Empfehlungen basierend auf "Annie on My Mind"

Lambda Literary award winner and national bestselling author Alexandria Bellefleur returns with a steamy sapphic rom-com about a quiet bookseller and a romance novel cover model who agree to a modern-day marriage of convenience...Tansy Adams’ greatest love is her family’s bookstore, passed down from her late father. But when it comes to actual romance… Tansy can’t get past the first chapter. Tired of her stepfamily’s questions about her love life, Tansy invents Gemma, a fake girlfriend inspired by the stunning cover model on a bestselling book. They’ll never actually meet, so what’s the harm in a little fib? Yet when real-life Gemma crosses Tansy’s path, her white lie nearly implodes.Gemma van Dalen is a wild child, the outcast of her wealthy family, and now the latest heir to Van Dalen Publishing. But the title comes with one tiny condition: she must be married in order to inherit. When Gemma discovers a beautiful stranger has been pretending to date her for months, she decides to take the charade one step further—and announces their engagement.Gemma needs a wife to meet the terms of her grandfather’s will and Tansy needs money to save her struggling bookstore. A marriage could be mutually beneficial, if they can fool everyone into thinking it’s a love match. Unexpected sparks fly as Tansy and Gemma play the role of affectionate fiancées, and suddenly the line between convenient arrangement and real feelings begins to blur. But the scheming Van Dalen family won’t give up the company without a fight, and Gemma and Tansy’s newfound happiness might get caught in the fallout…

A swoon-worthy debut queer Victorian romance in which two debutantes distract themselves from having to seek husbands by setting up their widowed parents, and instead find their perfect match in each other—the lesbian Bridgerton/Parent Trap you never knew you needed!Gwen has a brilliant beyond brilliant idea.It’s 1857, and anxious debutante Beth has just one season to snag a wealthy husband, or she and her mother will be out on the street. But playing the blushing ingenue makes Beth’s skin crawl and she’d rather be anywhere but here.Gwen, on the other hand, is on her fourth season and counting, with absolutely no intention of finding a husband, possibly ever. She figures she has plenty of security as the only daughter of a rakish earl, from whom she’s gotten all her flair, fun, and less-than-proper party games.“Let’s get them together,” she says.It doesn’t take long for Gwen to hatch her latest scheme: rather than surrender Beth to courtship, they should set up Gwen’s father and Beth’s newly widowed mother. Let them get married instead.“It’ll be easy” she says.There’s just…one, teeny, tiny problem. Their parents kind of seem to hate each other.But no worries. Beth and Gwen are more than up to the challenge of a little twenty-year-old heartbreak. How hard can parent-trapping widowed ex-lovers be?Of course, just as their plan begins to unfold, a handsome, wealthy viscount starts calling on Beth, offering up the perfect, secure marriage.Beth’s not mature enough for this…Now Gwen must face the prospect of sharing Beth with someone else, forever. And Beth must reckon with the fact that she’s caught feelings, hard, and they’re definitely not for her potential fiancé.That’s the trouble with matchmaking: sometimes you accidentally fall in love with your best friend in the process.

"Bellefleur has a droll, distinct voice, and her one-liners zing off the page, striking both the heart and funny bone... There's a sparkling quality here, one that mirrors the starry title. Bellefleur writes as if she's captured fairy lights in a mason jar, twinkly and lovely within something solid yet fragile." – Entertainment WeeklyFollowing Written in the Stars and Hang the Moon, Lambda Literary Award winner and national bestselling author Alexandria Bellefleur pens another steamy queer rom-com about former best friends who might be each other's second chance at love…Margot Cooper doesn’t do relationships. She tried and it blew up in her face, so she’ll stick with casual hookups, thank you very much. But now her entire crew has found "the one" and she’s beginning tofeel like a fifth wheel. And then fate (the heartless bitch) intervenes. While touring a wedding venue with her engaged friends, Margot comes face-to-face with Olivia Grant—her childhood friend, her first love, her first… well, everything. It’s been ten years, but the moment they lock eyes, Margot’s cold, dead heart thumps in her chest.Olivia must be hallucinating. In the decade since she last saw Margot, her life hasn’t gone exactly as planned. At almost thirty, she’s been married... and divorced. However, a wedding planner job in Seattle means a fresh start and a chance to follow her dreams. Never in a million years did she expect her important new client’s Best Woman would be the one that got away.When a series of unfortunate events leaves Olivia without a place to stay, Margot offers up her spare room because she’s a Very Good Person. Obviously. It has nothing to do with the fact that Olivia is as beautiful as ever and the sparks between them still make Margot tingle. As they spend time in close quarters, Margot starts to question her no-strings stance. Olivia is everything she’s ever wanted, but Margot let her in once and it ended in disaster. Will history repeat itself or should she count her lucky stars that she gets a second chance with her first love?

