Empfehlungen basierend auf "A Treasury of Rumi Guidance on the Path of Wisdom and Unity"

BONUS: This eBook includes downloadable videos and a Q&A with Nabeel Qureshi that are not found in the print edition.Having shared his journey of faith in the New York Times bestselling Seeking Allah, Finding Jesus, Nabeel Qureshi now examines Islam and Christianity in detail, exploring areas of crucial conflict and unpacking the relevant evidence.In this anticipated follow-up book, Nabeel reveals what he discovered in the decade following his conversion, providing a thorough and careful comparison of the evidence for Islam and Christianity--evidence that wrenched his heart and transformed his life.In Seeking Allah, Finding Jesus, Nabeel Qureshi recounted his dramatic journey, describing his departure from Islam and his decision to follow Christ. In the years that followed, he realized that the world's two largest religions are far more different than they initially appeared.No God but One: Allah or Jesus? addresses the most important questions at the interface of Islam and Christianity: How do the two religions differ? Are the differences significant? Can we be confident that either Christianity or Islam is true? And most important, is it worth sacrificing everything for the truth?Nabeel shares stories from his life and ministry, casts new light on current events, and explores pivotal incidents in the histories of both religions, providing a resource that is gripping and thought-provoking, respectful and challenging.Both Islam and Christianity teach that there is No God but One, but who deserves to be worshiped, Allah or Jesus?This eBook includes the full text of the book plus bonus content not found in the softcover! Bonuses include a Q&A with Nabeel Qureshi and downloadable videos that answer important questions about Islam and Christianity. Please note that some e-reader devices do not accommodate video play. You can still access the bonus videos by copying the web address provided into an internet browser on a device or computer that accommodates video content.

The thirteenth century mystic Ibn `Arabi was the foremost Sufi theorist of the premodern era. For more than a century, Western scholars and esotericists have heralded his universalism, arguing that he saw all contemporaneous religions as equally valid. In Rethinking Ibn `Arabi, Gregory Lipton calls this image into question and throws into relief how Ibn `Arabi's discourse is inseparably intertwined with the absolutist vision of his own religious milieu--that is, the triumphant claim that Islam fulfilled, superseded, and therefore abrogated all previous revealed religions.Lipton juxtaposes Ibn `Arabi's absolutist conception with the later reception of his ideas, exploring how they have been read, appropriated, and universalized within the reigning interpretive field of Perennial Philosophy in the study of Sufism. The contours that surface through this comparative analysis trace the discursive practices that inform Ibn `Arabi's Western reception back to the eighteenth and nineteenth century study of "authentic" religion, where European ethno-racial superiority was wielded against the Semitic Other-both Jewish and Muslim. Lipton argues that supersessionist models of exclusivism are buried under contemporary Western constructions of religious authenticity in ways that ironically mirror Ibn `Arabi's medieval absolutism.

In this short book, Sam Harris and Maajid Nawaz invite you to join an urgently needed conversation: Is Islam a religion of peace or war? Is it amenable to reform? Why do so many Muslims seem drawn to extremism? What do words like Islamism, jihadism, and fundamentalism mean in today’s world?Remarkable for the breadth and depth of its analysis, this dialogue between a famous atheist and a former radical is all the more startling for its decorum. Harris and Nawaz have produced something genuinely new: they engage one of the most polarizing issues of our time―fearlessly and fully―and actually make progress.Islam and the Future of Tolerance has been published with the explicit goal of inspiring a wider public discussion by way of example. In a world riven by misunderstanding and violence, Harris and Nawaz demonstrate how two people with very different views can find common ground.

While the occupation of Iraq and its aftermath has received media and political attention, we know very little about the everyday lives of Iraqis. Iraqi men, women, and children are not merely passive victims of violence, vulnerable recipients of repressive regimes, or bystanders of their country’s destruction. In the face of danger and trauma, Iraqis continue to cope, preparing food, sending their children to school, socializing, telling jokes, and dreaming of a better future. Within the realm of imagination and creative expression, the editors find that many Iraqi artists have not only survived but have also sought healing. In We Are Iraqis, Al-Ali and Al-Najjar showcase written and visual contributions by Iraqi artists, writers, poets, filmmakers, photographers, and activists. Contributors explore the way Iraqis retain, subvert, and produce art and activism as ways of coping with despair and resisting chaos and destruction. The first anthology of its kind, We Are Iraqis brings into focus the multitude of ethnicities, religions, and experiences that are all part of Iraq.

