Empfehlungen basierend auf "Army of Darkness"

The third bone-breaking, belly-busting adventure in the series that puts the “funny” back in, um, funny series. That didn’t really work, did it?If you’ve read the previous Skulduggery books then you know what the Faceless Ones are — and if you know what the Faceless Ones are, then you can probably take a wild guess that things in this book are going to get AWFULLY sticky for our skeletal hero and his young sidekick. If you haven’t read the previous Skulduggery books then what are you doing reading this? Go and read them right now, so that you know what all that stuff in the previous paragraph was about. Done? Good. So now you’re on tenterhooks too, desperately awaiting the answers to all your questions, and instead you’re going to have to wait to read the book. Sorry about that.

Follow Carl and Princess Donut into insanity on the next level in the wildly entertaining USA Today bestselling Dungeon Crawler Carl series by Matt Dinniman—now with bonus material exclusive to this print edition!A pantheon of forgotten gods. An old grudge between a talk show host, an heiress, and the man they shattered along the way. A rapidly deteriorating AI system. An inconvenient tiara upon the head of a friend.It is bedlam on the eighth floor.On this floor, the crawlers are given a new task: find and capture six monsters. The captured monsters will be turned into cards. The stronger, the deadlier, the better.At the end of the floor, the bad guys will also have decks, and they will have some of the most powerful cards available. So it’s crucial to assemble the toughest squad possible. But, like always, there is a catch. There’s always a catch.As Carl and Donut know all too well, just because someone is captured, it doesn’t mean they have been tamed.Her name is Shi Maria. She’s easily the most powerful monster in their area. If they want to survive, they must capture her. They call her the Bedlam Bride.

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience―and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

Charlie Asher is a pretty normal guy. A little hapless, somewhat neurotic, sort of a hypochondriac. He's what's known as a Beta Male: the kind of fellow who makes his way through life by being careful and constant -- you know, the one who's always there to pick up the pieces when the girl gets dumped by the bigger/taller/stronger Alpha Male.But Charlie's been lucky. He owns a building in the heart of San Francisco, and runs a secondhand store with the help of a couple of loyal, if marginally insane, employees. He's married to a bright and pretty woman who actually loves him for his normalcy. And she, Rachel, is about to have their first child.Yes, Charlie's doing okay for a Beta. That is, until the day his daughter, Sophie, is born. Just as Charlie -- exhausted from the birth -- turns to go home, he sees a strange man in mint-green golf wear at Rachel's hospital bedside, a man who claims that no one should be able to see him. But see him Charlie does, and from here on out, things get really weird. . . .People start dropping dead around him, giant ravens perch on his building, and it seems that everywhere he goes, a dark presence whispers to him from under the streets. Strange names start appearing on his nightstand notepad, and before he knows it, those people end up dead, too. Yup, it seems that Charlie Asher has been recruited for a new job, an unpleasant but utterly necessary one: Death. It's a dirty job. But hey, somebody's gotta do it.Christopher Moore, the man whose Lamb served up Jesus' "missing years" (with the funny parts left in), and whose Fluke found the deep humor in whale researchers' lives, now shines his comic light on the undiscovered country we all eventually explore -- death and dying -- and the results are hilarious, heartwarming, and a hell of a lot of fun.

WINNER OF THE AMERICAN LIBRARY ASSOCIATION’S BEST HORROR NOVEL OF THE YEAR“As much F. Scott Fitzgerald as Dean Koontz” (#1 New York Times bestselling author Patricia Briggs), Christopher Buehlman excels in twisting the familiar into newfound dread in his “genre-bending” (California Literary Review) novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet...The secret is, vampires are real and I am one.The secret is, I’m stealing from you what is most truly yours and I’m not sorry...New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.And neither are the rest of us.

A delightfully grim tale about an undead fox whose lonely existence is turned upside down when he learns his job as usher of souls is in jeopardy, perfect for fans of Kate DiCamillo and Tim Burton.Clare is the undead fox of Deadwood Forest. Here, leaves grow in a perpetual state of fall: not quite dead, but not quite alive…just like Clare. Long ago, he was struck by a car, and, hovering between life and death, he was given the choice to either cross into the Afterlife or become an Usher of wandering souls. Clare chose the latter: stepping into a solitary life of helping souls meet their destiny.Clare’s quiet and predictable days are met with upheaval when a badger soul named Gingersnipes knocks on his door. Despite Clare’s efforts to usher her into the Afterlife, the badger is unable to find her way out of Deadwood. This is unprecedented. Baffling. A disturbing mystery which threatens the delicate balance of the living and the dead. Clare seeks the help of Hesterfowl—the visionary grouse who recently foretold of turmoil in Deadwood. But Hesterfowl divulges a shocking revelation about the badger that leaves Clare devastated, outraged, and determined to do anything to change their fate.

There's nothing to cheer about when an evil spirit is unleashed in this "Fear Street" trilogy. "The First Evil": The Shadyside cheerleaders accidentally release an ancient evil spirit from the Fear Street cemetery. "The Second Evil": Just when the cheerleaders thought they had stopped the evil, the murders begin--again! "The Third Evil": Cheerleader Corky Corcoran holds the key to destroying the ancient evil forever--unless the spirit destroys her first.

A Netflix Original series!The second book in the New York Times, USA Today, and Wall Street Journal bestselling series, with over 7 million copies in print!"Terrifyingly fun! Delivers big thrills and even bigger laughs."--Jeff Kinney, author of the #1 New York Times bestseller Diary of a Wimpy Kid   The zombies are disappearing. This might seem like a good thing, since zombies eat your brains, but normal human kid Jack Sullivan is suspicious. He keeps hearing an eerie shrieking noise that seems to be almost summoning the zombies—but to where, and for what (probably) foul purpose?   Jack, his three best friends (maybe the only people left on Earth), and their pet monster Rover need to get to the bottom of this. Along the way they encounter a lot more than they bargained for, including a giant Wormungulous, a pizza parlor monster hangout, an ancient evil who destroys worlds, and a stereo system that is totally the bomb. Can Jack figure out why the zombies are vanishing . . . before he and his friends are next?Told in a mixture of text and black-and-white illustration, this is the perfect series for any kid who's ever dreamed of starring in their own comic book or video game.

Now in paperback--the fifth installment of the bestselling horror series featuring Darren Shan, the Vampire Prince, on a life-or-death mission.

Sometimes, being smart just isn't enough It's been a rough semester for Howard Boward, science genius. Not only is he having to dodge winter's most feared weapon (snowballs), his close friend, Winnie McKinney, is barely speaking to him. If that weren't enough, he's the favorite target of some bullies who seem determined to make life at Dolley Madison Middle School as miserable as possible. But then Howard learns about an upcoming robot-building contest--finally a chance to show off his science skills and beat archrival Gerald "G-Force" Forster! Unfortunately, the only way to win is by using his secret "monster goo," a formula that has terrifying side effects. Can Howard resist the temptation? Or will he unleash a robot rampage that could destroy the town--and ruin the school dance?