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A Dakota Johnson x TeaTime Book Club PickA Best Book of the Year: The New York Times Book Review, Elle, and WBEZ ChicagoA Must-Read: Nylon, The Boston Globe, San Francisco Chronicle, Chicago Review of Books, Literary Hub, The Millions, Kirkus Reviews, BookRiot, The Christian Science Monitor, Our Culture, The Saturday Evening Post“A monumental accomplishment, a shimmering masterpiece.” ―Michael Schaub, The Boston Globe“A book that I will recommend to people for the rest of my life.” ―Dakota Johnson, BustleFrom the acclaimed author of Parakeet, Marie-Helene Bertino’s Beautyland is a wise, tender novel about a woman who doesn't feel at home on Earth.At the moment when Voyager 1 is launched into space carrying its famous golden record, a baby of unusual perception is born to a single mother in Philadelphia. Adina Giorno is tiny and jaundiced, but she reaches for warmth and light. As a child, she recognizes that she is different: She possesses knowledge of a faraway planet. The arrival of a fax machine enables her to contact her extraterrestrial relatives, beings who have sent her to report on the oddities of Earthlings.For years, as she moves through the world and makes a life for herself among humans, she dispatches transmissions on the terrors and surprising joys of their existence. Then, at a precarious moment, a beloved friend urges Adina to share her messages with the world. Is there a chance she is not alone?Marie-Helene Bertino’s Beautyland is a novel of startling originality about the fragility and resilience of life on our Earth and in our universe. It is a remarkable evocation of the feeling of being in exile at home, and it introduces a gentle, unforgettable alien for our times.

Named a Vogue, Esquire, NPR, Marie Claire, and Refinery29 Best Book of the Year. Perfect for fans of Normal People and Fleabag Great inventiveness, unfailing intelligence and empathy, and best of all a rare and shimmering wit' Richard Ford

A Read with Jenna Today Show Book Club Pick!Finalist for the 2020 National Book Award (Fiction)One of Barack Obama's Summer FavoritesA Best Book of the Year From: The Washington Post * Time * NPR * Elle * Esquire * Kirkus * Library Journal * The Chicago Public Library * The New York Public Library * BookPage * The Globe and Mail * EW.com * The LA Times * USA Today * InStyle * The New Yorker * AARP * Publisher's Lunch * LitHub * Book Marks * Electric Literature * Brooklyn Based * The Boston GlobeA magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong.From the bestselling author of Rich and Pretty comes a suspenseful and provocative novel keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis.Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe.Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one other?

INSTANT #1 INTERNATIONAL BESTSELLERUSA Today bestseller Edgar nominee for Best First Novel“Think: Dexter but sexier.”—theSkimm“A dark and irresistible debut.”—People“Will shock even the savviest suspense readers.”—Real SimpleDexter meets Mr. and Mrs. Smith in this wildly compulsive debut thriller about a couple whose fifteen-year marriage has finally gotten too interesting... Our love story is simple. I met a gorgeous woman. We fell in love. We had kids. We moved to the suburbs. We told each other our biggest dreams, and our darkest secrets. And then we got bored. We look like a normal couple. We're your neighbors, the parents of your kid's friend, the acquaintances you keep meaning to get dinner with. We all have our secrets to keeping a marriage alive. Ours just happens to be getting away with murder.

Winner of the National Book AwardWinner of the California Book AwardWinner of Tournament of BooksOut in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book―Sex Variants: A Study of Homosexual Patterns―and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?A book about storytelling―its legacies, dangers, delights, and potential for change―and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made―a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