The "Conference of the Birds" is a 12th-century Sufi allegory that has been described as the Islamic "Canterbury Tales". Written by an Iranian Sufi, Farid ud-Din Attar, who was a major influence on the work of Rumi, it is the story of the birds' quest for an ideal king, and an allegory for the Sufi (or mystical Islamic) path to enlightenment. Though hugely popular and influential in the Islamic world, it is still relatively unfamiliar in the West. In this edition, the poet Raficq Abdulla has reinterpreted key extracts to make the insight of Sufism accessible to a contemporary reader. Each page is decorated with illustrations taken from Persian manuscripts in the Oriental collection at the British Library. The poem uses the birds' journey to describe the stages of Sufi enlightenment, and each bird represents a human archetype. At the end of the tale, the birds discover tht what they are seeking is none other than in Sufism, enlightenment is unity with the Divine, and the way to God is inward, through one's own soul.

PULITZER PRIZE FINALIST • NATIONAL BOOK AWARD FINALIST • Named A Best Book of the Year by The Washington Post and The Denver Post • Praised by Fareed Zakaria as “intelligent, compassionate, and revealing,” a powerful journey to help bridge one of the greatest divides shaping our world today.If the Oceans Were Ink is Carla Power's eye-opening story of how she and her longtime friend Sheikh Mohammad Akram Nadwi found a way to confront ugly stereotypes and persistent misperceptions that were cleaving their communities. Their friendship-between a secular American and a madrasa-trained sheikh-had always seemed unlikely, but now they were frustrated and bewildered by the battles being fought in their names. Both knew that a close look at the Quran would reveal a faith that preached peace and not mass murder; respect for women and not oppression. And so they embarked on a yearlong journey through the controversial text.A journalist who grew up in the Midwest and the Middle East, Power offers her unique vantage point on the Quran's most provocative verses as she debates with Akram at cafes, family gatherings, and packed lecture halls, conversations filled with both good humor and powerful insights. Their story takes them to madrasas in India and pilgrimage sites in Mecca, as they encounter politicians and jihadis, feminist activists and conservative scholars. Armed with a new understanding of each other's worldviews, Power and Akram offer eye-opening perspectives, destroy long-held myths, and reveal startling connections between worlds that have seemed hopelessly divided for far too long.Praise for If the Oceans Were Ink“A vibrant tale of a friendship.... If the Oceans Were Ink is a welcome and nuanced look at Islam [and] goes a long way toward combating the dehumanizing stereotypes of Muslims that are all too common…. If the Oceans Were Ink should be mandatory reading for the 52 percent of Americans who admit to not knowing enough about Muslims.”―The Washington Post“Journalist Power writes about her year studying the Quran with a Muslim scholar she befriended while working at a think tank in London. For some, this will be a strong introduction to Islam. To others, it's fodder for discussion on the Sheikh's views, how Westerners (such as Power) interpret those views and the interplay of culture and religion.” ―The Denver Post“For all those who wonder what Islam says about war and peace, men and women, Jews and gentiles, this is the book to read. It is a conversation among well-meaning friends―intelligent, compassionate, and revealing―the kind that needs to be taking place around the world.”―Fareed Zakaria, author of The Post-American World“Carla Power’s intimate portrait of the Quran, told with nuance and great elegance, captures the extraordinary, living debate over the Muslim holy book’s very essence. A spirited, compelling read.”―Azadeh Moaveni, author of Lipstick Jihad“An inspiring story of two [people] from different worlds who refuse to let religious and cultural differences, prejudice, and ignorance get in the way of their friendship, If the Oceans Were Ink is as thought-provoking as it is elegantly written. It takes a difficult, highly charged topic and puts it into terms that are not only understandable and eye-opening, but beautiful.”―Bustle (11 Beautifully Written Memoirs by Women)“Unique, masterful, and deeply engaging. Carla Power takes the reader on an extraordinary journey in interfaith understanding as she debates and discovers the Quran’s message, meaning, and values on peace and violence, gender and veiling, religious pluralism and tolerance.”―John L. Esposito, University Professor and Professor of Islamic Studies, Georgetown University, and author of The Future of Islam“A thoughtful, provocative, intelligent book.”―Diana Abu-Jaber, author of Birds Of Paradise and The Language of Baklava“With a journalist’s mind for the story, a born traveler’s heart for the adventure of crossing borders, and a

A unique and little-known religion, Sufism follows a mystical teaching and a way of life that has had an enormous though largely unrecognized impact on both the East and West for four thousand years. This authoritative book fills a colossal gap in Western documentation of Eastern subjects.

