Empfehlungen basierend auf "Arthur and the Nerves of Steal"

WINNER OF THE PULITZER PRIZE • WINNER OF THE WOMEN'S PRIZE FOR FICTIONA New York Times "Ten Best Books of the Year" • An Oprah’s Book Club Selection • An Instant New York Times Bestseller • An Instant Wall Street Journal Bestseller • A #1 Washington Post Bestseller"Demon is a voice for the ages—akin to Huck Finn or Holden Caulfield—only even more resilient.” —Beth Macy, author of Dopesick"May be the best novel of [the year]. . . . Equal parts hilarious and heartbreaking, this is the story of an irrepressible boy nobody wants, but readers will love.” (Ron Charles, Washington Post)From the acclaimed author of The Poisonwood Bible and The Bean Trees, a brilliant novel that enthralls, compels, and captures the heart as it evokes a young hero’s unforgettable journey to maturitySet in the mountains of southern Appalachia, Demon Copperhead is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father’s good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. Relayed in his own unsparing voice, Demon braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities.Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens’ anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can’t imagine leaving behind.

Please Read Notes: Brand New, International Softcover Edition, Printed in black and white pages, minor self wear on the cover or pages, Sale restriction may be printed on the book, but Book name, contents, and author are exactly same as Hardcover Edition. Fast delivery through DHL/FedEx express.

Twenty five years ago, T.C. Boyle published his first novel, Water Music—a funny, bawdy, extremely entertaining novel of imaginative and stylistic fancy that announced to the world Boyle's tremendous gifts as a storyteller. Set in the late eighteenth century, Water Music follows the wild adventures of Ned Rise, thief and whoremaster, and Mungo Park, a Scottish explorer, through London's seamy gutters and Scotland's scenic highlands—to their grand meeting in the heart of darkest Africa. There they join forces and wend their hilarious way to the source of the Niger.

THESE NEWCOMERS ARE DIFFERENT. THEY WILL CHANGE EVERYTHING.For fans of The Essex Serpent and The Mermaid and Mrs Hancock.‘By far my favourite book of of the year’ Guardian‘One of only two novels I've ever loved whose main characters are not human’ Barbara KingsolverOne cold night, two newcomers emerge onto the streets of 1899 New York, and it is never the same again.But these two are more than strangers to this land, they are strangers to this world. From the depths of folkloric history come Chava the golem, a creature made of clay, brought to life by a disgraced rabbi and Ahmad, a djinni, born in the ancient Syrian desert and trapped in an old copper flask released accidentally by a tinsmith in a Lower Manhattan shop.Two companions who were never meant to be released, and never meant to meet. And when they do, their opposing natures will be sealed by a special bond, but one that is threatened by watching eyes, roaming owners and a misunderstanding world.A glittering gem of a novel, as spell-binding as it is compelling, The Golem and The Djinni asks us what we’re made of and how we can break free.

Felix, a Jewish boy in Poland in 1942, is hiding from the Nazis in a Catholic orphanage. The only problem is that he doesn't know anything about the war, and thinks he's only in the orphanage while his parents travel and try to salvage their bookselling business. And when he thinks his parents are in danger, Felix sets off to warn them--straight into the heart of Nazi-occupied Poland. To Felix, everything is a story: Why did he get a whole carrot in his soup? It must be sign that his parents are coming to get him. Why are the Nazis burning books? They must be foreign librarians sent to clean out the orphanage's outdated library. But as Felix's journey gets increasingly dangerous, he begins to see horrors that not even stories can explain.Despite his grim suroundings, Felix never loses hope. Morris Gleitzman takes a painful subject and expertly turns it into a story filled with love, friendship, and even humor.

