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Emma Goldman: A Documentary History of the American Years reconstructs the life of Emma Goldman through significant texts and documents. These volumes collect personal letters, lecture notes, newspaper articles, court transcripts, government surveillance reports, and numerous other documents, many of which appear here in English for the first time. Supplemented with thorough annotations, multiple appendixes, and detailed chronologies, the texts bring to life the memory of this singular, pivotal figure in American and European radical history.Volume 1: Made for America, 1890-1901 introduces readers to the young Emma Goldman as she begins her association with the international anarchist movement and especially with the German, Jewish, and Italian immigrant radicals in New York City. From early on, Goldman's movement through political and intellectual circles is marked by violence, from the attempted murder of industrialist Henry Clay Frick by Goldman's lover, Alexander Berkman, to the assassination of President William McKinley, in which Goldman was falsely implicated. The documents surrounding these events illuminate Goldman's struggle to balance anarchism's positive gains and its destructive costs. This volume introduces many of the themes that would pervade much of Goldman's later writings and speeches: the untold possibilities of anarchism; the transformative power of literature; the interplay of human relationships; and the importance of free speech, education, labor, women's freedom, and radical social reform.

The territory of Napa County, California, contains more than grapevines. The deepest roots belong to Wappo-speaking peoples, a group whose history has since been buried by the stories of Spanish colonizers, Californios (today's Latinos), African Americans, Chinese immigrants, and Euro Americans. Napa's history clearly is one of co-existence; yet, its schoolbooks tell a linear story that climaxes with the arrival of Euro Americans. In "This Land was Mexican Once," Linda Heidenreich excavates Napa's subaltern voices and histories to tell a complex, textured local history with important implications for the larger American West, as well.Heidenreich is part of a new generation of scholars who are challenging not only the old, Euro-American depiction of California, but also the linear method of historical storytelling—a method that inevitably favors the last man writing. She first maps the overlapping histories that comprise Napa's past, then examines how the current version came to dominate—or even erase—earlier events. So while history, in Heidenreich's words, may be "the stuff of nation-building," it can also be "the stuff of resistance." Chapters are interspersed with "source breaks"—raw primary sources that speak for themselves and interrupt the linear, Euro-American telling of Napa's history. Such an inclusive approach inherently acknowledges the connections Napa's peoples have to the rest of the region, for the linear history that marginalizes minorities is not unique to Napa. Latinos, for instance, have populated the American West for centuries, and are still shaping its future. In the end, "This Land was Mexican Once" is more than the story of Napa, it is a multidimensional model for reflecting a multicultural past.

The long relationship between America’s colonizing wars and virulent anticommunismThe colonizing wars against Native Americans created the template for anticommunist repression in the United States. Tariq D. Khan’s analysis reveals bloodshed and class war as foundational aspects of capitalist domination and vital elements of the nation’s long history of internal repression and social control. Khan shows how the state wielded the tactics, weapons, myths, and ideology refined in America’s colonizing wars to repress anarchists, labor unions, and a host of others labeled as alien, multi-racial, multi-ethnic urban rabble. The ruling classes considered radicals of all stripes to be anticolonial insurgents. As Khan charts the decades of red scares that began in the 1840s, he reveals how capitalists and government used much-practiced counterinsurgency rhetoric and tactics against the movements they perceived and vilified as “anarchist.”Original and boldly argued, The Republic Shall Be Kept Clean offers an enlightening new history with relevance for our own time.

How the rhetoric of terrorism has been used against high-profile movements to justify the oppression and suppression of Indigenous activists.New Indigenous movements are gaining traction in North America: the Missing and Murdered Women and Idle No More movements in Canada, and the Native Lives Matter and NoDAPL movements in the United States. These do not represent new demands for social justice and treaty rights, which Indigenous groups have sought for centuries. But owing to the extraordinary visibility of contemporary activism, Indigenous people have been newly cast as terrorists—a designation that justifies severe measures of policing, exploitation, and violence. Red Scare investigates the intersectional scope of these four movements and the broader context of the treatment of Indigenous social justice movements as threats to neoliberal and imperialist social orders.In Red Scare, Joanne Barker shows how US and Canadian leaders leverage the fear-driven discourses of terrorism to allow for extreme responses to Indigenous activists, framing them as threats to social stability and national security. The alignment of Indigenous movements with broader struggles against sexual, police, and environmental violence puts them at the forefront of new intersectional solidarities in prominent ways. The activist-as-terrorist framing is cropping up everywhere, but the historical and political complexities of Indigenous movements and state responses are unique. Indigenous criticisms of state policy, resource extraction and contamination, intense surveillance, and neoliberal values are met with outsized and shocking measures of militarized policing, environmental harm, and sexual violence. Red Scare provides students and readers with a concise and thorough survey of these movements and their links to broader organizing; the common threads of historical violence against Indigenous people; and the relevant alternatives we can find in Indigenous forms of governance and relationality.

