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Killing Thatcher is the gripping account of how the IRA came astonishingly close to killing Margaret Thatcher and to wiping out the British Cabinet – an extraordinary assassination attempt linked to the Northern Ireland Troubles and the most daring conspiracy against the Crown since the Gunpowder Plot.In this fascinating and compelling book, veteran journalist Rory Carroll retraces the road to the infamous Brighton bombing in 1984 – an incident that shaped the political landscape in the UK for decades to come. He begins with the infamous execution of Lord Mountbatten in 1979 – for which the IRA took full responsibility – before tracing the rise of Margaret Thatcher, her response to the ‘Troubles’ in Ireland and the chain of events that culminated in the hunger strikes of 1981 and the death of 10 republican prisoners, including Bobby Sands. From that moment on Thatcher became an enemy of the IRA – and the organisation swore revenge.Opening with a brilliantly-paced prologue that introduces bomber Patrick Magee in the build up to the incident, Carroll sets out to deftly explore the intrigue before and after the assassination attempt – with the story spanning three continents, from pubs and palaces, safe houses and interrogation rooms, hotels and barracks. On one side, an elite IRA team aided by a renegade priest, US-raised funds and Libya’s Qaddafi and on the other, intelligence officers, police detectives, informers and bomb disposal officers. An exciting narrative that blends true crime with political history, this is the first major book to investigate the Brighton attack.

In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. The monetary value is estimated at over half a billion dollars. Why would they be moved to such unheard-of generosity?The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and frank interviews, Felch and Frammolino give us a fly-on-the-wall account of the inner workings of a world-class museum and tell the story of the Getty’s dealings in the illegal antiquities trade. The outlandish characters and bad behavior could come straight from the pages of a thriller—the wealthy recluse founder, the cagey Italian art investigator, the playboy curator, the narcissist CEO—but their chilling effects on the rest of the art world have been all too real, as the authors show in novelistic detail.Fast-paced and compelling, Chasing Aphrodite exposes the layer of dirt beneath the polished façade of the museum business.

By chance, John and Jean -- one English, the other French -- meet in a provincial railway station. Their resemblance to each other is uncanny, and they spend the next few hours talking and drinking - until at last John falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, Jean has stolen his identity and disappeared. So the Englishman steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing. Gripping and complex, The Scapegoat is a masterful exploration of doubling and identity, and of the dark side of the self. "A dazzlingly clever and immensely entertaining novel."-New York Times

"A touching three-dimensional portrait of the Polish-born scientist and two-time Nobel Prize winner" (Kirkus) Madame Curie, the discoverer of radium and radioactivityOne hundred years ago, Marie Curie discovered radioactivity, for which she won the Nobel Prize in physics. In 1911 she won an unprecedented second Nobel Prize, this time in chemistry, for isolating new radioactive elements. Despite these achievements, or perhaps because of her fame, she has remained a saintly, unapproachable genius. From family documents and a private journal only recently made available, Susan Quinn at last tells the full human story. From the stubborn sixteen-year-old studying science at night while working as a governess, to her romance and scientific partnership with Pierre Curie-an extraordinary marriage of equals-we feel her defeats as well as her successes: her rejection by the French Academy, her unbearable grief at Pierre's untimely and gruesome death, and her retreat into a love affair with a married fellow scientist, causing a scandal which almost cost her the second Nobel Prize. In Susan Quinn's fully dimensional portrait, we come at last to know this complicated, passionate, brilliant woman.

From the New York Times bestselling biographer Anne Edwards comes the irresistible true story of the lives and loves of the great opera diva, Maria Callas.Maria Callas continues to mesmerize us decades after her death, not only because she was indisputably the greatest opera diva of the 20th century, but also because both her life and death were shrouded in a Machiavellian web of scandal, mystery and deception. Now Anne Edwards, well known for her revealing and insightful biographies of some of the world's most noted women, tells the intimate story of Maria Callas—her loves, her life, and her music, revealing the true woman behind the headlines, gossip and speculation.The second daughter of Greek immigrant parents, Maria found herself in the grasp of an overwhelmingly ambitious mother who took her away from her native New York and the father she loved, to a Greece on the eve of the Second World War. From there, we learn of the hardships, loves and triumphs Maria experienced in her professional and personal life. We are introduced to the men who marked Callas forever—Luchino Visconti, the brilliant homosexual director who she loved hopelessly, Giovanni Battista Meneghini, the husband thirty years her senior who used her for his own ambitions, as had her mother, and Aristotle Onassis, who put an end to their historic love affair by discarding her for the widowed Jacqueline Kennedy. Throughout her life, Callas waged a constant battle with her weight, a battle she eventually won, transforming herself from an ugly duckling into the slim and glamorous diva who transformed opera forever, whose recordings are legend, and whose life is the stuff of which tabloids are made. Anne Edwards goes deeper than previous biographies of Maria Callas have dared. She draws upon intensive research to refute the story of Callas's "mystery child" by Onassis, and she reveals the true circumstances of the years preceding Callas's death, including the deception perpetrated by her close and trusted friend. As in her portraits of other brilliant, star-crossed women, Edwards brings Maria Callas—the intimate Callas—alive.