A hugely influential philosophical work of prose poetry, Kahlil Gibran's The Prophet is an inspirational, allegorical guide to living, and this Penguin Modern Classics edition includes an introduction by Robin Waterfield. First published in the 1920's, The Prophet is perhaps the most famous work of religious fiction of the twentieth century, and has sold millions of copies in more than twenty languages. Gibran's Prophet speaks of many things central to daily life: love, marriage, death, beauty, passion, eating, work and play. The spiritual message he imparts, of finding divinity through love, blends eastern mysticism, religious faith and philosophy with simple advice. The Prophet became the bible of 1960s culture and was credited with founding the New Age movement, yet it still continues to inspire people around the world today. This edition is illustrated with Gibran's famous visionary paintings. Kahlil Gibran (1883-1931) was a poet, philosopher and artist, who stands among the most important Arabic language authors of the early twentieth century. Born in Lebanon, he spent the last twenty years of his life in the United States, where for many years he was the leader of a Lebansese writing circle in New York. He is the author of numerous volumes, including The Garden of the Prophet, The Storm, The Beloved: Reflections on the Path of the Heart, The Vision, Reflections on the Way of the Soul, and Spirit Brides. If you enjoyed The Prophet, you might like Herman Hesse's Siddhartha, also available in Penguin Modern Classics. 'His work goes on from generation to generation' Daily Mail 'To read it was to transcend ordinary levels of perception, to become aware ... of a more intense level of being' Independent

'Read! Your Lord is the Most Bountiful one who taught by the pen, who taught man what he did not know.' The Qur'an, believed by Muslims to be the word of God, was revealed to the Prophet Muhammad 1400 years ago. It is the supreme authority in Islam and the living source of all Islamic teaching; it is a sacred text and a book of guidance, that sets out the creed, rituals, ethics, and laws of the Islamic religion. It has been one of the most influential books in the history of literature. Recognized as the greatest literary masterpiece in Arabic, it has nevertheless remained difficult to understand in its English translations. This new translation is written in a contemporary idiom that remains faithful to the original, making it easy to read while retaining its powers of eloquence. Archaisms and cryptic language are avoided, and the Arabic meaning preserved by respecting the context of the discourse. The message of the Qur'an was directly addressed to all people regardless of class, gender, or age, and this translation is equally accessible to everyone. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Wael B. Hallaq boldly argues that the ÒIslamic state,Ó judged by any standard definition of what the modern state represents, is both impossible and inherently self-contradictory. Comparing the legal, political, moral, and constitutional histories of premodern Islam and Euro-America, he finds the adoption and practice of the modern state to be highly problematic for modern Muslims. He also critiques more expansively modernityÕs moral predicament, which renders impossible any project resting solely on ethical foundations. The modern state not only suffers from serious legal, political, and constitutional issues, Hallaq argues, but also, by its very nature, fashions a subject inconsistent with what it means to be, or to live as, a Muslim. By Islamic standards, the stateÕs technologies of the self are severely lacking in moral substance, and todayÕs Islamic state, as Hallaq shows, has done little to advance an acceptable form of genuine ShariÕa governance. The IslamistsÕ constitutional battles in Egypt and Pakistan, the Islamic legal and political failures of the Iranian Revolution, and similar disappointments underscore this fact. Nevertheless, the state remains the favored template of the Islamists and the ulama (Muslim clergymen). Providing Muslims with a path toward realizing the good life, Hallaq turns to the rich moral resources of Islamic history. Along the way, he proves political and other Òcrises of IslamÓ are not unique to the Islamic world nor to the Muslim religion. These crises are integral to the modern condition of both East and West, and by acknowledging these parallels, Muslims can engage more productively with their Western counterparts.