From a Pulitzer Prize-nominated journalist specializing in the Middle East, this groundbreaking account of the Syrian Civil War reveals the never-before-published true story of a 21st-century humanitarian disaster.In spring 2011, Syrian President Bashar al-Assad turned to his friend and army commander, Manaf Tlass, for advice about how to respond to Arab Spring-inspired protests. Tlass pushed for conciliation but Assad decided to crush the uprising -- an act which would catapult the country into an eight-year long war, killing almost half a million and fueling terrorism and a global refugee crisis.Assad or We Burn the Country examines Syria's tragedy through the generational saga of the Assad and Tlass families, once deeply intertwined and now estranged in Bashar's bloody quest to preserve his father's inheritance. By drawing on his own reporting experience in Damascus and exclusive interviews with Tlass, Dagher takes readers within palace walls to reveal the family behind the destruction of a country and the chaos of an entire region.Dagher shows how one of the world's most vicious police states came to be and explains how a regional conflict extended globally, engulfing the Middle East and pitting the United States and Russia against one another. Timely, propulsive, and expertly reported, Assad or We Burn the Country is the definitive account of this global crisis, going far beyond the news story that has dominated headlines for years.

Emma Goldman: A Documentary History of the American Years redefines the historical memory of Emma Goldman and illuminates a forgotten yet influential facet in the history of American and European radicalism. This definitive multivolume work, which differs significantly from Goldman's autobiography, presents original texts—a significant group of which are published or translated into English for the first time—anchored by rigorous contextual annotations. The distillation of years of scholarly research, these volumes include personal correspondence, newspaper articles, government surveillance reports from America and Europe, dramatic court transcripts, lecture notes, and previously unpublished documents retrieved from obscurity. Biographical, newspaper, and organizational appendices are complemented by in-depth chronologies that underscore the complexity of Goldman's political and social milieu.Making Speech Free, 1902–1909, the second volume in the series, chronicles Goldman's pivotal role in the early battle for free expression. It highlights the relationship between the development of the right of free speech and turn-of-the-century anarchist ideas. The enactment of anti-anarchist laws and the organization of groups in protest occupy center stage among the primary documents. Within this frame, the volume presents Goldman's evolving attitudes toward violence in both its European and American contexts, the emergent revolution in Russia, and the beginnings of the Modern School education movement in America, the social significance of European modern drama, and the right of labor to organize against unfair working conditions in the United States. The volume features the early evolution of Goldman's magazine, Mother Earth, launched in 1906, which promoted a blending of modern literary and cultural ideas into her radical and social political agenda and became a platform for the articulation of her feminist critique, an expression of her international reach, and a marker of her desire to spread anarchist ideas outside the immigrant left. Making Speech Free also tracks Goldman's emergence as a writer and orator whose scathing critique of hypocrisy in all realms of life and politics would eventually capture the attention and imagination of America.

From a Booker Prize-winning author and one of the most impassioned of writers of our time, this powerful collection of essays offers a stark portrait of post-9/11 realities. John Berger occupies a unique position in the international cultural landscape: artist, filmmaker, poet, philosopher, novelist, and essayist, he is also a deeply thoughtful political activist. In Hold Everything Dear, his artistry and activism meld in an attempt to make sense of the current state of our world.   Berger analyzes the nature of terrorism and the profound despair that gives rise to it. He writes about the homelessness of millions who have been forced by poverty and war to live as refugees. He discusses Afghanistan, Iraq, Palestine, Serbia, Bosnia, China, Indonesia-anyplace where people are deprived of the most basic of freedoms. Berger powerfully acknowledges the depth of suffering around the world and suggests actions that might finally help bring it to an end.

