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A definitive new collection of Oscar Wilde’s best prison letters and poetry, with an introduction by Colm ToibinBankrupt and with his reputation in ruins, Oscar Wilde wrote the astonishing letter “De Profundis” to his lover, Lord Alfred Douglas, while in prison. Editor Colm Toibin, the acclaimed author of The Blackwater Lightship, The Master, and Brooklyn, describes it as Wilde’s “greatest piece of prose writing.” Also included is “The Ballad of Reading Gaol,” Wilde’s most famous poem and one of the greatest ballads in the English language, as well as other letters Wilde wrote from prison that reveal the true effects of incarceration on the people he met. Based on the Penguin Classics edition of the Complete Letters, this collection features a new introduction, notes, and appendices.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

'This riveting behind-the-scenes story of the clothes on our backs is a must-read for clotheshorses everywhere' Harper's Bazaar'Extraordinary . . . fascinating . . . a wonderful way into history, quite often through the voices of people who don't have a say in history' Cerys MatthewsLinen, Cotton, Silk, Synthetics, through the stories of these five fabrics, Sofi Thanhauser illuminates the world we inhabit in a startling new way, travelling from China to Cumbria to reveal the craft, labour and industry that create the clothes we wear.From the women who transformed stalks of flax into linen to clothe their families in nineteenth century New England to those who earn their dowries in the cotton-spinning factories of South India today, this book traces the origins of garment-making through time and around the world. Exploring the social, economic and environmental impact of our most personal possessions, Worn looks beyond care labels to show how clothes reveal the truth about what we really care about.'A must-read . . . combines remarkable research with heartfelt care' Clare Hunter

Anne Frank's The Diary of a Young Girl is an inspiring and tragic account of an ordinary life lived in extraordinary circumstances that has enthralled readers for generations. This Penguin Classics edition is edited by Otto H. Frank and Mirjam Pressler, translated by Susan Massotty, and includes an introduction by Elie Wiesel, author of Night.'June, 1942: I hope I will be able to confide everything to you, as I have never been able to confide in anyone, and I hope you will be a great source of comfort and support.'In Amsterdam, in the summer of 1942, the Nazis forced teenager Anne Frank and her family into hiding. For over two years, they, another family and a German dentist lived in a 'secret annexe', fearing discovery. All that time, Anne kept a diary. Since its publication in 1947, Anne Frank's diary has been read by tens of millions of people. This Definitive Edition restores substantial material omitted from the original edition, giving us a deeper insight into Anne Frank's world. Her curiosity about her emerging sexuality, the conflicts with her mother, her passion for Peter, a boy whose family hid with hers, and her acute portraits of her fellow prisoners reveal Anne as more human, more vulnerable and more vital than ever.'One of the greatest books of the twentieth century'Guardian'A modern classic'Julia Neuberger, The Times

Better known in 1882 as a cultural icon than a serious writer, Oscar Wilde was brought to North America for a major lecture tour on Aestheticism and the decorative arts. With characteristic aplomb, he adopted the role as the ambassador of Aestheticism, and he tried out a number of phrases, ideas, and strategies that ultimately made him famous as a novelist and playwright. This exceptional volume cites all ninety-one of Wilde's interviews and contains transcripts of forty-eight of them, and it also includes his lecture on his travels in America.

A wise, witty, spirited collection of short pieces and essays by the inimitable E. B. White. Written for the New Yorker over a span of forty-nine years, these 161 pieces show White’s changing concerns and development as a writer. In matchless style White writes about everything from cicadas to Khrushchev, from Thoreau to hyphens, from academic freedom to lipstick, from New York garbagemen to the sparrow, from Maine to the space age, from the Constitution to Harold Ross and even the common cold. White has been described by one critic as “our finest essayist,” and these short works and essays are classics to be read, savored, and read again. Also included are an Introduction and Selective Bibliography by Rebecca M. Dale. For decades, E. B. White’s columns captured the conscience of his time with a light touch and profound insight. Witty Prose: From the paradox of a revolving door to the private thoughts of a sparrow, experience the precise, humane, and unforgettable voice that helped define The New Yorker style. Timeless Humor: Discover White's gentle but pointed satire on everything from the common cold to the cost of hyphens, revealing the absurdities and anxieties of modern life. The Natural World: Journey from a city back yard to the salt air of a Maine farm as White observes the world with a naturalist’s eye and a poet’s heart. Man in a Muddle: Explore White’s thoughts on liberty, democracy, and the individual’s place in a complex society, from the Depression years to the Space Age. A Writer’s Life: Go behind the scenes with White’s reflections on the craft of writing, academic freedom, and his friend and editor, Harold Ross.

An introduction to the work of Zadie Smith, placing her fiction in a clear historical and theoretical context, and exploring her work in relation to contemporaneity and postcolonialism. Including a timeline of key dates, this guide offers an accessible reading of Smith's work and an overview of its critical reception.

'A kind of blissography, teeming with bon mots' Sunday Times A celebrated modern classic that has revolutionised our understanding of the Bloomsbury group and remains the definitive biography of the group's gloriously eccentric patron, Lady Ottoline Morrell. Met with widespread acclaim and translated into fifteen languages, this seminal book provoked a rethinking of the traditional Bloomsbury narrative and the rewriting of some major biographies. For decades, Ottoline Morrell was grossly misunderstood. The artists and writers who benefited from her generous patronage and friendship helped to create the false and vicious image of a nymphomanical aristocrat with cultural aspirations. This landmark literary biography presents Morrell in an entirely new light, rightly setting her centre-stage as the brilliant and courageous lynchpin of the Bloomsbury group. She counted T.S. Eliot, Aldous Huxley, D.H. Lawrence, Lytton Strachey, Siegfried Sassoon, Augustus John, Katherine Mansfield and W.B. Yeats among her closest friends and houseguests. A legendary and agonisingly protracted love-affair with Bertrand Russell never undermined this unlikely couple's deep and understanding friendship. Ottoline's loyalty to her own promiscuous husband survived public humiliation and private crises. Overhauling the long-held conventional view of Morrell as a victim, a creature of her class who was born to be exploited and derided by her wittier friends, Seymour repaints the world of the Bloomsberries and rescues the grand life of Ottoline Morrell from the depths of historical obscurity.

Neither a feckless knight-errant nor a king who neglected his kingdom, Richard I was in reality a masterful and businesslike ruler. In this wholly rewritten version of a classic account of the reign of Richard The Lionheart, John Gillingham scrutinizes the reasons for the King’s fluctuating reputation over successive centuries and provides a convincing new interpretation of the significance of the reign. This edition includes a complete annotation and expanded bibliography.

A tragic family history told in a collection of imaginary letters to a famed collector, Moise de CamondoLetters to Camondo is a collection of imaginary letters from Edmund de Waal to Moise de Camondo, the banker and art collector who created a spectacular house in Paris, now the Musée Nissim de Camondo, and filled it with the greatest private collection of French eighteenth-century art.The Camondos were a Jewish family from Constantinople, “the Rothschilds of the East,” who made their home in Paris in the 1870s and became philanthropists, art collectors, and fixtures of Belle Époque high society, as well as being targets of antisemitism—much like de Waal's relations, the Ephrussi family, to whom they were connected. Moise de Camondo created a spectacular house and filled it with art for his son, Nissim; after Nissim was killed in the First World War, the house was bequeathed to the French state. Eventually, the Camondos were murdered by the Nazis.After de Waal, one of the world’s greatest ceramic artists, was invited to make an exhibition in the Camondo house, he began to write letters to Moise de Camondo. These fifty letters are deeply personal reflections on assimilation, melancholy, family, art, the vicissitudes of history, and the value of memory.

"Cosimo de'Medici (1389-1464), the fabulously wealthy banker who became the leading citizen of Florence in the fifteenth century, spent lavishly as the city's most important patron of art and literature. This book is the first comprehensive examination of the whole body of works of art and architecture commissioned by Cosimo and his sons. By looking closely at this spectacular group of commissions, we gain an entirely new picture of their patron, and of the patron's point of view. Recurrent themes in the commissions - from Fra Angelico's San Marco altarpiece to the Medici palace - indicate the main interests to which Cosimo's patronage gave visual expression. Dale Kent offers new insights and perspectives on the individual objects comprising the Medici oeuvre by setting them within the context of civic and popular culture in early Renaissance Florence, and of Cosimo's life as the leader of the Medici lineage and the dominant force in the governing elite." "From the wealth of available documentation illuminating Cosimo de'Medici's life, the author considers how his own experience influenced his patronage; how the culture of Renaissance Florence provided a common idiom for the patron, his artists, and his audience; what he preferred and intended as a patron; and how focussing on his patronage of art alters the image of him that is based on his roles as banker and politician. Cosimo was as much a product as a shaper of Florentine society, Kent concludes. She identifies civic patriotism and devotion as the main themes of his oeuvre and argues that religious imperatives may well have been more important than political ones in shaping the art for which he was responsible and its reception."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved