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From the twice-Man Booker Prize-shortlisted author of Hot Milk and Swimming Home :Dazzling, essential, entirely unlike anything else -- a memoir on modern womanhood, rejecting oppressive social expectations and turning instead towards a thrilling, transformative freedomWhat does it mean to be free - as an artist, a woman, a mother or daughter? And what is the price of that freedom?In this dazzling memoir, Deborah Levy confronts the essential questions of modern womanhood with humour, pragmatism, and profoundly resonant wisdom. Reflecting on the period when she wrote the Man Booker Prize-shortlisted Hot Milk - when her mother was dying, her daughters were leaving home, her marriage was coming to an end - she is characteristically eloquent on the social expectations and surreal realities of daily life. And expanding far beyond these bounds, she describes a uniquely frank, wise and thrilling manifesto for female experience: embracing the exhilarating terror of freedom, seeking to understand what that freedom could mean and how it might feel.

One of the best loved books of all time. Nominated as one of America’s best-loved novels by PBS’s The Great American ReadLovely Meg, talented Jo, frail Beth, spoiled Amy: these are hard lessons of poverty and of growing up in New England during the Civil War. Through their dreams, plays, pranks, letters, illnesses, and courtships, women of all ages have become a part of this remarkable family and have felt the deep sadness when Meg leaves the circle of sisters to be married at the end of Part I. Part II, chronicles Meg's joys and mishaps as a young wife and mother, Jo's struggle to become a writer, Beth's tragedy, and Amy's artistic pursuits and unexpected romance. Based on Louisa May Alcott's childhood, this lively portrait of nineteenth- century family life possesses a lasting vitality that has endeared it to generations of readers.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Why is it that men, and not women, have always had power, wealth, and fame? Woolf cites the two keys to freedom: fixed income and one’s own room. Foreword by Mary Gordon.

In A Room of One's Own and Three Guineas, Virginia Woolf considers with energy and wit the implications of the historical exclusion of women from education and from economic independence. In A Room of One's Own (1929), she examines the work of past women writers, and looks ahead to a time when women's creativity will not be hampered by poverty, or by oppression. In Three Guineas (1938), however, Woolf argues that women's historical exclusion offers them the chance to form a political and cultural identity which could challenge the drive towards fascism and war.

Joan Didion’s hugely influential collection of essays which defines, for many, the America which rose from the ashes of the Sixties. We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea. In this now legendary journey into the hinterland of the American psyche, Didion searches for stories as the Sixties implode. She waits for Jim Morrison to show up, visits the Black Panthers in prison, parties with Janis Joplin and buys dresses with Charles Manson’s girls. She and her reader emerge, cauterized, from this devastating tour of that age of self discovery into the harsh light of the morning after.

The sixth book in the Anne Shirley series.'It's been lovely to be Anne of Green Gables again for a week, but it's a hundred times lovelier to come back and be Anne of Ingleside'There's never a dull moment at Ingleside, Anne's lively home: Anne is now the mother of five children - with a sixth baby on the way. But even with endless demands on her time, she couldn't be happier and there's nowhere in the world she'd rather be.No matter what life brings - whether it's the numerous scrapes her children get up to or Gilbert's insufferable aunt outstaying her welcome by months - Anne faces every challenge with her usual verve for life. But then she begins to suspect that Gilbert doesn't love her any more. She's a little older, it's true, but Anne is the same spirited redhead she's always been. She hasn't changed. But has he?A collection that will be coveted by children and adults alike, this list is the best in children's literature, curated by Virago. These are timeless tales with beautiful covers, that will be treasured and shared across the generations. Some titles you will already know; some will be new to you, but there are stories for everyone to love, whatever your age. Our list includes Nina Bawden (Carrie's War, The Peppermint Pig), Rumer Godden (The Dark Horse, An Episode of Sparrows), Joan Aiken (The Serial Garden, The Gift Giving) E. Nesbit (The Psammead Trilogy, The Bastable Trilogy, The Railway Children), Frances Hodgson Burnett (The Little Princess,The Secret Garden) and Susan Coolidge (The What Katy Did Trilogy). Discover Virago Children's Classics.

Vita Sackville-West, novelist, poet, and biographer, is best known as the friend of Virginia Woolf, who transformed her into an androgynous time-traveler in Orlando. The story of Sackville-West's marriage to Harold Nicolson is one of intrigue and bewilderment. In Portrait of a Marriage, their son Nigel combines his mother's memoir with his own explanations and what he learned from their many letters. Even during her various love affairs with women, Vita maintained a loving marriage with Harold. Portrait of a Marriage presents an often misunderstood but always fascinating couple."Portrait of a Marriage is as close to a cry from the heart as anybody writing in English in our time has come, and it is a cry that, once heard, is not likely ever to be forgotten. . . . Unexpected and astonishing."—Brendan Gill, New Yorker"The charm of this book lies in the elegance of its narration, the taste with which their son has managed to convey the real, enduring quality of his parents' love for each other."—Doris Grumbach, New Republic

Armistead Maupin's uproarious and moving Tales of the City novels—the first three of which are collected in this omnibus volume—have earned a unique niche in American literature and are considered indelible documents of cultural change from the seventies through the first two decades of the new millennium.“These novels are as difficult to put down as a dish of pistachios. The reader starts playing the old childhood game of 'Just one more chapter and I'll turn out the lights,' only to look up and discover it's after midnight.”—Los Angeles Times Book ReviewOriginally serialized in the San Francisco Chronicle, Armistead Maupin’s Tales of the City (1978), More Tales of the City (1980), and Further Tales of the City (1982) afforded a mainstream audience of millions its first exposure to straight and gay characters experiencing on equal terms the follies of urban life.Among the cast of this groundbreaking saga are the lovelorn residents of 28 Barbary Lane: the bewildered but aspiring Mary Ann Singleton, the libidinous Brian Hawkins; Mona Ramsey, still in a sixties trance, Michael "Mouse" Tolliver, forever in bright-eyed pursuit of Mr. Right; and their marijuana-growing landlady, the indefatigable Mrs. Madrigal.Hurdling barriers both social and sexual, Maupin leads them through heartbreak and triumph, through nail-biting terrors and gleeful coincidences. The result is a glittering and addictive comedy of manners that continues to beguile new generations of readers.

The successful country-western star discusses her life, including her first visit to Nashville at age eighteen, marriage to the private Carl, difficult partnership with Porter Wagoner, business ventures, and personal relationships. Reprint.

Flora Thompson's immortal trilogy, containing "Lark Rise", "Over To Candleford" and "Candleford Green", is a heartwarming portrayal of country life at the close of the 19th century. This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England. With a new introduction by Richard Mabey