Empfehlungen basierend auf "Badenheim 1939"

2018 NATIONAL JEWISH BOOK AWARD BOOK OF THE YEARIn this dual autobiography, the Klarsfelds tell the dramatic story of fifty years devoted to bringing Nazis to justiceFor more than a century, Beate and Serge Klarsfeld have hunted, confronted, and exposed Nazi war criminals, tracking them down in places as far-flung as South America and the Middle East. It is they who uncovered the notorious torturer Klaus Barbie, known as “the Butcher of Lyon,” in Bolivia. It is they who outed Kurt Lischka as chief of the Gestapo in Paris, the man responsible for the largest deportation of French Jews. And it is they who, with the help of their son, Arno, brought the Vichy police chief Maurice Papon to justice.They were born on opposite sides of the Second World War. Beate’s father was in the Wehrmacht, while Serge’s father was deported to Auschwitz because he was a Jew. But when Serge and Beate met on the Paris metro, they instantly fell in love. They soon married and have since dedicated their lives to “hunting the truth”―both as world-famous Nazi hunters and as meticulous documenters of the fate of the innocent French Jewish children who were killed in the death camps.They have been jailed and targeted by letter bombs, and their car was even blown up. Yet nothing has daunted the Klarsfelds in their pursuit of justice. Beate made worldwide headlines at age twenty-nine by slapping the high-profile ex–Nazi propagandist Chancellor Kurt Georg Kiesinger and shouting “Nazi!” Serge intentionally provoked a neo-Nazi in a German beer hall by wearing an armband with a yellow star on it, so that the press would report on the assault. When Pope John Paul II met with Austria’s then-president, Kurt Waldheim, a former Wehrmacht officer in the Balkans suspected of war crimes, the Klarsfelds’ son, dressed as a Nazi officer, stood outside the Vatican. The Klarsfelds also dedicated themselves to defeating Jean-Marie Le Pen’s National Front and his daughter Marine Le Pen’s 2017 campaign for president in France.Brave, urgent, and buoyed by a remarkable love story, Hunting the Truth is not only the dramatic memoir of bringing Nazis to justice, it is also the inspiring story of an unrelenting battle against prejudice and hate.

The author-illustrator traces his father's imprisonment in a Nazi concentration camp through a series of disarming and unusual cartoons arranged to tell the story as a novel

Tadeusz Borowski’s concentration camp stories were based on his own experiences surviving Auschwitz and Dachau. In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In the shadow of Auschwitz, a flamboyant German industrialist grew into a living legend to the Jews of Cracow. He was a womaniser, a heavy drinker and a bon viveur, but to them he became a saviour. This is the extraordinary story of Oskar Schindler, who risked his life to protect Jews in Nazi-occupied Poland and who was transformed by the war into a man with a mission, a compassionate angel of mercy.

Winner of the 2016 Baillie Gifford Prize for NonfictionWinner of the 2017 Jewish Quarterly-Wingate Prize“A monumental achievement…a profoundly personal account of the origins of crimes against humanity and genocide, told with love, anger and precision.” –John le Carré“A narrative, to my knowledge unprecedented. [It] should not be ignored by anyone in the United States or elsewhere.” —Bernard-Henri Levy on the front cover of The New York Times Book Review“Exceptional…has the intrigue, verve and material density of a first-rate thriller.” —The Guardian“Astonishing…An outstanding book…A story of heroes and loss.” —The New StatesmanA profound and profoundly important book—a moving personal detective story, an uncovering of secret pasts, and a book that explores the creation and development of world-changing legal concepts that came about as a result of the unprecedented atrocities of Hitler’s Third Reich.East West Street looks at the personal and intellectual evolution of the two men who simultaneously originated the ideas of “genocide” and “crimes against humanity,” both of whom, not knowing the other, studied at the same university with the same professors, in a city little known today that was a major cultural center of Europe, “the little Paris of Ukraine,” a city variously called Lemberg, Lwów, Lvov, or Lviv.The book opens with the author being invited to give a lecture on genocide and crimes against humanity at Lviv University. Sands accepted the invitation with the intent of learning about the extraordinary city with its rich cultural and intellectual life, home to his maternal grandfather, a Galician Jew who had been born there a century before and who’d moved to Vienna at the outbreak of the First World War, married, had a child (the author’s mother), and who then had moved to Paris after the German annexation of Austria in 1938. It was a life that had been shrouded in secrecy, with many questions not to be asked and fewer answers offered if they were.As the author uncovered, clue by clue, the deliberately obscured story of his grandfather’s mysterious life, and of his mother’s journey as a child surviving Nazi occupation, Sands searched further into the history of the city of Lemberg and realized that his own field of humanitarian law had been forged by two men—Rafael Lemkin and Hersch Lauterpacht—each of whom had studied law at Lviv University in the city of his grandfather’s birth, each considered to be the father of the modern human rights movement, and each, at parallel times, forging diametrically opposite, revolutionary concepts of humanitarian law that had changed the world.In this extraordinary and resonant book, Sands looks at who these two very private men were, and at how and why, coming from similar Jewish backgrounds and the same city, studying at the same university, each developed the theory he did, showing how each man dedicated this period of his life to having his legal concept—“genocide” and “crimes against humanity”—as a centerpiece for the prosecution of Nazi war criminals.And the author writes of a third man, Hans Frank, Hitler’s personal lawyer, a Nazi from the earliest days who had destroyed so many lives, friend of Richard Strauss, collector of paintings by Leonardo da Vinci. Frank oversaw the ghetto in Lemberg in Poland in August 1942, in which the entire large Jewish population of the area had been confined on penalty of death. Frank, who was instrumental in the construction of concentration camps nearby and, weeks after becoming governor general of Nazi-occupied Poland, ordered the transfer of 133,000 men, women, and children to the death camps.Sands brilliantly writes of how all three men came together, in October 1945 in Nuremberg—Rafael Lemkin; Hersch Lauterpacht; and in the dock at the Palace of Justice, with the twenty other defendants of the Nazi high command, prisoner number 7, Hans Frank, who had overseen the extermination of more than a million Jews of Galicia a

