Empfehlungen basierend auf "All Grass Isn't Green"

"An amazing achievement. . . A compulsively readable novel, so canny and weird and surfeited with the reality of human capacity and ingenuity that I am stymied for comparison. Dickens and David Lynch? Defoe meets Margaret Atwood? Judge for yourself." —Gregory Maguire, New York Times-bestselling author of WickedThe wry, macabre, unforgettable tale of an ambitious orphan in Revolutionary Paris, befriended by royalty and radicals, who transforms herself into the legendary Madame Tussaud.In 1761, a tiny, odd-looking girl named Marie is born in a village in Switzerland. After the death of her parents, she is apprenticed to an eccentric wax sculptor and whisked off to the seamy streets of Paris, where they meet a domineering widow and her quiet, pale son. Together, they convert an abandoned monkey house into an exhibition hall for wax heads, and the spectacle becomes a sensation. As word of her artistic talent spreads, Marie is called to Versailles, where she tutors a princess and saves Marie Antoinette in childbirth. But outside the palace walls, Paris is roiling: The revolutionary mob is demanding heads, and . . . at the wax museum, heads are what they do.In the tradition of Gregory Maguire's Wicked and Erin Morgenstern's The Night Circus, Edward Carey's Little is a darkly endearing cavalcade of a novel—a story of art, class, determination, and how we hold on to what we love.

A visionary work that combines speculative fiction with deep philosophical inquiry, The Sparrow tells the story of a charismatic Jesuit priest and linguist, Emilio Sandoz, who leads a scientific mission entrusted with a profound task: to make first contact with intelligent extraterrestrial life. The mission begins in faith, hope, and beauty, but a series of small misunderstandings brings it to a catastrophic end.Praise for The Sparrow“A startling, engrossing, and moral work of fiction.”—The New York Times Book Review“Important novels leave deep cracks in our beliefs, our prejudices, and our blinders. The Sparrow is one of them.”—Entertainment Weekly“Powerful . . . The Sparrow tackles a difficult subject with grace and intelligence.”—San Francisco Chronicle“Provocative, challenging . . . recalls both Arthur C. Clarke and H. G. Wells, with a dash of Ray Bradbury for good measure.”—The Dallas Morning News“[Mary Doria] Russell shows herself to be a skillful storyteller who subtly and expertly builds suspense.”—USA Today

THESE NEWCOMERS ARE DIFFERENT. THEY WILL CHANGE EVERYTHING.For fans of The Essex Serpent and The Mermaid and Mrs Hancock.‘By far my favourite book of of the year’ Guardian‘One of only two novels I've ever loved whose main characters are not human’ Barbara KingsolverOne cold night, two newcomers emerge onto the streets of 1899 New York, and it is never the same again.But these two are more than strangers to this land, they are strangers to this world. From the depths of folkloric history come Chava the golem, a creature made of clay, brought to life by a disgraced rabbi and Ahmad, a djinni, born in the ancient Syrian desert and trapped in an old copper flask released accidentally by a tinsmith in a Lower Manhattan shop.Two companions who were never meant to be released, and never meant to meet. And when they do, their opposing natures will be sealed by a special bond, but one that is threatened by watching eyes, roaming owners and a misunderstanding world.A glittering gem of a novel, as spell-binding as it is compelling, The Golem and The Djinni asks us what we’re made of and how we can break free.

A stranger comes to the city of Mageia and challenges its inhabitants with a new kind of magic - a magic that restores innocence and faith.

In the unforgettable sequel to the bestselling Jonathan Livingston Seagull, two barn-storming vagabonds meet in the fields of Midwest America and embark on an entertaining and sometimes startling mystical adventure that presents a new perspective on reality, miracles, and the way many of us could live—if we’re up for the challenge. In the cloud-washed airspace between the cornfields of Illinois and blue infinity, a man puts his faith in the propeller of his biplane. For disillusioned writer and itinerant barnstormer Richard Bach, belief is as real as a full tank of gas and sparks firing in the cylinders . . . until he meets Donald Shimoda—former mechanic and self-described messiah who can make wrenches fly and Richard’s imagination soar. . . . In Illusions, Richard Bach takes to the air to discover the ageless truths that give our souls wings: that people don’t need airplanes to soar . . . that even the darkest clouds have meaning once we lift ourselves above them . . . and that messiahs can be found in the unlikeliest places—like hay fields, one-traffic-light midwestern towns, and most of all, deep within ourselves.

