Empfehlungen basierend auf "And Still I Rise"

Byron's free-spirited lifestyle combined with his rare poetic gift to make him one of the foremost figures of the Romantic Era. This collection of his poems, richly varied in mood and content, captures the essence of his great achievement. Among the thirty-one poems included are convivial song-like poems, love poems, travel poems, humorous and satiric poems.Shorter works such as the famous "She Walks in Beauty," "Stanzas to Augusta" and "So We'll Go No More a Roving" are well represented. Also here are important longer works — "The Prisoner of Chillon," "Beppo," "The Vision of Judgment," all unabridged — and lyrics excerpted from Don Juan, Childe Harold's Pilgrimage, and the play Manfred. Taken together, these are poems that draw readers quickly into the passions, humors, and convictions of a poet whose life and work truly embodied the Romantic spirit.

A major career-spanning collection from the inimitable Nobel Prize-winning poetFor the past fifty years, Louise Glück has been a major force in modern poetry, distinguished as much for the restless intelligence, wit and intimacy of her poetic voice as for her development of a particular form: the book-length sequence of poems. This volume brings together the twelve collections Glück has published to date, offering readers the opportunity to become immersed in the artistry and vision of one of the world's greatest living poets.From the allegories of The Wild Iris to the myth-making of Averno; the oneiric landscapes of The House on Marshland to the questing of Faithful and Virtuous Night - each of Glück's collections looks upon the events of an ordinary life and finds within them scope for the transcendent; each wields its archetypes to puncture the illusions of the self. Across her work, elements are reiterated but endlessly transfigured - Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain. Taken together, the effect is like a shifting landscape seen from above, at once familiar and unspeakably profound.

A legend in her own time both for her brilliant poetry and for her resistance to oppression, Anna Akhmatova—denounced by the Soviet regime for her “eroticism, mysticism, and political indifference”—is one of the greatest Russian poets of the twentieth century.Before the revolution, Akhmatova was a wildly popular young poet who lived a bohemian life. She was one of the leaders of a movement of poets whose ideal was “beautiful clarity”—in her deeply personal work, themes of love and mourning are conveyed with passionate intensity and economy, her voice by turns tender and fierce. A vocal critic of Stalinism, she saw her work banned for many years and was expelled from the Writers’ Union—condemned as “half nun, half harlot.” Despite this censorship, her reputation continued to flourish underground, and she is still among Russia’s most beloved poets.Here are poems from all her major works—including the magnificent “Requiem” commemorating the victims of Stalin’s terror—and some that have been newly translated for this edition.

This year's winner of the Yale Series of Younger Poets competition is Maurice Manning's Lawrence Booth's Book of Visions. These compelling poems take us on a wild ride through the life of a man child in the rural South. Presenting a cast of allegorical and symbolic, yet very real, characters, the poems have "authority, daring, and] a language of color and sure movement," says series judge W.S. Merwin. From Seven Chimeras The way Booth makes a love story: same as a regular story, except under one rock is a trapdoor that leads to a room full of belly buttons; each must be pushed, one is a landmine. The way Booth makes hope: thirty-seven acres, Black Damon, Red Dog. Construct a pillar of fire in the Great Field and let it become unquenchable. The way Booth ends the Jack-in-the-Box charade: shoot the weasel in the neck and toss it to the buzzards. The way Booth thinks of salvation: God holding a broken abacus, colored beads falling away.

The debut collection from a 2021 Whiting Award and Guggenheim Fellow recipient whose “astounding, dolorous, rejoicing voice is indispensable” (Tracy K. Smith)   The Sobbing School, Joshua Bennett’s mesmerizing debut collection of poetry, presents songs for the living and the dead that destabilize and de-familiarize representations of black history and contemporary black experience. What animates these poems is a desire to assert life, and interiority, where there is said to be none. Figures as widely divergent as Bobby Brown, Martin Heidegger, and the 19th-century performance artist Henry Box Brown, as well as Bennett’s own family and childhood best friends, appear and are placed in conversation in order to show that there is always a world beyond what we are socialized to see value in, always alternative ways of thinking about relation that explode easy binaries.

An “astounding” (Terrance Hayes) debut collection of poems – Winner of the National Poetry Series CompetitionIn this ­­­powerful debut collection, sam sax explores and explodes the linkages between desire, addiction, and the history of mental health. These brave, formally dexterous poems examine antiquated diagnoses and procedures from hysteria to lobotomy; offer meditations on risky sex; and take up the poet’s personal and family histories as mental health patients and practitioners. Ultimately, Madness attempts to build a queer lineage out of inherited language and cultural artifacts; these poems trouble the static categories of sanity, heterosexuality, masculinity, normality, and health. sax’s innovative collection embodies the strange and disjunctive workings of the mind as it grapples to make sense of the world around it.