The 14,500 Polish army officers, police, gendarmes, and civilians taken prisoner by the Red Army when it invaded eastern Poland in September 1939 were held in three special NKVD camps and executed at three different sites in spring 1940, of which the one in Katyn Forest is the most famous. Another 7,300 prisoners held in NKVD jails in Ukraine and Belarus were also shot at this time, although many others disappeared without trace. The murder of these Poles is among the most monstrous mass murders undertaken by any modern government. Three leading historians of the NKVD massacres of Polish prisoners of war at Katyn, Kharkov, and Tver—now subsumed under “Katyn”—present 122 documents selected from the published Russian and Polish volumes coedited by Natalia S. Lebedeva and Wojciech Materski. The documents, with introductions and notes by Anna M. Cienciala, detail the Soviet killings, the elaborate cover-up, the admission of the truth, and the Katyn question in Soviet/Russian–Polish relations up to the present.

Anne Applebaum wields her considerable knowledge of a dark chapter in human history and presents a collection of the writings of survivors of the Gulag, the Soviet concentration camps. Although the opening of the Soviet archives to scholars has made it possible to write the history of this notorious concentration camp system, documents tell only one side of the story. "Gulag Voices" now fills in the other half.The backgrounds of the writers reflect the extraordinary diversity of the Gulag itself. Here are the personal stories of such figures as Dmitri Likhachev, a renowned literary scholar; Anatoly Marchenko, the son of illiterate laborers; and Alexander Dolgun, an American citizen. These remembrances many of them appearing in English for the first time, each chosen for both literary and historical value collectively spotlight the strange moral universe of the camps, as well as the relationships that prisoners had with one another, with their guards, and with professional criminals who lived beside them.A vital addition to the literature of this era, annotated for a generation that no longer remembers the Soviet Union, "Gulag Voices" will inform, interest, and inspire, offering a source for reflection on human nature itself."

From “one of the great—if not the greatest—contemporary Yiddish novelists” (Elie Wiesel), the long-awaited English translation of a work, Tolstoyan in scope, that chronicles the last, tumultuous decade of a world succumbing to the march of modernity “A great beard novel . . . Also a great food novel . . . A melancholy book that also happens to be hopelessly, miraculously, unremittingly funny . . . [Grade’s] fretful characters vibrate as if they were drawn by Roz Chast [and] Rose Waldman's translation seems miraculous to me.” —Dwight Garner, The New York Times“It is me the prophet laments when he cries out, ‘My enemies are the people in my own home.’” The Rabbi ignored his borscht and instead chewed on a crust of bread dipped in salt. “My greatest enemies are my own family.”Rabbi Sholem Shachne Katzenellenbogen’s world, the world of his forefathers, is crumbling before his eyes. And in his own home! His eldest, Bentzion, is off in Bialystok, studying to be a businessman; his daughter Bluma Rivtcha is in Vilna, at nursing school. For her older sister, Tilza, he at least managed to find a suitable young rabbi, but he can tell things are off between them. Naftali Hertz? Forget it; he’s been lost to a philosophy degree in Switzerland (and maybe even a goyish wife?). And now the rabbi’s youngest, Refael’ke, wants to run off to the Holy Land with the Zionists.Originally serialized in the 1960s and 1970s in New York–based Yiddish newspapers, Chaim Grade’s Sons and Daughters is a precious glimpse of a way of life that is no longer—the rich Yiddish culture of Poland and Lithuania that the Holocaust would eradicate. We meet the Katzenellenbogens in the tiny village of Morehdalye, in the 1930s, when gangs of Poles are beginning to boycott Jewish merchants and the modern, secular world is pressing in on the shtetl from all sides. It’s this clash, between the freethinking secular life and a life bound by religious duty—and the comforts offered by each—that stands at the center of Sons and Daughters. With characters that rival the homespun philosophers and lovable rogues of Sholem Aleichem and I. B. Singer—from the brooding Zalia Ziskind, paralyzed by the suffering of others, to the Dostoyevskian demon Shabse Shepsel—Grade’s masterful novel brims with humanity and heartbreaking affection for a world, once full of life in all its glorious complexity, that would in just a few years vanish forever.

Written in Paris in the early 1950s, this book created instant controversy in its analysis of modern society that had allowed itself to be hypnotized by socio-political doctrines, and to accept totalitarian terror on the strength of a hypothetical future.