A glittering, bold, darkly funny novel about two sisters--one in New York, one in Singapore--who are bound by an ancient secret Sisterhood is difficult for Su and Emerald. Su leads a sheltered, moneyed life as the picture-perfect wife of a conservative politician in Singapore. Emerald is a nihilistic sugar baby in New York, living from whim to whim as she freely uses her beauty and charms to make ends meet. But they share a secret: once they were snakes, basking under a full moon in Tang Dynasty China. A thousand years later, their mysterious history is the only thing still binding them together. When Emerald experiences a violent encounter in Central Park, and Su boards the next flight to New York, the two reach a tenuous reconciliation for the first time in decades. Su convinces Emerald to move to Singapore so she can keep an eye on her--but she soon begins to worry that Emerald's irrepressible behavior will out them both in an affluent city where everything runs like clockwork, but no deviation from the norm can be tolerated. Dark, hilarious, razor-sharp, and raw in emotion, Sister Snake explores chosen family, queerness, passing, and the struggle against conformity. Boldly reimagining the Chinese folktale the Legend of the White Snake, this is a novel about being seen for who you are--and, ultimately, how to live free.

'A searingly brilliant fantasy. This is magical school with teeth . . . an unmissable read' Tasha Suri, author of The Jasmine Throne 'Fans of Naomi Novik's Scholomance series won't want to miss this' Publishers Weekly Dr Walden is the Director of Magic at Chetwood School and one of the most powerful magicians in England. Her days consist of meetings, teaching A-Level Invocation to four talented, chaotic sixth formers, more meetings and securing the school's boundaries from demonic incursions. Walden is good at her job - no, Walden is great at her job. But demons are masters of manipulation. It's her responsibility to keep her school with its six hundred students and centuries-old legacy safe. But it's possible the entity Walden most needs to keep her school safe from . . . is herself. A Deadly Education meets Rivers of London in this captivating contemporary fantasy from Sunday Times bestselling author Emily Tesh, winner of the Hugo and World Fantasy Awards. 'Emily Tesh captivates me the way few authors can, and she can do it in any genre and any world. The Incandescent is a delight from start to finish - it bewitched me, body and soul . . . A wholly perfect book' Olivie Blake, author of The Atlas Six 'The grown-up answer to the magical boarding school tale . . . Fantastic in every sense of the word' Freya Marske, author of A Marvellous Light 'An absolute flex of a book, empathetic and passionate and deeply thoughtful' Shelley Parker-Chan, author of She Who Became the Sun Five-star reader reviews: 'love this book so much I want to get six copies' ⭐⭐⭐⭐⭐ 'Emily Tesh looked into my heart and pulled this book out!! . . . I cannot praise this book highly enough!!!!' ⭐⭐⭐⭐⭐ 'I couldn't have set this book down to save my life . . . If you enjoyed A Deadly Education, The Magicians, or any other classic magic school series, you'll love The Incandescent' ⭐⭐⭐⭐⭐ 'I loved the whole thing and cannot wait to hug my pre-ordered copy!' ⭐⭐⭐⭐⭐ 'This is a magnificent book. A magic boarding school, seen from the teacher's lounge, is already my jam. This exceeded my expectations by a wide margin' ⭐⭐⭐⭐⭐ 'An absolute triumph, a breathtakingly beautiful novel that captivates from the very first page . . . Emily Tesh's storytelling is nothing short of magical' ⭐⭐⭐⭐⭐ 'I am OBSESSED WITH THIS BOOK!!' ⭐⭐⭐⭐⭐

Winner of the Pulitzer Prize in FictionShortlisted for the Man Booker PrizeNew York Times BestsellerA New York Times Notable Book and a Washington Post, Time, Oprah Magazine, Newsweek, Chicago Tribune, and Kirkus Reviews Best Book of 2018"The best novel ever written about trees, and really just one of the best novels, period."―Ann PatchettAn Air Force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back into life by creatures of air and light. A hearing- and speech-impaired scientist discovers that trees are communicating with one another. These four, and five other strangers―each summoned in different ways by trees―are brought together in a last and violent stand to save the continent’s few remaining acres of virgin forest.In his twelfth novel, National Book Award winner Richard Powers delivers a sweeping, impassioned novel of activism and resistance that is also a stunning evocation of―and paean to―the natural world. From the roots to the crown and back to the seeds, The Overstory unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond, exploring the essential conflict on this planet: the one taking place between humans and nonhumans. There is a world alongside ours―vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.The Overstory is a book for all readers who despair of humanity’s self-imposed separation from the rest of creation and who hope for the transformative, regenerating possibility of a homecoming. If the trees of this earth could speak, what would they tell us? "Listen. There’s something you need to hear."

NATIONAL BESTSELLER • An exhilarating novel about one American family and the dark moment that shatters their suburban paradise, from the New York Times bestselling author of Fleishman Is in TroubleNew York Times Book Review Editors’ Choice • New York Magazine’s Beach Read Book Club Pick • Belletrist Book Club PickA BEST BOOK OF THE YEAR: The New York Times Book Review, Oprah Daily, The New Yorker, Time, The Washington Post, NPR, Vogue, Town & Country, New York Post, Harper’s Bazaar, Elle, Parade, Kirkus Reviews“Joins the pantheon of great American novels.”—Los Angeles Times“Exuberant and absorbing . . . a big old-fashioned social novel.”—The Atlantic“Were we gangsters? No. But did we know how to start a fire?”In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse, and the family moves on with their lives, resuming their prized places in the saga of the American dream, comforted in the realization that though their money may have been what endangered them, it is also what assured them their safety.But now, nearly forty years later, it’s clear that perhaps nobody ever got over anything, after all. Carl has spent the ensuing years secretly seeking closure to the matter of his kidnapping, while his wife, Ruth, has spent her potential protecting her husband’s emotional health. Their three grown children aren’t doing much better: Nathan’s chronic fear won’t allow him to advance at his law firm; Beamer, a Hollywood screenwriter, will consume anything—substance, foodstuff, women—in order to numb his own perpetual terror; and Jenny has spent her life so bent on proving that she’s not a product of her family’s pathology that she has come to define it. As they hover at the delicate precipice of a different kind of survival, they learn that the family fortune has dwindled to just about nothing, and they must face desperate questions about how much their wealth has played a part in both their lives’ successes and failures.Long Island Compromise spans the entirety of one family’s history, winding through decades and generations, all the way to the outrageous present, and confronting the mainstays of American Jewish life: tradition, the pursuit of success, the terror of history, fear of the future, old wives’ tales, evil eyes, ambition, achievement, boredom, dybbuks, inheritance, pyramid schemes, right-wing capitalists, beta-blockers, psychics, and the mostly unspoken love and shared experience that unite a family forever.

Edited and with an introduction by Roxane Gay, the New York Times bestselling and deeply beloved author of Bad Feminist and Hunger, this anthology of first-person essays tackles rape, assault, and harassment head-on. Vogue, “10 of the Most Anticipated Books of Spring 2018” * Harper’s Bazaar, “10 New Books to Add to Your Reading List in 2018” * Elle, “21 Books We’re Most Excited to Read in 2018” * Boston Globe, “25 books we can’t wait to read in 2018” * Huffington Post, “60 Books We Can’t Wait to Read in 2018” * Hello Giggles, “19 Books We Can’t Wait to Read in 2018” * Buzzfeed, “33 Most Exciting New Books of 2018"In this valuable and revealing anthology, cultural critic and bestselling author Roxane Gay collects original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence, and aggression they face, and where they are “routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied” for speaking out. Contributions include essays from established and up-and-coming writers, performers, and critics, including actors Ally Sheedy and Gabrielle Union and writers Amy Jo Burns, Lyz Lenz, and Claire Schwartz. Covering a wide range of topics and experiences, from an exploration of the rape epidemic embedded in the refugee crisis to first-person accounts of child molestation, this collection is often deeply personal and is always unflinchingly honest. Like Rebecca Solnit’s Men Explain Things to Me, Not That Bad will resonate with every reader, saying “something in totality that we cannot say alone.”Searing and heartbreakingly candid, this provocative collection both reflects the world we live in and offers a call to arms insisting that “not that bad” must no longer be good enough.