PULITZER PRIZE WINNER • The definitive history of the infamous 1971 Attica Prison uprising, the state's violent response, and the victim's decades-long quest for justice. • Thompson served as the Historical Consultant on the Academy Award-nominated documentary feature ATTICA“Gripping ... deals with racial conflict, mass incarceration, police brutality and dissembling politicians ... Makes us understand why this one group of prisoners [rebelled], and how many others shared the cost.” —The New York Times On September 9, 1971, nearly 1,300 prisoners took over the Attica Correctional Facility in upstate New York to protest years of mistreatment. Holding guards and civilian employees hostage, the prisoners negotiated with officials for improved conditions during the four long days and nights that followed. On September 13, the state abruptly sent hundreds of heavily armed troopers and correction officers to retake the prison by force. Their gunfire killed thirty-nine men—hostages as well as prisoners—and severely wounded more than one hundred others. In the ensuing hours, weeks, and months, troopers and officers brutally retaliated against the prisoners. And, ultimately, New York State authorities prosecuted only the prisoners, never once bringing charges against the officials involved in the retaking and its aftermath and neglecting to provide support to the survivors and the families of the men who had been killed.   Drawing from more than a decade of extensive research, historian Heather Ann Thompson sheds new light on every aspect of the uprising and its legacy, giving voice to all those who took part in this forty-five-year fight for justice: prisoners, former hostages, families of the victims, lawyers and judges, and state officials and members of law enforcement. Blood in the Water is the searing and indelible account of one of the most important civil rights stories of the last century.(With black-and-white photos throughout)

In the 1920s, the US government passed legislation against undocumented entry into the country, and as a result the figure of the "illegal alien" took form in the national discourse. In this book, Lisa A. Flores explores the history of our language about Mexican immigrants and exposes how our words made these migrants "illegal." Deportable and Disposable brings a rhetorical lens to a question that has predominantly concerned historians: how do differently situated immigrant populations come to belong within the national space of whiteness, and thus of American-ness? Flores presents a genealogy of our immigration discourse through four stereotypes: the "illegal alien," a foreigner and criminal who quickly became associated with Mexican migrants; the "bracero," a docile Mexican contract laborer; the "zoot suiter," a delinquent Mexican American youth engaged in gang culture; and the "wetback," an unwanted migrant who entered the country by swimming across the Rio Grande. By showing how these figures were constructed, Flores provides insight into the ways in which we racialize language and how we can transform our political rhetoric to ensure immigrant populations come to belong as part of the country, as Americans. Timely, thoughtful, and eye-opening, Deportable and Disposable initiates a necessary conversation about the relationship between racial rhetoric and the literal and figurative borders of the nation. This powerful book will inform policy makers, scholars, activists, and anyone else interested in race, rhetoric, and immigration in the United States.

“Maia Ramnath's Haj to Utopia is an odyssey through the world of early twentieth-century political radicalism, with a focus on the freedom dreams of those of Indian ancestry who found themselves on the West Coast of the United States. She traces with pointillist care the unruly imaginations fired up by empire's unimaginative rule. To be read and re-read.”—Vijay Prashad, author of The Darker Nations: A People's History of the Third World"Maia Ramnath’s Haj to Utopia is a thought-provoking study of the Ghadar project for revolutionary change. Going beyond the frame of a nationalist, armed struggle for the overthrow of British rule in India, the author deftly explores and contextualizes the links between Ghadar and a medley of revolutionary groups, and the exotic mix of radical ideas and activities. It provides valuable insight into the peculiar conjunction of nationalist, pan-Islamist, and Marxian discourses which made Ghadar a unique revolutionary adventure." —Harish K. Puri, author Ghadar Movement: Ideology, Organisation and Strategy“Maia Ramnath's book on the Ghadar Movement is an impressive accomplishment: it is at once an in-depth monograph surpassing all previous work on the subject, and a model of how world history should be written. She places the Ghadar in the perspective of pre-nationalist, anti-imperialist struggles, connecting it with other contemporary revolutionary movements around the world. It is empirically rich—Ramnath explores all extant empirical sources and illuminates them with exacting theoretical insights.”—Dilip Basu, University of California, Santa Cruz“Maia Ramnath's meticulous scholarship enables her to effortlessly avoid the old clichés of nationalist historiography and the new clichés of ‘global’ and ‘cosmopolitan’ history. The Haj to Utopia is respectful of detail and context and has a fine feeling for the diverse social histories and intellectual movements in which its characters find themselves.”—Benjamin Zachariah, author of Playing the Nation Game: the Ambiguities of Nationalism in India