The second book in Robertson Davies's acclaimed The Deptford Trilogy, with a new foreword by Kelly LinkHailed by the Washington Post Book World as "a modern classic," Robertson Davies’s acclaimed Deptford Trilogy is a glittering, fantastical, cunningly contrived series of novels, around which a mysterious death is woven. The Manticore—the second book in the series after Fifth Business—follows David Staunton, a man pleased with his success but haunted by his relationship with his larger-than-life father. As he seeks help through therapy, he encounters a wonderful cast of characters who help connect him to his past and the death of his father.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Mitch Albom creates his most unforgettable fictional character—Frankie Presto, the greatest guitarist to ever walk the earth—in this magical novel about the bands we join in life and the power of talent to change our lives.In his most stunning novel yet, the voice of Music narrates the tale of its most beloved disciple, young Frankie Presto, a war orphan raised by a blind music teacher in a small Spanish town. At nine years old, Frankie is sent to America in the bottom of a boat. His only possession is an old guitar and six precious strings.But Frankie’s talent is touched by the gods, and his amazing journey weaves him through the musical landscape of the 20th century, from classical to jazz to rock and roll, with his stunning talent affecting numerous stars along the way, including Hank Williams, Elvis Presley, Carole King, Wynton Marsalis and even KISS.Frankie becomes a pop star himself. He makes records. He is adored. But his gift is also his burden, as he realizes, through his music, he can actually affect people’s futures—with one string turning blue whenever a life is altered.At the height of his popularity, Frankie Presto vanishes. His legend grows. Only decades later, does he reappear—just before his spectacular death—to change one last life.With its Forest Gump-like romp through the music world, The Magic Strings of Frankie Presto is a classic in the making. A lifelong musician himself, Mitch Albom delivers a remarkable novel, infused with the message that “everyone joins a band in this life” and those connections change us all.

Artemis is no stranger to trouble. In fact he's a magnet for it. Now his mother is gravely ill. Artemis Fowl must travel back through time to steal the cure from the clutches of the young criminal mastermind ... Artemis Fowl. That's right, with fairy ally Captain Holly Short by his side, Artemis is going back in time to do battle with himself. Suggested level: intermediate, junior secondary.

Pod, Homily, and Arrietty Clock -- the family of tiny Borrowers -- think they have at last found an ideal home. They've moved into a house in a miniature village built as a hobby by a retired railroad man. The village is the perfect size for the Borrowers, and after the hardships they've faced, the Clocks gratefully settle into the luxury of having a "proper" house. The easy life makes them careless. Or, rather, it makes Arrietty careless. She befriends a "human bean," and the next thing Arrietty knows, she and her family have been kidnapped. Their captors are a greedy married couple, called the Platters, who have big plans for the little people. They have created their own miniature village in a glass case and plan to imprison the Borrowers within -- like animals in a zoo -- for the rest of their lives.

Tolly comes to live with his great-grandmother at the ancient house of Green Knowe and becomes friends with three children who lived there in the seventeenth century. "L.M. Boston's classic is a sophisticated mood piece disguised as a children's ghost story. As young Toseland goes to live with his grandmother in the family's ancestral home, the reader is plunged immediately into the world of Green Knowe. Like Toseland, who actually rows up to his new home in the midst of a flood, we have a hard time finding our bearings. Toseland discovers a funny kind of grandmother awaiting him--one who speaks elliptically of the children and animals she keeps around the house: they might be memories, they might be ghosts. It's never quite clear where real life leaves off and magic begins. Toseland admires a deer: "A deer seems more magic than a horse." His grandmother is quick to respond: "Very beautiful fairy-tale magic, but a horse that thinks the same thoughts that you do is like strong magic wine, a love philtre for boys. With this meshing of the magical and the real, Boston evokes a childlike world of wonder. She compounds the effect by combining gorgeous images and eerily evocative writing. Toseland goes out on a snowy morning: "In front of him, the world was an unbroken dazzling cloud of crystal stars, except for the moat, which looked like a strip of night that had somehow sinned and had no stars in it." The loosely plotted story is given more resonance still through liberal use of biblical imagery and Anglo-Saxon mythology. For those willing to suspend their disbelief and read carefully, the world of Green Knowe offers a wondrous escape." Source: www.amazon.com.