Empfehlungen basierend auf "Autotheory as Feminist Practice in Art, Writing, and Criticism"

The second volume of Michel Foucault's pioneering analysis of the changing nature of desire explores how sexuality was perceived in classical Greek culture. From the stranger byways of Greek medicine (with its advice on the healthiest season for sex, as well as exercise and diet) to the role of women, The Use of Pleasure is full of extraordinary insights into the differences - and the continuities - between the Ancient, Christian and Modern worlds, showing how sex became a moral issue in the west.

In the third volume of his acclaimed examination of sexuality in modern Western society, Foucault investigates the Golden Age of Rome to reveal a decisive break from the classical Greek version of sexual pleasure. Exploring the moral reflections of philosophers and physicians of the era, he identifies a growing anxiety over sexual activity and its consequences. At the core of this transformation Foucault found the principles of the 'care of the self': the belief that the self is an object of knowledge to be cultivated over time, and the implications this has for ethics and behaviour.

What is white feminism? Where does it come from? And why does it matter?Over the past 200 years, feminism has paved the way for major positive changes for women. But not for all women. If you are poor, if you are an immigrant to the West or (even worse) don't live there at all, and above all if your skin is not white, the door to mainstream feminism has been shut against you from day one.This is not oversight or an accident. It is an organized system which benefits white women at the expense of everyone else. And what makes this system especially dangerous - and especially effective - is that many white people have no idea they are in it. But it is possible to break the cycle of exclusion and oppression, to rebuild feminism into something better, stronger, fairer. It starts with being honest about where we are now.

Adding to the debate on a range of issues, this book presents a critical and deeply personal history of Mexican feminism in the last thirty five years. Drawing from her many years of activism and anthropological scholarship, influential thinker Marta Lamas covers topics such as the political development of the feminist movement, affirmative action in the workplace, conceptual advances in regard to gender, and disagreements among feminists. Here in English for the first time, this work offers invaluable insight into the theoretical and political tensions that have shaped Mexican feminism and the world at large.

Sex Is As Fascinating To Scientists As It Is To The Rest Of Us. A Vast Pool Of Knowledge, Therefore, Has Been Gleaned From Research Into The Nature Of Sex, From The Contentious Problem Of Why The Wasteful Reproductive Process Exists At All, To How Individuals Choose Their Mates And What Traits They Find Attractive. This Fascinating Book Explores Those Findings, And Their Implications For The Sexual Behaviour Of Our Own Species. It Uses The Red Queen From ‘alice In Wonderland’ – Who Has To Run At Full Speed To Stay Where She Is – As A Metaphor For A Whole Range Of Sexual Behaviours. The Book Was Shortlisted For The 1994 Rhone-poulenc Prize For Science Books. ‘animals And Plants Evolved Sex To Fend Off Parasitic Infection. Now Look Where It Has Got Us. Men Want Bmws, Power And Money In Order To Pair-bond With Women Who Are Blonde, Youthful And Narrow-waisted ... A Brilliant Examination Of The Scientific Debates On The Hows And Whys Of Sex And Evolution’ Independent.

A study of the future of feminism calls for a return to the radical roots of feminism's direct political struggle during the 1960s and early 1970s and a move away from the de-politicized focus on women's psychology and personal relations of today.

This volume presents a study of the damaging effect of pornography and its ramifications on society.

Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories—multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large.In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.

In the first major study of its kind, Judy Wajcman challenges the common assumption that technology is gender neutral and analyzes its influence on the lives of women.Does technology liberate women and encourage equality, or are the new technologies reinforcing sexual divisions in society? Does the problem lie in men's monopoly of technology, or is technology itself in some sense inherently patriarchal? To answer these questions, Judy Wajcman explores what the impact of technology is on the lives of women today.Popular stereotypes depict women as technologically incompetent or invisible in technical spheres. Wajcman argues that the identification between men and machines is not immutable but is the result of ideological and cultural processes. She surveys sociological and feminist literature on technology, highlighting the male bias in the way technology is defined as well as developed.Over the last two decades feminists have identified men's monopoly on technology as an important source of their power, women's lack of technological skills as an important element in their dependence on men. During this period, women's efforts to control their fertility have extended from abortion and contraception to mobilizing around the new reproductive technologies. At the same time there has been a proliferation of new technologies in the home and in the workplace. The political struggles emerging around reproductive technology, as well as the technologies affecting domestic work, paid labor, and the built environment, are the focus of this book.

In the introduction to The Second Sex, Simone de Beauvoir notes that "a man never begins by establishing himself as an individual of a certain sex: his being a man poses no problem." Nancy Bauer begins her book by asking: "Then what kind of a problem does being a woman pose?" Bauer's aim is to show that in answering this question The Second Sex dramatizes the extent to which being a woman poses a philosophical problem.This book is a call for philosophers as well as feminists to turn, or return to, The Second Sex. Bauer shows that Beauvoir's magnum opus, written a quarter-century before the development of contemporary feminist philosophy, constitutes a meditation on the relationship between women and philosophy that remains profoundly undervalued. She argues that the extraordinary effect The Second Sex has had on women's lives, then and now, can be traced to Beauvoir's discovery of a new way to philosophize―a way grounded in her identity as a woman. In offering a new interpretation of The Second Sex, Bauer shows how philosophy can be politically productive for women while remaining genuinely philosophical.