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After two volumes mainly introductory, Dr Needham now embarks upon his systematic study of the development of the natural sciences in China. The Sciences of the Earth follow: geography and cartography, geology, seismology and mineralogy. Dr Needham distinguishes parallel traditions of scientific cartography and religious cosmography in East and West, discussing orbocentric wheel-maps, the origins of the rectangular grid system, sailing charts and relief maps, Chinese survey methods, and the impact of Renaissance cartography on the East. Finally-and here Dr Needham's work has no Western predecessors-there are full accounts of the Chinese contribution to geology and mineralogy.

The “intimate and expansive” (Time) memoir of “one of the most important artists working in the world today” (Financial Times), telling a remarkable history of China over the last hundred years while also illuminating his artistic process “Poignant . . . An illuminating through-line emerges in the many parallels Ai traces between his life and his father’s.”—The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Time, BookPage, Booklist, Kirkus Reviews Once a close associate of Mao Zedong and the nation’s most celebrated poet, Ai Weiwei’s father, Ai Qing, was branded a rightist during the Cultural Revolution, and he and his family were banished to a desolate place known as “Little Siberia,” where Ai Qing was sentenced to hard labor cleaning public toilets. Ai Weiwei recounts his childhood in exile, and his difficult decision to leave his family to study art in America, where he befriended Allen Ginsberg and was inspired by Andy Warhol and the artworks of Marcel Duchamp. With candor and wit, he details his return to China and his rise from artistic unknown to art world superstar and international human rights activist—and how his work has been shaped by living under a totalitarian regime. Ai Weiwei’s sculptures and installations have been viewed by millions around the globe, and his architectural achievements include helping to design the iconic Bird’s Nest Olympic Stadium in Beijing. His political activism has long made him a target of the Chinese authorities, which culminated in months of secret detention without charge in 2011. Here, for the first time, Ai Weiwei explores the origins of his exceptional creativity and passionate political beliefs through his life story and that of his father, whose creativity was stifled. At once ambitious and intimate, Ai Weiwei’s 1000 Years of Joys and Sorrows offers a deep understanding of the myriad forces that have shaped modern China, and serves as a timely reminder of the urgent need to protect freedom of expression.

A fallen god unravels supernatural mysteries and comes face-to-face with ghosts from his past in this official manhua (comic) adaptation of the New York Times bestselling danmei novel by Mo Xiang Tong Xiu. Featuring stunning art by STARember, the webcomic produced by BILIBILI COMICS is now available in English in print for the first time. The first edition hardcover of Heaven Official’s Blessing (The Comic) will feature designed sprayed edges, custom endpapers, deluxe jacket, and a custom case stamp with gold foil! Xie Lian, once the darling of the heavens, is a twice-banished god infamous for his fall from grace. Eight hundred years have passed since his mortal life as the Crown Prince of Xianle, and he’s now the laughingstock of the three realms. So when he ascends to godhood for a third time, it causes an uproar among his divine peers. Ascension may be nothing new to Xie Lian, but this time he has no followers, little power, and less luck. To repay his heavenly debts, Xie Lian must descend to the Mortal Realm to hunt ghosts that prey upon the living. There, he encounters a mysterious stranger—but is this newcomer friend or foe . . . or something else entirely? Volume 1 includes the prologue and episodes 1–14 of the original webcomic based on the webnovel Tian Guan Ci Fu published on JJWXC.

For the first time ever in a collection, discover the passion, romance and scandals of the Pingkang Li Mysteries, from USA TODAY bestselling author Jeannie Lin! CAPTURING THE SILKEN THIEF Musician Jia needs a valuable book of poems by a famous courtesan to buy her freedom...and she believes Luo Cheng has taken it. Her attempt to steal the book from him fails, but the tall and powerful scholar unexpectedly offers to help her quest. As they search for the book—and the arousing poems and artwork inside—Jia’s longing for freedom is replaced with a new kind of desire for Cheng… THE LOTUS PALACE At the Lotus Palace, the best of society comes to drink and enjoy the company of beautiful and talented courtesans. Bai Huang, an eternal student at the Lotus Palace, is different from practical attendant Yue-ying in every way. But as the two are thrown together in an attempt to solve a deadly mystery, they both start to dream of a different life. Their statuses forbid them from being together, but could they find a way to follow their hearts? THE JADE TEMPTRESS When a powerful official is found dead in a highly suspicious murder, Lotus Palace hostess Mingyu and constable Kaifeng become involved in the dangerous mystery. Amid the chaos, Kaifeng discovers his reluctant, yet fierce attraction to Mingyu, but the temptation to give in to her could destroy them both. After all, a forbidden affair is bound to have consequences…