"A beautiful, poised, and thought-provoking debut about love, loss, coming out, and discovering living life on your own terms." —New York Times bestselling author Kathleen GlasgowThere are two things that Corinne Parker knows to be true: that she is in love with Maggie Bailey, the captain of the rival high school's cross-country team and her secret girlfriend of a year, and that she isn't ready for anyone to know she's bisexual.But then Maggie dies, and Corinne quickly learns that the only thing worse than losing Maggie is being left heartbroken over a relationship no one knows existed. And to make things even more complicated, the only person she can turn to is Elissa—Maggie's ex, and the single person who understands how Corinne is feeling.As Corinne struggles to make sense of her grief and what she truly wants out of life, she begins to have feelings for the last person she should fall for. But to move forward after losing Maggie, Corinne will have to learn to be honest with the people in her life...starting with herself.

Once described as the 'longest and most charming love-letter in literature', the Virginia Woolf's Orlando is edited by Brenda Lyons with an introduction and notes by Sandra M. Gilbert in Penguin Classics. Written for Virginia Woolf's intimate friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young sixteenth-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness. Virginia Woolf (1882-1941) is regarded as a major 20th century author and essayist, a key figure in literary history as a feminist and modernist, and the centre of 'The Bloomsbury Group'. This informal collective of artists and writers, which included Lytton Strachey and Roger Fry, exerted a powerful influence over early twentieth-century British culture. Between 1925 and 1931 Virginia Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929) a passionate feminist essay. If you enjoyed Orlando, you might like Woolf's The Waves, also available in Penguin Modern Classics. 'I read this book and believed it was a hallucinogenic, interactive biography of my own life and future' Tilda Swinton

Two girls embark on a summer of montage-worthy dates (with a few strings attached) in this hilarious and heartfelt lesbian rom-com that’s perfect for fans of Becky Albertalli and Jenny Han.Seventeen-year-old cynic Saoirse Clarke isn’t looking for a relationship. But when she meets mischievous Ruby, that rule goes right out the window. Sort of.Because Ruby has a loophole in mind: a summer of all the best cliché movie montage dates, with a definite ending come fall—no broken hearts, no messy breakup. It would be the perfect plan, if they weren’t forgetting one thing about the Falling in Love Montage: when it’s over, the characters have fallen in love...for real.Ciara Smyth’s debut is a delightful, multilayered YA rom-com that will make you laugh, cry, and absolutely fall in love.

She’s one of America’s fairest and funniest ladies. Actress and screenwriter, director and comedienne, Fannie Flagg is also a most accomplished and high-spirited author. Said Kirkus of her first book, Coming Attractions: “It’s subtitled ‘A wonderful novel’ and that’s exactly what it is.” Here is her second. Get ready, because it’s going to make you laugh (a lot), cry (a little), and care (forever).What is it? It’s first the story of two women in the 1980s, of gray-headed Mrs. Threadgoode telling her life story to Evelyn, who is in the sad slump of middle age. The tale she tells is also of two women—of the irrepressibly daredevilish tomboy Idgie and her friend Ruth—who back in the thirties ran a little place in Whistle Stop, Alabama, a Southern kind of Cafe Wobegon offering good barbecue and good coffee and all kinds of love and laughter, even an occasional murder.And as the past unfolds, the present—for Evelyn and for us—will never quite be the same.Fried Green Tomatoes at the Whistle Stop Cafe is folksy and fresh, endearing and affecting, with humor and drama—and with an ending that would fill with smiling tears the Whistle Stop Lake...if they only had a lake....

