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Richard Evans' brilliant book unfolds perhaps the single most important story of the 20th century: how a stable and modern country in less than a single lifetime led Europe into moral, physical and cultural ruin and despair. A terrible story not least because there were so many other ways in which Germany's history could have been played out. With authority, skill and compassion, Evans recreates a country torn apart by overwhelming economic, political and social blows: the First World War, Versailles, hyperinflation and the Great Depression. One by one these blows ruined or pushed aside almost everything admirable about Germany, leaving the way clear for a truly horrifying ideology to take command.

From Neil MacGregor, the author of A History of the World in 100 Objects, this is a view of Germany like no other For the past 140 years, Germany has been the central power in continental Europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people now understand themselves? Neil MacGregor argues that uniquely for any European country, no coherent, over-arching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly floated. Königsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Johann Wolfgang von Goethe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years. German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses and experiences; examining some of these is the purpose of this book. Beginning with the fifteenth-century invention of modern printing by Gutenberg, MacGregor chooses objects and ideas, people and places which still resonate in the new Germany - porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald - to show us something of its collective imagination. There has never been a book about Germany quite like it.

The New York Times bestselling classic of alternate history, a murder mystery set in a world where the Nazis won World War II—for fans of The Plot Against America and The Man in the High CastleBerlin, 1964. The Greater German Reich stretches from the Rhine to the Urals, and keeps an uneasy peace with its nuclear rival, the United States. As the Fatherland prepares for a grand celebration honoring Adolf Hitler’s seventy-fifth birthday and anticipates a conciliatory visit from U.S. president Joseph Kennedy and ambassador Charles Lindbergh, a detective of the Kriminalpolizei is called out to investigate the discovery of a dead body in a lake near Berlin’s most prestigious suburb.But when Xavier March discovers the identity of the body, he also uncovers signs of a conspiracy that could go to the very top of the German Reich. And, with the Gestapo just one step behind, March, together with the American journalist Charlotte Maguire, is caught up in a race to discover and reveal the truth—a truth that has already killed, a truth that could topple governments, a truth that will change history.Praise for Fatherland“A singular achievement displaying original and carefully wrought suspense . . . Fatherland easily transcends convention.”—The Washington Post“A solid thriller, vividly imagined and genuinely frightening.”—The Atlanta Journal-Constitution“Ingenious . . . a triumph . . . suspenseful and elegant.”—San Francisco Chronicle“A dazzler . . . fast-paced . . . Historical fact is blended skillfully with fiction.”—Detroit Free Press“Absorbing . . . expertly written.”—The New York Times Book Review“Truly captivating.”—Robert Ludlum“A strong premise for a police thriller with rich foreign atmosphere and political texture galore? Absolutely!”—Entertainment Weekly“A sly and scary page-turner.”—Los Angeles Times“A well-plotted, well-written detective tale and a fascinating trek through parallel history.”—Chicago Tribune“Fatherland works on all levels. It’s a triumph.”—The Washington Times“Distinguished by vivid details based on impeccable research, the thriller is a crackling-good read in the le Carré tradition.”—Time“Wonderful.”—Newsday“A gripping detective story as well as a chilling visit to the Germany that might have been. It is so plausibly written it seems quite real. Robert Harris is a name to watch for.”—BookPage

An omnibus edition of Judith Kerr's internationally acclaimed trilogy, When Hitler Stole Pink Rabbit, The Other Way Round and A Small Person Far Away, we see the world through Anna's eyes as she grows up -- from her much loved family to Hitler's holocaust. Anna was a German child when she had to flee from the Nazis before the War. By the time the bombs began to fall she was a stateless adolescent in London, and after it was all over she became a happily married Englishwoman who thought she had put the past behind her. This omnibus edition of the three volumes of Judith Kerr's Hitler trilogy, tells her story beginning with the rise of Hitler in 1933 through to her return to Berlin years after the war.

A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.HHhH: "Himmlers Hirn heisst Heydrich," or "Himmler's brain is called Heydrich." The most dangerous man in Hitler's cabinet, Reinhard Heydrich was known as the "Butcher of Prague." He was feared by all and loathed by most. With his cold Aryan features and implacable cruelty, Heydrich seemed indestructible-until two men, a Slovak and a Czech recruited by the British secret service-killed him in broad daylight on a bustling street in Prague, and thus changed the course of History.Who were these men, arguably two of the most discreet heroes of the twentieth century? In Laurent Binet's captivating debut novel, we follow Jozef Gik and Jan Kubiš from their dramatic escape of Nazi-occupied Czechoslovakia to England; from their recruitment to their harrowing parachute drop into a war zone, from their stealth attack on Heydrich's car to their o

At Victoria station the R.T.O. gave me a travel warrant, a white feather and a picture of Hitler marked 'This is your enemy'. I searched every compartment, but he wasn't on the train'. Spike Milligan's on the march, blitzing friend and foe alike with his uproarious recollections of army life from enlistment to the landing at Algiers in 1943. Bathos, pathos and gales of drunken laughter, and insane military goonery explode in superlative Milliganese.

Presenting the desperate conflict of the First World War through the eyes of an ordinary German soldier, Ernst Jünger's Storm of Steel is translated by Michael Hofmann in Penguin Modern Classics. 'As though walking through a deep dream, I saw steel helmets approaching through the craters. They seemed to sprout from the fire-harrowed soil like some iron harvest.' A memoir of astonishing power, savagery and ashen lyricism, Storm of Steel depicts Ernst Jünger's experience of combat on the front line - leading raiding parties, defending trenches against murderous British incursions, and simply enduring as shells tore his comrades apart. One of the greatest books to emerge from the catastrophe of the First World War, it illuminates like no other book not only the horrors but also the fascination of a war that made men keep fighting for four long years. Ernst Jünger (1895-1998) the son of a wealthy chemist, ran away from home to join the Foreign Legion. His father dragged him back, but he returned to military service when he joined the German army on the outbreak of the First World War. Storm of Steel (Stahlgewittern) was Jünger's first book, published in 1920. Greatly admired by the Nazis, Jünger remained at a distance from the regime, with books such as his allegorical work On the Marble Cliffs (1939) functioning as a covert criticism of Nazi ideology and methods. If you enjoyed Storm of Steel, you might like Edward Blunden's Undertones of War, also available in Penguin Modern Classics. 'To read this extraordinary book is to gain a unique insight into the compelling nature of organized, industrialized violence' Niall Ferguson, author of War of the World 'Hofmann's interpretation is superb' The Times 'Unique in the literature of this or any other war is its brilliantly vivid conjuration of the immediacy and intensity of battle' Telegraph 'Storm of Steel is what so many books claim to be but are not: a classic account of war' Evening Standard

This is Winston Churchill's six-volume history of the Second World War.

June 1815: The Duke of Wellington, the Prince of Orange, and Napoleon will meet on the battlefield--and decide the fate of EuropeWith the emperor Napoleon at its head, an enormous French army is marching toward Brussels. The British and their allies are also converging on Brussels--in preparation for a grand society ball. It is up to Richard Sharpe to convince the Prince of Orange, the inexperienced commander of Wellington's Dutch troops, to act before it is too late. But Sharpe's warning cannot stop the tide of battle, and the British suffer heavy losses on the road to Waterloo.Wellington has few reserves of men and ammunition; the Prussian army has not arrived; and the French advance wields tremendous firepower and determination. Victory seems impossible.

In Days of Masquerade Claudia Schoppmann offers the first in-depth account of lesbians living in Germany during the Third Reich. Through a series of interviews, Schoppmann recounts the lives of perpetrators, bystanders, and victims: women who fought against Hitler's regime, others who married gay men to ward off suspicion, and one who remained active despite fairly clear pronouncements of her sexuality.Schoppmann enriches these vivid oral histories with the findings of her archival research, including a fascinating look at Nazi policy papers. She explores the drive toward sexual emancipation in Imperial and Weimar Germany and presents a comprehensive overview of Nazi attitudes and policies toward homosexual men and women. Identifying ways in which the Nazi positions were highly gender-specific, she points out that lesbianism was seen as less reprehensible than male homosexuality, since it was not considered a threat to women's reproductive potential.Days of Masquerade demonstrates that lesbianism, though not criminalized or subjected to systematic persecution as was male homosexuality, was driven underground by the Nazis, the thriving lesbian communities that had flourished during the Weimar Republic effectively destroyed.An eloquent reminder of the "forgotten victims" of the Third Reich, Days of Masquerade also points out that the experiences of gay men and lesbians during the Nazi era were not one and the same. As a major chapter in the social history of lesbians, Schoppmann's work opens new doors for students of lesbian and gay history, women's studies, and modern German and European history.