In Mandarin Gate, Edgar Award winner Eliot Pattison brings Shan back in a thriller that navigates the explosive political and religious landscape of Tibet.In an earlier time, Shan Tao Yun was an Inspector stationed in Beijing. But he lost his position, his family and his freedom when he ran afoul of a powerful figure high in the Chinese government. Released unofficially from the work camp to which he'd been sentenced, Shan has been living in remote mountains of Tibet with a group of outlawed Buddhist monks. Without status, official identity, or the freedom to return to his former home in Beijing, Shan has just begun to settle into his menial job as an inspector of irrigation and sewer ditches in a remote Tibetan township when he encounters a wrenching crime scene. Strewn across the grounds of an old Buddhist temple undergoing restoration are the bodies of two unidentified men and a Tibetan nun. Shan quickly realizes that the murders pose a riddle the Chinese police might in fact be trying to cover up. When he discovers that a nearby village has been converted into a new internment camp for Tibetan dissidents arrested in Beijing's latest pacification campaign, Shan recognizes the dangerous landscape he has entered. To find justice for the victims and to protect an American woman who witnessed the murders, Shan must navigate through the treacherous worlds of the internment camp, the local criminal gang, and the government's rabid pacification teams, while coping with his growing doubts about his own identity and role in Tibet.

This is rated one of the greatest works of Chinese literature. Metaphysical, allegorical, and vividly realistic, the immense scope of The Story of the Stone provides something for everyone. A rich family saga, a tragic love story, and a philosophical meditation it is one of those rare huge books in which one can lose oneself completely. It begins as the story of the Stone, a supernatural entity endowed with consciousness that winds up in the mortal world and must find the path to enlightenment. His fate is inextricably bound with another creature from the Land of Illusion, the Crimson Pearl Flower. The Stone is responsible for its transformation into a fairy girl -- and she vows to repay him with "a debt of tears", willing to suffer for a lifetime in the world of mere mortals. The Stone describes how his story -- The Story of the Stone -- is the record of his journey to enlightenment, and offers the tale as a tool for others to follow his path, as, for example Vanitas does in the first chapter. --www.complete-review.com.

Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy. With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible. One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.

What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? What can the sentimental tell us about the precarious foundations of human coexistence in this age of globalization? Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become historic events in world cinema. Approaching their works from multiple perspectives, including the question of origins, nostalgia, the everyday, feminine "psychic interiority," commodification, biopolitics, migration, education, homosexuality, kinship, and incest, and concluding with an account of the Chinese films' epistemic affinity with the Hollywood blockbuster Brokeback Mountain, Chow proposes that the sentimental is a discursive constellation traversing affect, time, identity, and social mores, a constellation whose contours tends to morph under different historical circumstances and in different genres and media. In contemporary Chinese films, she argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. By naming these films sentimental fabulations--screen artifacts of cultural becoming with irreducible aesthetic, conceptual, and speculative logics of their own--Chow presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.

“The best English edition of the classic Chinese fantasy novel I have ever read.” ―Minjie Chen, Los Angeles Review of BooksA Penguin ClassicBefore there was The Lord of the Rings, there was China’s Monkey King. The title character, also known as Sun Wukong, is a shape-shifting trickster on a kung-fu quest for eternal life, beloved by fans of the anime Dragon Ball and the video games League of Legends and Black Myth: Wukong. For raiding Heaven’s Orchard of Immortal Peaches, the Buddha pins Monkey King beneath a mountain and frees him only five hundred years later, to protect the pious monk Tripitaka on a fourteen-year journey to India in search of precious Buddhist sutras. Accompanied by two other fallen immortals—a rice-loving pig able to fly with its ears and a depressive man-eating river-sand monster—Monkey King undergoes eighty-one trials, doing battle with all manner of dragons, ogres, wizards, and femmes fatales in this rollicking adventure that not only stands as the most popular of China’s Four Great Classical Novels but also gave us one of world literature’s most memorable superheroes.Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The “unparalleled master of the historical saga" (Newsweek) and internationally bestselling author of Paris and New York takes on an exhilarating new world with his trademark epic style in China: The Novel In China: The Novel, Edward Rutherfurd brings his renowned talents to the Middle Kingdom, when the clash of East and West in the nineteenth century shattered the stability of the two-thousand-year-old empire. This epic tale chronicles the great struggle for power, from the Opium Wars that erupted in 1839 through the Taiping revolt, the British burning of the Summer Palace, the Boxer Rebellion, and the long rule of the Dragon Empress, culminating in the momentous revolution of 1911. We meet a young village wife struggling with rigid traditions, Manchu warriors, powerful eunuchs and concubines of the Forbidden City, rapacious English soldiers and earnest missionaries, savvy Chinese pirates, and sage philosophers. Rutherfurd brings to vivid life the ever-changing fortunes of Chinese, British, and American families as they negotiate the tides of history. A rich human drama as well as a deeply researched portrait that sets the stage for China’s role in the world today, China: The Novel is the enthralling story of a rising global power.