NATIONAL BESTSELLER“A delectable brew of gothic horror and Hollywood satire . . . [and] what makes all this so much fun is Danforth’s deliciously ghoulish voice . . . exquisite." —Ron Charles, THE WASHINGTON POST"A multi-faceted novel, equal parts gothic, sharply funny, sapphic romance, historical, and, of course, spooky.” —ENTERTAINMENT WEEKLYNamed a Most Anticipated Book by Entertainment Weekly • Washington Post • USA Today • Time • O, The Oprah Magazine • Buzzfeed • Harper's Bazaar • Vulture • Parade • HuffPost • Refinery29 • Popsugar • E! News • Bustle • The Millions • GoodReads • Autostraddle • Lambda Literary • Literary Hub • and more!The award-winning author of The Miseducation of Cameron Post makes her adult debut with this highly imaginative and original horror-comedy centered around a cursed New England boarding school for girls—a wickedly whimsical celebration of the art of storytelling, sapphic love, and the rebellious female spiritOur story begins in 1902, at the Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it the Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, the Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way.Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer Merritt Emmons publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins.A story within a story within a story and featuring black-and-white period-inspired illustrations, Plain Bad Heroines is a devilishly haunting, modern masterwork of metafiction that manages to combine the ghostly sensibility of Sarah Waters with the dark imagination of Marisha Pessl and the sharp humor and incisive social commentary of Curtis Sittenfeld into one laugh-out-loud funny, spellbinding, and wonderfully luxuriant read.“Full of Victorian sapphic romance, met

Nina LaCour meets Jenny Han in this beautiful and charming story of six moments that lead to two girls, one kiss, and eventually, three little words that were maybe always true.After years of bickering, Penny and Tate have called a truce: they’ll play nice. They have to. Their mothers (life-long best friends) need them to be perfect, drama-free daughters when Penny’s mother becomes a living liver donor to Tate’s mom. Forced to live together as their moms recover, the girls’ truce is essential in keeping everything—their jobs, the house, the finances, the Moms’ healing—running smoothly. They’ve got to let this thing between them go.There’s one little hitch: Penny and Tate keep almost kissing.It’s just this confusing thing that keeps happening. You know, from time to time. For basically their entire teenaged existence.They’ve never talked about it. They’ve always ignored it in the aftermath. But now they’re living across the hall from each other.And some things—like their kisses—can’t be almosts forever.Told through the two girls’ present, and six moments from their past, this dynamic love story shows that sometimes the person you need the most has been there for you all along.

The acclaimed book behind the 2018 Sundance Grand Jury Prize-winning movie"LGBTQ cinema is out in force at Sundance Film Festival," proclaimed USA Today. "The acerbic coming-of-age movie is adapted from Emily M. Danforth's novel, and stars Chloë Grace Moretz as a lesbian teen who is sent to a gay conversion therapy center after she gets caught having sex with her friend on prom night."The Miseducation of Cameron Post is a stunning and provocative literary debut that was named to numerous best of the year lists.When Cameron Post’s parents die suddenly in a car crash, her shocking first thought is relief. Relief they’ll never know that, hours earlier, she had been kissing a girl.But that relief doesn’t last, and Cam is forced to move in with her conservative aunt Ruth and her well-intentioned but hopelessly old-fashioned grandmother. She knows that from this point on, her life will forever be different. Survival in Miles City, Montana, means blending in and leaving well enough alone, and Cam becomes an expert at both.Then Coley Talor moves to town. Beautiful, pickup-driving Coley is a perfect cowgirl with the perfect boyfriend to match. She and Cam forge an unexpected and intense friendship, one that seems to leave room for something more to emerge. But just as that starts to seem like a real possibility, Aunt Ruth takes drastic action to “fix” her niece, bringing Cam face-to-face with the cost of denying her true self—even if she’s not quite sure who that is.Don't miss this raw and powerful own voices debut, the basis for the award-winning film starring Chloë Grace Moretz.