Empfehlungen basierend auf "A Short History of Queer Parenting"

'The book everyone will be talking about' Louise O'Neill 'A package of dynamite' Stephen King An era-defining novel about the relationship between a fifteen-year-old girl and her teacher Vanessa Wye was fifteen-years-old when she first had sex with her English teacher. She is now thirty-two and the teacher, Jacob Strane, has just been accused of sexual abuse by another former student of his. Vanessa is horrified by this news, because she is quite certain that the relationship she had with Strane wasn't abuse. It was love. She's sure of that. But now, in 2017, in the midst of allegations against powerful men, she is being asked to redefine the great love story of her life - her great sexual awakening - as rape. Nuanced, uncomfortable, bold and powerful, and as riveting as it is disturbing, My Dark Vanessa goes straight to the heart of some of the most complex issues our age is grappling with.

ONE OF BILLBOARD'S "100 GREATEST MUSIC BOOKS OF ALL TIME": The provocative transgender advocate and lead singer of the punk rock band Against Me! provides a searing account of her search for identity and her true self.It began in a bedroom in Naples, Florida, when a misbehaving punk teenager named Tom Gabel, armed with nothing but an acoustic guitar and a headful of anarchist politics, landed on a riff. Gabel formed Against Me! and rocketed the band from its scrappy beginnings-banging on a drum kit made of pickle buckets-to a major-label powerhouse that critics have called this generation's The Clash. Since its inception in 1997, Against Me! has been one of punk's most influential modern bands, but also one of its most divisive. With every notch the four-piece climbed in their career, they gained new fans while infuriating their old ones. They suffered legal woes, a revolving door of drummers, and a horde of angry, militant punks who called them "sellouts" and tried to sabotage their shows at every turn.But underneath the public turmoil, something much greater occupied Gabel-a secret kept for 30 years, only acknowledged in the scrawled-out pages of personal journals and hidden in lyrics. Through a troubled childhood, delinquency, and struggles with drugs, Gabel was on a punishing search for identity. Not until May of 2012 did a Rolling Stone profile finally reveal it: Gabel is a transsexual, and would from then on be living as a woman under the name Laura Jane Grace.Tranny is the intimate story of Against Me!'s enigmatic founder, weaving the narrative of the band's history, as well as Grace's, with dozens of never-before-seen entries from the piles of journals Grace kept. More than a typical music memoir about sex, drugs, and rock 'n' roll-although it certainly has plenty of that-Tranny is an inside look at one of the most remarkable stories in the history of rock.

Here, from the incomparable John Waters, is a paean to the power of subversive inspiration that will delight, amuse, enrich―and happily horrify readers everywhere.Role Models is, in fact, a self-portrait told through intimate profiles of favorite personalities―some famous, some unknown, some criminal, some surprisingly middle-of-the-road. From Esther Martin, owner of the scariest bar in Baltimore, to the playwright Tennessee Williams; from the atheist leader Madalyn Murray O'Hair to the insane martyr Saint Catherine of Siena; from the English novelist Denton Welch to the timelessly appealing singer Johnny Mathis―these are the extreme figures who helped the author form his own brand of neurotic happiness.Role Models is a personal invitation into one of the most unique, perverse, and hilarious artistic minds of our time.

Praised by the Chicago Tribune as "an impressive study" and written with incisive wit and searing perception--the definitive, highly acclaimed landmark work on the portrayal of homosexuality in film.

A heartbreaking and hilarious memoir about the author’s journey from a god-fearing Muslim boy to a proud, queer drag queenMy name is Amrou Al-Kadhi – by day. By night, I am Glamrou, an empowered, confident and acerbic drag queen who wears seven-inch heels and says the things that nobody else dares to.Growing up in a strict Iraqi-British Muslim household, it didn’t take long for me to realise I was different. When I was ten years old, I announced to my family that I was in love with Macaulay Culkin in Home Alone. The resultant fallout might best be described as something like the Iraqi version of Jeremy Kyle. And that was just the beginning.This is the story of how I got from there to here. You’ll read about my teenage obsession with marine biology, and how fluid aquatic life helped me understand my non-binary gender identity. You’ll read about my scholarship at Eton college, during which I wondered if I could forge a new identity as a British aristocrat (spoiler alert: it didn’t work). You’ll read about how I discovered the transformative powers of drag while at Cambridge university; about how I suffered a massive breakdown after I left, and very nearly lost my mind; and about how, after years of rage towards it, I finally began to understand Islam in a new, queer way.Most of all, this is a book about my mother, my first love, the most beautiful and glamorous woman I’ve ever known, the unknowing inspiration for my career as a drag queen – and a fierce, vociferous critic of anything that transgresses normal gender boundaries. It’s about how we lost and found each other, about forgiveness, understanding, hope – and the life-long search for belonging.

Edited and with an introduction by Roxane Gay, the New York Times bestselling and deeply beloved author of Bad Feminist and Hunger, this anthology of first-person essays tackles rape, assault, and harassment head-on. Vogue, “10 of the Most Anticipated Books of Spring 2018” * Harper’s Bazaar, “10 New Books to Add to Your Reading List in 2018” * Elle, “21 Books We’re Most Excited to Read in 2018” * Boston Globe, “25 books we can’t wait to read in 2018” * Huffington Post, “60 Books We Can’t Wait to Read in 2018” * Hello Giggles, “19 Books We Can’t Wait to Read in 2018” * Buzzfeed, “33 Most Exciting New Books of 2018"In this valuable and revealing anthology, cultural critic and bestselling author Roxane Gay collects original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence, and aggression they face, and where they are “routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied” for speaking out. Contributions include essays from established and up-and-coming writers, performers, and critics, including actors Ally Sheedy and Gabrielle Union and writers Amy Jo Burns, Lyz Lenz, and Claire Schwartz. Covering a wide range of topics and experiences, from an exploration of the rape epidemic embedded in the refugee crisis to first-person accounts of child molestation, this collection is often deeply personal and is always unflinchingly honest. Like Rebecca Solnit’s Men Explain Things to Me, Not That Bad will resonate with every reader, saying “something in totality that we cannot say alone.”Searing and heartbreakingly candid, this provocative collection both reflects the world we live in and offers a call to arms insisting that “not that bad” must no longer be good enough.

"Powerfully raw, deeply moving, and utterly authentic. Rachel Lloyd has turned a personal atrocity into triumph and is nothing less than a true hero.... Never again will you look at young girls on the street as one of 'those' women—you will only see little girls that are girls just like us." —Demi Moore, actress and activist  With the power and verity of First They Killed My Father and A Long Way Gone, Rachel Lloyd’s riveting survivor story is the true tale of her hard-won escape from the commercial sex industry and her bold founding of GEMS, New York City’s Girls Education and Mentoring Service, to help countless other young girls escape "the life." Lloyd’s unflinchingly honest memoir is a powerful and unforgettable story of inhuman abuse, enduring hope, and the promise of redemption.

Butch Queens Up in Pumpsexamines Ballroom culture, in which inner-city LGBT individuals dress, dance, and vogue to compete for prizes and trophies. Participants are affiliated with a house, an alternative family structure typically named after haute couture designers and providing support to this diverse community. Marlon M. Bailey’s rich first-person performance ethnography of the Ballroom scene in Detroit examines Ballroom as a queer cultural formation that upsets dominant notions of gender, sexuality, kinship, and community.

Impassioned verses by a Greek-born writer are characterized by their explicit eroticism and the legacy of Greek myth

In a lecture delivered before the University of Oxford's Anglo-French Society in 1936, Gertrude Stein described romance as "the outside thing, that . . . is always a thing to be felt inside." Hannah Roche takes Stein's definition as a principle for the reinterpretation of three major modernist lesbian writers, showing how literary and affective romance played a crucial yet overlooked role in the works of Stein, Radclyffe Hall, and Djuna Barnes. The Outside Thing offers original readings of both canonical and peripheral texts, including Stein's first novel Q.E.D. (Things As They Are), Hall's Adam's Breed and The Well of Loneliness, and Barnes's early writing alongside Nightwood. Is there an inside space for lesbian writing, or must it always seek refuge elsewhere? Crossing established lines of demarcation between the in and the out, the real and the romantic, and the Victorian and the modernist, The Outside Thing presents romance as a heterosexual plot upon which lesbian writers willfully set up camp. These writers boldly adopted and adapted the romance genre, Roche argues, as a means of staking a queer claim on a heteronormative institution. Refusing to submit or surrender to the "straight" traditions of the romance plot, they turned the rules to their advantage. Drawing upon extensive archival research, The Outside Thing is a significant rethinking of the interconnections between queer writing, lesbian living, and literary modernism.