Empfehlungen basierend auf "Audrey Style"

The award-winning classic on why we must revolutionise the fashion industry*Selected by Emma Watson for her Ultimate Book List*Fashion is political. From the red carpets of the Met Gala to online fast fashion, clothes tell a story of inequality, racism, and climate crisis. In The Anti-Capitalist Book of Fashion, Tansy E. Hoskins unpicks the threads of capitalist industry to reveal the truth about our clothes.Fashion brands entice us to consume more by manipulating us to feel ugly, poor and worthless, sentiments that line the pockets of billionaires exploiting colonial supply chains. Garment workers on poverty pay risk their lives in dangerous factories, animals are tortured, fossil fuels extracted and toxic chemicals spread just to keep this season's collections fresh.We can do better than this. Moving between Karl Lagerfeld and Karl Marx, The Anti-Capitalist Book of Fashion goes beyond ethical fashion and consumer responsibility showing that if we want to feel comfortable in our clothes, we need to reshape the system and ensure this is not our last season.

A cultural storm swept through the 1960s - Pop Art, Bob Dylan, psychedelia, underground movies - and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.

A comprehensive biography of the late designer, Karl Lagerfeld, and his infamous rivalry with Yves Saint Laurent.In the 1970s, Paris fashion exploded like a champagne bottle left out in the sun. Amid sequins and longing, celebrities and aspirants flocked to the heart of chic, and Paris became a hothouse of revelry, intrigue, and searing ambition. At the center of it all were fashion's most beloved luminaries - Yves Saint Laurent, the reclusive enfant terrible, and Karl Lagerfeld, the flamboyant freelancer with a talent for reinvention - and they divided Paris into two fabulous halves. Their enduring rivalry is chronicled in this dazzling exposè of an era: of social ambitions, shared obsessions, and the mesmerizing quest for beauty."Deliciously dramatic... The Beautiful Fall crackles with excitement."-New York Times Book Review"Fascinating." -New York Times"Addictive." -Philadelphia Inquirer"It's like US Weekly, 1970s style." -Gotham"A story constructed as exquisitely as a couture dress. . . . It moves stylishly forward, with frequent over-the-shoulder glances at some very dishy background." -Boston Globe

A visual delight and an inspiration for every bibliophile with a growing home library, this dream-and-drool design book features some of the most jaw-dropping book collections of homeowners around the world.NAMED ONE OF JO’S FALL FAVORITES IN MAGNOLIA JOURNALInterior designer Nina Freudenberger, New Yorker writer Sadie Stein, and Architectural Digest photographer Shade Degges give readers a peek at the private libraries and bookshelves of passionate readers all over the world, including Larry McMurtry, Silvia Whitman of Shakespeare and Co., Gay and Nan Talese, and Emma Straub. Throughout, gorgeous photographs of rooms with rare collections, floor-to-ceiling shelves, and stacks upon stacks of books inspire readers to live better with their own collections.Praise for Bibliostyle“Featuring enviable private libraries and packed floor-to-ceiling shelves, this beautiful volume makes a compelling case for books as décor.”—New York“Freudenberger spotlights the splendid, enviable personal libraries of literary figures whose owners obviously care about their book collections and have actually read them, too.”—The Boston Globe“This is a coffee table book that makes you think as well as admire and desire.”—Sydney Herald“Offers a look into the fabulous homes of book lovers the world over, showcasing how their interior design is built around the tomes they love most.”—CN“The photographs of rooms with rare collections, floor-to-ceiling shelves, and stacks upon stacks of books will inspire readers to live better with their own collections.”—Publishers Weekly“Nina Freudenberger teams with Sadie Stein of The New Yorker and photographer Shade Degges of Architectural Digest to showcase beautiful photographs of the private libraries of book lovers from all over the world.”—BookRiot

Stefan Sagmeister, of Sagmeister & Walsh, is a designer and art director from Austria who currently lives and works in New York City. His clients include the Rolling Stones, the Talking Heads, Lou Reed, and the Guggenheim Museum, among many others.Jessica Walsh, of Sagmeister & Walsh, is a designer and art director who lives in New York City and works with a variety of clients, including Jay-Z, Barneys, the New York Times, Levi's, and The Museum of Modern Art, New York.

Sophie Lovell was born in London. After graduating from the University of Sussex and Chelsea College of Art & Design, she moved to Berlin in 1994. She is a  writer, curator and creative consultant as well as a long-term contributing editor and currently the Germany editor of the international lifestyle magazine Wallpaper*. She has written and edited several books on design and architecture including Limited Edition: Prototypes, One-Offs and Design Art Furniture and Furnish – Furniture and Interior Design for the 21st Century.

Over-size hardback book with clear dust jacket titled Photographs 1947-1977. With an essay by Harold Brodkey.

A Place in the Sun collects Slim Aarons’s photographs capturing the glamorous lifestyles of some of high society’s most prominent people.“Slim Aarons is known for his dreamy lifestyle photographs of celebrities and socialites in jaw-dropping locations around the world.” —Architectural DigestSince 1940 Slim Aarons has been hard at work, first as a war photographer, then with unprecedented access as a photographer to the rich and famous. In this book, he develops the environmental portrait to the level of art, always showing his subjects in their natural setting, in a circumstance synonymous with their station in life.Aarons documented a particular world that has vanished. A Place in the Sun is that special glimpse of privilege under a bright and beaming sky, whether on sandy shore, snowy slope, or elegant home where cares are few. Through 250 stunning color pictures, Aarons provides a veritable Who’s Who of high society: Aristotle Onassis with his first wife, Tina, and their children C. Z. Guest at her villa in Palm Beach The Aga Khan at his Sardinian resort Truman Capote in Palm Springs And more! From Mustique to Monaco, from Aspen to Gstaad, only Aarons can take us on a journey to the most exclusive playgrounds of the rich, inspiring even the most jaded armchair traveler.Aarons never used a stylist, a makeup artist, or anything but natural light. Since the settings encouraged swimwear, it is astonishing how beautiful these men, women, and children were. There is a shimmering sensuality about this bygone world. Astonishing, too, is the vibrant intensity of the colors.They don’t take photographs like this anymore. But we are lucky that Slim Aarons did!Also available from Slim Aarons:Slim Aarons: WomenSlim Aarons: Once Upon a TimePoolside with Slim AaronsSlim Aarons: La Dolce Vita

Annie's work beautifully displayed in black and white. Pages are clean, spine is secure, and we could say "like new" if the dust jacket, which it must have had when it was new, was here.

The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the "implosion capital of the world" as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of "creative destruction." In The Strip, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change.Al tells two parallel stories. He describes the feverish competition of Las Vegas developers to build the snazziest, most tourist-grabbing casinos and resorts—with a cast of characters including the mobster Bugsy Siegel, the eccentric billionaire Howard Hughes, and the would-be political kingmaker Sheldon Adelson. And he views the Strip in a larger social context, showing that it has not only reflected trends but also magnified them and sometimes even initiated them. Generously illustrated with stunning color images throughout, The Strip traces the many metamorphoses of a city that offers a vivid projection of the American dream.