduction to the book, Glück hails the “cumulative, driving, apocalyptic power, [and] purgatorial recklessness” of Siken’s poems. She notes, “Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.”

An Instant New York Times BestsellerThe author of the #1 New York Times bestseller What Kind of Woman returns with a collection of erasure poems created from notes she received from followers, supporters and detractors—an artform that reclaims the vitriol from online trolls and inspires readers to transform what is ugly or painful in their own lives into something beautiful.“I'm sure you could benefit from jumping on a treadmill”“Women WANT a male leader . . . It’s honest to god the basic human playbook”These are some of the thousands of messages that Kate Baer has received online. Like countless other writers—particularly women—with profiles on the internet, as Kate’s online presence grew, so did the darker messages crowding her inbox. These missives from strangers have ranged from “advice” and opinions to outright harassment.At first, these messages resulted in an immediate delete and block. Until, on a whim, Kate decided to transform the cruelty into art, using it to create fresh and intriguing poems. These pieces, along with ones made from notes of gratitude and love, as well as from the words of public figures, have become some of her most beloved work.I Hope This Finds You Well is drawn from those works: a book of poetry birthed in the darkness of the internet that offers light and hope. By cleverly building on the harsh negativity and hate women often receive—and combining it with heartwarming messages of support, gratitude, and connection, Kate Baer offers us a lesson in empowerment, showing how we too can turn bitterness into beauty.

Untitled and unpunctuated, the seventy poems in this collection seem to cascade from one page to another. Maurice Manning extolls the virtues of nature and its many gifts, and finds deep gratitude for the mysterious hand that created it all.that bare branch that branch made blackby the rain the silver raindrophanging from the black branchBoss I like that black branchI like that shiny raindrop Bosstell me if I’m wrong but it makesme think you’re looking rightat me now isn’t that a lark for meto think you look that wayupside down like a tree frogBoss I’m not surprised at allI wouldn’t doubt it fora minute you’re always upto something I’ll say one thingyou’re all right all right you areeven when you’re hanging Boss

From the author of The Arsonists’ City and The Twenty-Ninth Year, a new collection of poetry that traces the fragmentation of memory, archive, and family–past, present, future–in the face of displacement and war.A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.These poems take stock of who and what can displace you from home and from your own body—and, conversely, the kind of resilience, tenacity, and love that can bring you back into yourself and into the context of past and future generations. Hala Alyan asks, What stops you from transforming into someone or something else? When you have lived a life in flux, how do you find rest?

Forty poems by Pulitzer Prize-winning poet Mary Oliver"Mary Oliver's poetry is fine and deep; it reads like a blessing," wrote Stanley Kunitz. For the many admirers of Mary Oliver's dazzling poetry and luminous vision, as well as for those who may be coming to her work for the first time, What Do We Know will be a revelation. These forty poems-of observing, of searching, of pausing, of astonishment, of giving thanks embrace in every sense the natural world, its unrepeatable moments and its ceaseless cycles. Mary Oliver evokes unforgettable images from one hundred white-sided dolphins on a summer day to bees that have memorized every stalk and leaf in a field even as she reminds us, after Emerson, that "the invisible and imponderable is the sole fact."