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In 1918 Ernest Hemingway went to war, to the 'war to end all wars'. He volunteered for ambulance service in Italy, was wounded and twice decorated. Out of his experiences came A Farewell to Arms. Hemingway's description of war is unforgettable. He recreates the fear, the comradeship, the courage of his young American volunteer and the men and women he meets in Italy with total conviction. But A Farewell to Arms is not only a novel of war. In it Hemingway has also created a love story of immense drama and uncompromising passion.

Published to worldwide critical acclaim, with more than one million copies already in print, this is the lush, wondrous story of an unrequited love that survives half a century and more than 600 distractions.

In 1327, finding his sensitive mission at an Italian abbey further complicated by seven bizarre deaths, Brother William of Baskerville turns detective, penetrating the cunning labyrinth of the abbey and deciphering coded manuscripts for clues. Reprint.

When Benjamin Button's father arrives at hospital, he is surprised and ashamed to find his new baby boy is a weathered, aged man, to all appearances no younger than seventy years old. As time goes by, young Benjamin comes to no longer require a cane, his hair ceases to be grey, his limbs become less frail, his wrinkles less deep, but still the world around him fails to come to terms with his oddness, as he ages towards infancy and beyond...

Presents the story of Max's adventures when he sails away to the land where the wild things are. This book is the winner of the Caldecott Medal for the Most Distinguished Picture Book of the Year, 1964.

Drawing on George Eliot's own childhood experiences to craft an unforgettable story of first love, sibling rivalry and regret, The Mill on the Floss is edited with an introduction and notes by A.S. Byatt, author of Possession, in Penguin Classics. Brought up at Dorlcote Mill, Maggie Tulliver worships her brother Tom and is desperate to win the approval of her parents, but her passionate, wayward nature and her fierce intelligence bring her into constant conflict with her family. As she reaches adulthood, the clash between their expectations and her desires is painfully played out as she finds herself torn between her relationships with three very different men: her proud and stubborn brother; hunchbacked Tom Wakem, the son of her family's worst enemy; and the charismatic but dangerous Stephen Guest. With its poignant portrayal of sibling relationships, The Mill on the Floss is considered George Eliot's most autobiographical novel; it is also one of her most powerful and moving. In this edition, writer and critic A.S. Byatt, author of Possession, provides full explanatory notes and an introduction relating The Mill on the Floss to George Eliot's own life and times. Mary Ann Evans (1819-80) began her literary career as a translator, and later editor, of the Westminster Review. In 1857, she published Scenes of Clerical Life, the first of eight novels she would publish under the name of 'George Eliot', including The Mill on the Floss, Middlemarch, and Daniel Deronda. If you enjoyed The Mill on the Floss, you might like Thomas Hardy's Jude the Obscure, also available in Penguin Classics.

“A very entertaining and, ultimately, deeply moving novel about the complex bonds between mother and daughter.” —Washington Post“Mary McCarthy, Anne Rivers Siddons, and a host of others have portrayed the power and value of female friendships, but no one has done it with more grace, charm, talent, and power than Rebecca Wells.” —Richmond Times-DispatchThe incomparable #1 New York Times bestseller, Rebecca Wells’s Divine Secrets of the Ya-Ya Sisterhood is a classic of Southern women’s fiction to be read and reread over and over again. A poignant, funny, outrageous, and wise novel about a lifetime friendship between four Southern women, Divine Secrets of the Ya-Ya Sisterhood brilliantly explores the bonds of female friendship, the often-rocky relationship between mothers and daughters, and the healing power of humor and love, in a story as fresh and uplifting as when it was first published a decade and a half ago. If you haven’t yet met the Ya-Yas, what are you waiting for?

In the Musketeers’ final adventure, D’Artagnan remains in the service of the corrupt King Louis XIV after the Three Musketeers have retired and gone their separate ways. Meanwhile, a mysterious prisoner in an iron mask wastes away deep inside the Bastille. When the destinies of king and prisoner converge, the Three Musketeers and D’Artagnan find themselves caught between conflicting loyalties.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

'The novel has everything: an absorbing melodrama, with a supporting cast of heroes, villains and eccentrics, set in a London where vast wealth and desperate poverty live cheek-by-jowl' Jasper Rees, The TimesWhen Nicholas Nickleby is left penniless after his father's death, he appeals to his wealthy uncle to help him find work and to protect his mother and sister. But Ralph Nickleby proves both hard-hearted and unscrupulous, and Nicholas finds himself forced to make his own way in the world. His adventures gave Dickens the opportunity to portray an extraordinary gallery of rogues and eccentrics: Wackford Squeers, the tyrannical headmaster of Dotheboys Hall, a school for unwanted boys, the slow-witted orphan Smike, rescued by Nicholas, the pretentious Mantalinis and the gloriously theatrical Mr and Mrs Crummels and their daughter, the 'infant phenomenon'. Like many of Dickens's novels, Nicholas Nickleby is characterised by his outrage at cruelty and social injustice, but it is also a flamboyantly exuberant work, whose loose, haphazard progress harks back to the picaresque novels of Tobias Smollett and Henry Fielding. In his introduction Mark Ford compares Nicholas Nickleby to eighteenth-century picaresque novels, and examines Dickens's criticism of the 'Yorkshire schools', his social satire and use of language. This edition includes the original illustrations by 'Phiz', Dickens's original preface to the work, a chronology and a list of further reading.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

When they were children, Sean Devine, Jimmy Marcus, and Dave Boyle were friends. But then a strange car pulled up to their street. One boy got into the car, two did not, and something terrible happened—something that ended their friendship and changed all three boys forever. Now, years later, murder has tied their lives together again . . .