For ten years Kathryn Sermak was at Bette Davis's side--first as an employee, and then as her closest friend--and in Miss D and Me she tells the story of the great star's harrowing but inspiring final years, a story fans have been waiting decades to hear.Miss D and Me is a story of two powerful women, one at the end of her life and the other at the beginning. As Bette Davis aged she was looking for an assistant, but she found something more than that in Kathryn: a loyal and loving buddy, a co-conspirator in her jokes and schemes, and a competent assistant whom she trained never to miss a detail. But Miss D had strict rules for Kathryn about everything from how to eat a salad to how to wear her hair...even the spelling of Kathryn's name was changed (adding the "y") per Miss D's request. Throughout their time together, the two grew incredibly close, and Kathryn had a front-row seat to the larger-than-life Davis's career renaissance in her later years, as well as to the humiliating public betrayal that nearly killed Miss D.The frame of this story is a four-day road trip Kathryn and Davis took from Biarritz to Paris, during which they disentangled their ferocious dependency. Miss D and Me is a window into the world of the unique and formidable Bette Davis, told by the person who perhaps knew her best of all.

“A definitive, deeply moving inquiry into the life of the young, imperiled artist, and a masterful exegesis of Diary of a Young Girl…Extraordinary testimony to the power of literature and compassion” –Booklist (starred review)In Anne Frank: The Book, the Life, the Afterlife, Francine Prose, author of Reading Like a Writer, deftly parses the artistry, ambition, and enduring influence of Anne Frank’s beloved classic, The Diary of a Young Girl. Approved by both the Anne Frank House Foundation in Amsterdam and the Anne Frank-Fonds in Basel, run by the Frank family, this work of literary criticism unravels the complex, fascinating story of the diary and effectively makes the case for it being a work of art from a precociously gifted writer.

Anne Morrow Lindbergh writes of the early years of her marriage to Charles Lindbergh, their pioneering flying adventures, and the tragic kidnapping of their first child. "A story of happiness, daring and sorrow...This book is an awakening of a gallant, sensitive, and expressive woman" (Atlantic). Introduction by the Author; Index; photographs. A Helen and Kurt Wolff Book

The beautifully illustrated fourth volume of Picasso’s life—set in France and Spain during the Spanish Civil War and World War II—covers friendships with the surrealist painters; artistic inspiration around Guernica and the Minotaur; and his muses Marie-Thérèse, Dora Maar, and Françoise Gilot; and much more.Including 271 stunning illustrations and drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassaï to Picasso’s chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Thérèse, Picasso’s mistress and muse. Picasso was contributing to André Breton’s Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dalí, Lee Miller, and the poet Paul Éluard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur—head of a bull, body of a man—and created his most famous etching, Minotauromachie. Richardson shows us the artist is as prolific as ever, painting Marie-Thérèse, but also painting the surrealist photographer Dora Maar who has become a muse, a collaborator and more. In April 1937, the bombing of the town of Guernica during the Spanish Civil War inspires Picasso’s vast masterwork of the same name, which he paints in just a few weeks for the Spanish Pavilion at the Paris World’s Fair. When the Nazis occupy Paris in 1940, Picasso chooses to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso meets Françoise Gilot who would replace Dora, and as Richardson writes, “rejuvenate his psyche, reawaken his imagery and inspire a brilliant sequence of paintings.” As always, Richardson tells Picasso’s story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive and critically acclaimed account of one of the world’s most celebrated artists.

Provocative insights into Beauvoir's philosophical and personal development during wartime Written from September 1939 to January 1941, Simone de Beauvoir’s Wartime Diary gives English readers unabridged access to a scandalous text that threatened to overturn traditional views of Beauvoir’s life and work. Beauvoir's clandestine affair with Jacques Bost and sexual relationships with various young women challenge the conventional picture of Beauvoir as the devoted companion of Jean-Paul Sartre. At the same time, her account of completing her novel She Came to Stay at a time when Sartre had just begun Being and Nothingness questions the traditional view of Beauvoir’s novel as merely illustrating Sartre’s philosophy. Wartime Diary also traces Beauvoir's philosophical transformation as she broke from the prewar solipsism of She Came to Stay in favor of the postwar political engagement of The Second Sex. Beauvoir's emerging existentialist ethics reflect the dramatic collective experiences of refugees fleeing German invasion and life under Nazi occupation. The evolution of her thought also reveals the courageous reaffirmation of her individuality in constructing a humanist ethics of freedom and solidarity. This edition also features previously unpublished material, including her musings about consciousness and order, recommended reading lists, and notes on labor unions. In providing new insights into Beauvoir’s philosophical development, the Wartime Diary promises to rewrite a crucial chapter of Western philosophy and intellectual history.