"The poems in Commons are at once global and intensely personal and emotional. An immensely talented poet, Myung Mi Kim loves language - its internal rhymes, alliterations, and diverse rhythms. Caught off guard by the beauty and precision of Kim's language and the exquisite images she so deftly conjures, we are drawn unwittingly into a web of fragmentary memories that subvert what we think we know about the violent history that haunts her and never ceases to demand recognition."—Elaine Kim, author of Asian American Literature: An Introduction to the Writings and Their Social Context, and co-editor of Dangerous Women: Gender and Korean Nationalism

"To write today in English means using an idiom that is hegemonic, 'globalized,' no longer national. Vacated. A human, though, is necessarily sited, and here we find Mullen's Subject. Its movement open to both '(gone) and suture,' it grasps an anxiety in American speech too often covered over by Americans, though it's visible in the world. To cite Agamben: 'the ethical subject is a subject that bears witness to a desubjectivization.' Mullen's 'subject' is not one of triumphalism; it articulates the 'no-one,' ninguén, the 'not-even-who' that generates being's fibre, its viscosity, presence. In Mullen, 'Belonging to a body/To itself unrecognizable' is followed by 'Open the doors. Here.' Her 'here' is poetry that American English needs."—Erin Mouré

Over more than three decades Adrienne Rich's essays have been praised for their lucidity, courage, and range of concerns. In A Human Eye, Rich examines a diverse selection of writings and their place in past and present social disorders and transformations. Beyond literary theories, she explores from many angles how the arts of language have acted on and been shaped by their creators' worlds.This powerful new collection includes a stirring response to the anthology Iraqi Poetry Today, a critique of three classic socialist manifestos, and a rereading of The Dead Lecturer, an early volume of poems by LeRoi Jones. Rich engages the impulse to make art that both impels toward and interacts with social change, a theme she also traces through the letters of poets Robert Duncan and Denise Levertov, gay and lesbian politics and poetry, and influential texts on Zionism and the Jewish diaspora.

Product Description Each audio production is accompanied by a book containing the text of the poems and a commentary by J.D. McClatchy.Randall Jarrell (1914-1965) a Tennessee native, earned his bachelor’s and master’s degrees from Vanderbilt University. His first book of poetry, Blood for a Stranger, was published in 1942, the same year he enlisted in the army. Jarrell’s reputation as a poet was established in 1945, with his second book, Little Friend, Little Friend, which bitterly documents the intense fears and moral struggles of a young soldier. He is highly regarded as a peerless literary essayist and is considered the most astute poetry critic of his generation. Jarrell was struck by a car and killed at the age of 50, in a death that may or may not have been a suicide. From Library Journal Part of an eight-tape series, these audiocassettes of the poets reading their own works include some never-released recordings. Each tape includes a book with the text of the poems, information about the poets, suggested reading, and a commentary by editor J.D. McClatchy. In some poems the audio differs from the printed text; in the Ashbery and Jarrell books, each piece is dated. While the tape quality is adequate, the reviewer's copies did have an audible hiss. The Jarrell cassette, which includes additional commentary not found on the other two tapes (the definition of a ball turret gunner and the story behind "Eighth Air Force"), also had a slight echo. Five American Women was occasionally difficult to understand owing to the timbre of the readers' (Edna St. Vincent Millay, Gertrude Stein, and others) voices. Recommended for public libraries. Laurie Selwyn, San Antonio P.L. Copyright 2001 Reed Business Information, Inc. From the Inside Flap Each audio production is accompanied by a book containing the text of the poems and a commentary by J.D. McClatchy.Randall Jarrell (1914-1965) a Tennessee native, earned his bachelor's and master's degrees from Vanderbilt University. His first book of poetry, Blood for a Stranger, was published in 1942, the same year he enlisted in the army. Jarrell's reputation as a poet was established in 1945, with his second book, Little Friend, Little Friend, which bitterly documents the intense fears and moral struggles of a young soldier. He is highly regarded as a peerless literary essayist and is considered the most astute poetry critic of his generation. Jarrell was struck by a car and killed at the age of 50, in a death that may or may not have been a suicide. From AudioFile [Editor's Note: The following is a combined review with THE VOICE OF THE POET: John Ashbery.]--Modern American poets read their own work in this handsome series from Random House. Each 70-minute offering is edited from various rare archival recordings and packaged with an illustrated paperback containing the text of the taped poems and commentary by series editor J.D. McClatchy of THE YALE REVIEW. To versephiles, nothing tops hearing lines delivered by their author. As Nobel laureate Seamus Heaney states, it is "always a unique illumination." Producer Jane Garmey has taken great care to ferret out, assemble, and restore these illuminations. Edifying for the student, a delight for the aficionado, a must for libraries. Y.R. © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine