Empfehlungen basierend auf "An Oration Pronounced At Worcester (mass.) On The Fortieth Anniversary Of American Independence"
Based on your reading history, we think you will also enjoy the following books.
von Harold G. Moore
Each year, the Commandant of the U.S. Marine Corps selects one book that he believes is both relevant and timeless for reading by all Marines. The Commandant's choice for 1993 isWe Were Soldiers Once . . . and Young.In November 1965, some 450 men of the 1st Battalion, 7th Cavalry, under the command of Lt. Col. Hal Moore, were dropped by helicopter into a small clearing in the Ia Drang Valley. They were immediately surrounded by 2,000 North Vietnamese soldiers. Three days later, only two and a half miles away, a sister battalion was chopped to pieces. Together, these actions at the landing zones X-Ray and Albany constituted one of the most savage and significant battles of the Vietnam War.How these men persevered--sacrificed themselves for their comrades and never gave up--makes a vivid portrait of war at its most inspiring and devastating. General Moore and Joseph Galloway, the only journalist on the ground throughout the fighting, have interviewed hundreds of men who fought there, including the North Vietnamese commanders. This devastating account rises above the specific ordeal it chronicles to present a picture of men facing the ultimate challenge, dealing with it in ways they would have found unimaginable only a few hours earlier. It reveals to us, as rarely before, man's most heroic and horrendous endeavor.
von William S. Burroughs
"These funny, filthy, and terrifically smart letters reveal him in a way that no biographer can." -- New York NewsdayGuru of the Beat generation, éminence grise of the international avant-garde, dark prophet, and blackest of satirists, William S. Burroughs has had a range of influence rivaled by few living writers. This volume of his correspondence from 1945 to 1959 vividly documents the personal and cultural history through which Burroughs developed, revealing clues to illuminate his life and keys to open up his texts. More than that, it shows how letter-writing was itself integral to his life and to his fiction.Beginning as surprisingly formal notes from the road to his friends Allen Ginsberg and Jack Kerouac, the letters deepen in substance and style. Then, in Tangier, comes a dramatic shift in voice and vision and the explosive, distinctive letters that will become Naked Lunch. Letters were lifelines for Burroughs, the outcast; and works-in-progress for Burroughs, the writer; and, they track his turbulent journey across two decades and three continents. To read them as they were written is to experience a unique merging of life and letters, the extraordinary story of Williams S. Burroughs homme de lettres."Unrelenting impact." -- Los Angeles Reader
von William Faulkner
From the Modern Library’s new set of beautifully repackaged hardcover classics by William Faulkner—also available are Snopes, As I Lay Dying, The Sound and the Fury, Light in August, and Absalom, Absalom! William Faulkner was a master of the short story. Most of the pieces in this collection are drawn from the greatest period in his writing life, the fifteen or so years beginning in 1929, when he published The Sound and the Fury. They explore many of the themes found in the novels and feature characters of small-town Mississippi life that are uniquely Faulkner’s. In “A Rose for Emily,” the first of his stories to appear in a national magazine, a straightforward, neighborly narrator relates a tale of love, betrayal, and murder. The vicious family of the Snopes trilogy turns up in “Barn Burning,” about a son’s response to the activities of his arsonist father. And Jason and Caddy Compson, two other inhabitants of Faulkner’s mythical Yoknapatawpha County, are witnesses to the terrorizing of a pregnant black laundress in “That Evening Sun.” These and the other stories gathered here attest to the fact that Faulkner is, as Ralph Ellison so aptly noted, “the greatest artist the South has produced.” Including these stories: “Barn Burning” “Two Soldiers” “A Rose for Emily” “Dry September” “That Evening Sun” “Red Leaves” “Lo!” “Turnabout” “Honor” “There Was a Queen” “Mountain Victory” “Beyond” “Race at Morning”
von A. Hotchner
Between 1948 and 1961, Earnest Hemingway and A. E. Hotchner traveled together from New York to Paris to Spain, fished the waters off Cuba, hunted in Idaho, and ran with the bulls in Pamplona. And everywhere they talked. For 14 years, Hotchner and Hemingway shared a conversation. Hemingway reminisced about his childhood, recalled the Paris literary scene in the twenties, remembered his early years as a writer, and recounted the real events that lay behind his fiction. And Hotchner took it all down. His notes on the many occasions he spent with his friend Papa -- in Venice and Rome, in Key West, on the Riviera, in Ketchum, Idaho, where Hemingway died by his own hand in 1961 - provide the material for this utterly truthful, profoundly compassionate bestselling memoir of the Nobel and Pulitzer Prize-winning author. What emerges is an extraordinary portrait of a great writer who had, and determined, the time of his life.
von James Baldwin
The works of James Baldwin constitute one of the major contributions to American literature in the twentieth century, and nowhere is this more evident than in The Price of the Ticket, a compendium of nearly fifty years of Baldwin's powerful nonfiction writing. With truth and insight, these personal, prophetic works speak to the heart of the experience of race and identity in the United States. Here are the full texts of Notes of a Native Son, Nobody Knows My Name, The Fire Next Time, No Name in the Street, and The Devil Finds Work, along with dozens of other pieces, ranging from a 1948 review of Raintree Country to a magnificent introduction to this book that, as so many of Mr. Baldwin's works do, combines his intensely private experience with the deepest examination of social interaction between the races. In a way, The Price of the Ticket is an intellectual history of the twentieth-century American experience; in another, it is autobiography of the highest order.
von Author
Jack London's semiautobiographical critique of individualism that touches on contemporary issues like socialism and mental illness, now two major motion pictures―one directed by Pietro Marcello, the other by Jay CravenThe semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels and divergences between the life of Martin Eden and that of his creator, focusing on London's mental depressions and how they affected his depiction of Eden.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
von Robert Ruark
This classic captures the endearing relationship between a man and his grandson as they fish and hunt the lakes and woods of North Carolina. All the while the Old Man acts as teacher and guide, passing on his wisdom and life experiences to the boy, who listens in rapt fascination.
von C. S. Forester
With interest in nautical adventure stories reaching unprecedented heights -- as evidenced by the success of The Perfect Storm, Patrick O'Brian's bestselling Aubrey/Maturin novels, the Titanic phenomenon, etc. -- now is the ideal time for readers to rediscover the pleasures and excitement of C. S. Forester's epic saga of turmoil and triumph on the high seas.
von Ruskin Bond
Rusty Travels Abroad To Fulfil His Dream Of Becoming A WriterRusty Goes To London Is The Fourth Book In Puffin'S New Series Of The Complete Escapades Of Rusty; This Is The First Time That All The Rusty Stories Are Available In Chronological Order. In His Early Twenties Now, Rusty Finally Severs Ties With Dehra And Books A Passage To England, With The Dream Of Writing And Selling His Novel Abroad. First In His Aunt'S House In Jersey, And Then In Rented Lodgings In London, He Works As A Clerk By Day And Writes Away In The Evenings. Eventually The Novel Is Finished And Rusty Even Finds A Publisher. But This, He Discovers, Does Not Mean That His Book Will See The Light Of Day Soon ...While In London, Rusty Has Myriad Adventures, Each More Incredible Than The Last. Strolling Down Baker Street, He Runs Into Sherlock Holmes, Who Gives Him A Few Lessons In Investigative Techniques. At The Victoria And Albert Museum, He Is Accosted By Rudyard Kipling. And Then, Of Course, There Is The Strange Incident At The Chinese Quarter, The Calypso Christmas In His Lodgings, And The Story Of The Vietnamese Girl Vu-Phuong. After Three Years Abroad, However, Rusty Realizes That He Wants To Make India His Permanent Home; All He Really Needs Is A Room Of His Own To Live And Write In, As The Vibrant World That He Has Known And Loved All Along Unfolds Outside. Returning To Dehra, He Renews Some Acquaintances And Makes A Few New Ones, And Settles Into His Role As Full-Time Author. Full Of Interesting Stories And Memorable Characters, Rusty Goes To London Is A Book That Will Delight All Of Ruskin Bond'S Young Fans.
von Jim Davis
In the period 1880-1960, advertising pervaded every aspect of British life. It was also the period which witnessed the rise of the British Empire. This text traces the historically changing image of non-white people in British advertising during the colonial period. Drawing on archival sources it analyses the various conflicting and changing ideologies of colonialism and racism in British advertising.