Brian Attebery's "strategy of fantasy" include not only the writer's strategies for inventing believable impossibiltes, but also the reader's strategies for enjoying, challenging, and conspiring with the text. Drawing on a number of current literary theories (but avoiding most of their jargon), Attebery makes a case for fantasy as a significant movement within postmodern literature rather than as a simple exercise of nostalgia. Attebury examines recent and classic fantasies by Ursula K. Le Guin, John Crowley, J.R.R. Tolkien, Diana Wynne Jones, and Gene Wolfe, among others. In both its popular and postmodern incarnations, fantasic fiction exhibits a remarkable capacity for reinventing narrative concentions. Attebery shows how plots, characters, settings, storytelling frameworks, gender divisions, and references to cultural texts such as history and science are all called into question the moment the marvelous is admited into a story.

"Hog" Coolidge, an otherworldly actor, sends Sherwood into the past to investigate the history of his small Montana town, once visited by extraterrestrials and now suffering a strange malaise. By the author of Imajica. 100,000 first printing. $100,000 ad/promo.

Mitch Albom creates his most unforgettable fictional character—Frankie Presto, the greatest guitarist to ever walk the earth—in this magical novel about the bands we join in life and the power of talent to change our lives.In his most stunning novel yet, the voice of Music narrates the tale of its most beloved disciple, young Frankie Presto, a war orphan raised by a blind music teacher in a small Spanish town. At nine years old, Frankie is sent to America in the bottom of a boat. His only possession is an old guitar and six precious strings.But Frankie’s talent is touched by the gods, and his amazing journey weaves him through the musical landscape of the 20th century, from classical to jazz to rock and roll, with his stunning talent affecting numerous stars along the way, including Hank Williams, Elvis Presley, Carole King, Wynton Marsalis and even KISS.Frankie becomes a pop star himself. He makes records. He is adored. But his gift is also his burden, as he realizes, through his music, he can actually affect people’s futures—with one string turning blue whenever a life is altered.At the height of his popularity, Frankie Presto vanishes. His legend grows. Only decades later, does he reappear—just before his spectacular death—to change one last life.With its Forest Gump-like romp through the music world, The Magic Strings of Frankie Presto is a classic in the making. A lifelong musician himself, Mitch Albom delivers a remarkable novel, infused with the message that “everyone joins a band in this life” and those connections change us all.

The latest book in Alexander McCall Smith's entertaining and hilarious Professor von Igelfeld seriesProfessor Moritz-Maria von Igelfeld is not just any German professor - he is the author of that great work of scholarship, Portuguese Irregular Verbs. His eminence in language studies is widely recognised, even if it is rarely acknowledged by his colleague, Professor Detlev-Amadeus Unterholzer, author of a much less important work on the subjunctive. Their rivalry bubbles away under the surface, but is apt to come into the open if something unusual disturbs the calm waters of the institute in Regensburg in which they both work.One such event is the arrival from New Orleans of two visiting scholars. These ladies, Professor Pom Pom Boisseau, and her friend, Professor Alice Martinique, are both experts in the Provençal language as well as being keen bikers. When they choose to arrive on large, noisy motorbikes, Unterholzer is shocked, but von Igelfeld is rather taken with Pom Pom. In fact, he is very taken with her, even to the extent of going for a ride with her on her motorbike.Anybody can tell that this infatuation will lead to disappointment, if not worse. But for von Igelfeld, disasters often arrive in twos and threes. The great professor is invited to attend a student occasion in which the old habit of duelling rears its head. He is handed a sword...Von Igelfeld may suffer humiliation after humiliation, but at the end of it all there is the promise of a visit to Louisiana, a culinary paradise, where important research is being undertaken into communication among oysters.

When Buster impulsively drops a Cybertoy into Arthur's backpack in the drugstore one day, he feels so guilty that he finally confesses to his friend and they try to return the popular toy before anyone else finds out.