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Neil MacGregor's A History of the World in 100 Objects takes a bold, original approach to human history, exploring past civilizations through the objects that defined them. Encompassing a grand sweep of human history, A History of the World in 100 Objects begins with one of the earliest surviving objects made by human hands, a chopping tool from the Olduvai gorge in Africa, and ends with objects which characterise the world we live in today. Seen through MacGregor's eyes, history is a kaleidoscope - shifting, interconnected, constantly surprising, and shaping our world today in ways that most of us have never imagined. A stone pillar tells us about a great Indian emperor preaching tolerance to his people; Spanish pieces of eight tell us about the beginning of a global currency; and an early Victorian tea-set speaks to us about the impact of empire. An intellectual and visual feast, this is one of the most engrossing and unusual history books published in years. 'Brilliant, engagingly written, deeply researched' Mary Beard, Guardian 'A triumph: hugely popular, and rightly lauded as one of the most effective and intellectually ambitious initiatives in the making of 'public history' for many decades' Sunday Telegraph 'Highly intelligent, delightfully written and utterly absorbing ' Timothy Clifford, Spectator 'This is a story book, vivid and witty, shining with insights, connections, shocks and delights' Gillian Reynolds Daily Telegraph

A Beguiling Cultural History Of Colour By The Bafta Nominated Broadcaster And Art Historian James Fox 'this Book Is A Triumph. James Fox's Passionate And Illuminating Exploration Of The Extraordinary Relationship We Have With Colour Is Itself Extraordinary. It Is An Intellectual Feast As Well As A Visual One - A True Biography Of Colour Which Will Delight Readers.' Edmund De Waal, Author Of The Hare With Amber Eyes The Subject Of This Book Is Humankind's Extraordinary Relationship With Colour. It Is Composed Of A Series Of Voyages, Ranging Across The World And Throughout History, Which Reveal The Meanings That Have Been Attached To The Colours We See Around Us And The Ways These Have Shaped Our Culture And Imagination. It Takes Seven Primary Colours - Black, Red, Yellow, Blue, White, Purple And Green - And Uncovers Behind Each A Root Idea, Based On Visual Resemblances Or Properties So Rudimentary As To Be Common To All Societies. The Book Traces These Meanings To Show How They Changed And Multiplied, The Role That They Have Played In Our Culture And History, And How Understanding Them Allows Us To See Many Of The Milestones In The History Of Art - From Bronze Age Gold-work To Turner, Titian To Yves Klein - In A New Way. It Proceeds By Stories, Which Cumulatively Tell Another, Larger One: A History Of The World From The Black Nothing Which Preceded Existence To The Birth Of Our Red-blooded Species; The Gilded Gods Who Animated The World In Antiquity To The Blue Horizons Which Framed The Age Of Discovery; The Pristine Aspirations Of Enlightenment, The Technicolour Innovation Which Fuelled The Industrial Revolution And The Colour Which Most Embodies The Environmental Crisis Which Now Faces Us.

The Oxford History of Ancient Egypt uniquely covers 700,000 years of ancient Egypt, from c. 700,000 BC to AD 311. Following the story from the Egyptians' prehistoric origins to their conquest by the Persians, Greeks, and Romans, this book resurrects a fascinating society replete with remarkable historical information. It investigates such subjects as the changing nature of life and death in the Nile valley to some of the earliest masterpieces of art, architecture, and literature in the ancient world. The authors--an international team of experts working at the cutting edge of their particular fields--outline the principal sequence of political events, including detailed examinations of the three so-called 'intermediate periods' which were previously regarded as 'dark ages' and are only now beginning to be better understood. They also examine cultural and social patterns, including stylistic developments in art and literature. Addressing the issues surrounding this distinctive culture, vividly relating the rise and fall of ruling dynasties, exploring colorful personalities, and uncovering surprising facts, The Oxford History of Ancient Egypt is certain to enrich our understanding of this endlessly intriguing civilization."Brimming with...intriguing facts...also provides a first-rate overview of le progrès Egyptien--from the period when Homo erectus first stalked the land right up to Octavian's triumphant entry into Egypt in 30 BC."--The Times (London) (on the previous edition)

Tagore was a fierce opponent of British rule in India. In this work he discusses the resurgence of the East and the challenge it poses to Western supremacy, calling for a future beyond nationalism, based instead on cooperation and racial tolerance. GREAT IDEAS. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

In this personal and practical guide to moral self-improvement and living a good life, the second-century philosopher Epictetus tackles questions of freedom and imprisonment, stubbornness and fear, family, friendship and love, and leaves an intriguing document of daily life in the classical world. GREAT IDEAS. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

Shortlisted for the Wolfson History Prize, Cundill History Prize, Fage and Oliver Prize, the Los Angeles Times Book Prize and the Pius Adesanmi Memorial AwardWinner of the Historical Writers' Association Non-Fiction Crown 2020Winner of the American Historical Association's Jerry Bentley Prize in World History 2020Winner of the Nayef Al-Rodhan Prize for Global Cultural Understanding 2019An Observer and Wall Street Journal Book of the Year 2019A groundbreaking history that will transform our view of West AfricaBy the time of the 'Scramble for Africa' in the late nineteenth century, Africa had already been globally connected for many centuries. Its gold had fuelled the economies of Europe and Islamic world since around 1000, and its sophisticated kingdoms had traded with Europeans along the coasts from Senegal down to Angola since the fifteenth century. Until at least 1650, this was a trade of equals, using a variety of currencies - most importantly the cowrie shells imported from the Maldives, and the nzimbu shells imported from Brazil.Toby Green's groundbreaking new book transforms our view of West and West-Central Africa. It reconstructs the world of kingdoms whose existence (like those of Europe) revolved around warfare, taxation, trade, diplomacy, complex religious beliefs, royal display and extravagance, and the production of art.Over time, the relationship between Africa and Europe revolved ever more around the trade in slaves, damaging Africa's relative political and economic power as the terms of monetary exchange shifted drastically in Europe's favour. In spite of these growing capital imbalances, longstanding contacts ensured remarkable connections between the Age of Revolution in Europe and America and the birth of a revolutionary nineteenth century in Africa.A Fistful of Shells draws not just on written histories, but on archival research in nine countries, on art, praise-singers, oral history, archaeology, letters, and the author's personal experience to create a new perspective on the history of one of the world's most important regions.'Astonishing, staggering' Ben Okri, Daily Telegraph

Shooting Up: A Short History of Drugs and War examines how intoxicants have been put to the service of states, empires and their armies throughout history. Since the beginning of organized combat, armed forces have prescribed drugs to their members for two general purposes: to enhance performance during combat and to counter the trauma of killing and witnessing violence after it is over. Stimulants (e.g. alcohol, cocaine, and amphetamines) have been used to temporarily create better soldiers by that improving stamina, overcoming sleeplessness, eliminating fatigue, and increasing fighting spirit. Downers (e.g. alcohol, opiates, morphine, heroin, marijuana, barbiturates) have also been useful in dealing with the soldier's greatest enemy - shattered nerves. Kamienski's focuses on drugs "prescribed" by military authorities, but also documents the widespread unauthorised consumption by soldiers themselves. Combatants have always treated with various drugs and alcohol, mainly for recreational use and as a reward to themselves for enduring the constant tension of preparing for. Although not officially approved, such "self-medication" is often been quietly tolerated by commanders in so far as it did not affect combat effectiveness. This volume spans the history of combat from the use of opium, coca, and mushrooms in pre-modern warfare to the efforts of modern militaries, during the Cold War in particular, to design psychochemical offensive weapons that can be used to incapacitate rather than to kill the enemy. Along the way, Kamienski provides fascinating coverage of on the European adoption of hashish during Napolean's invasion of Egypt, opium use during the American Civil War, amphetamines in the Third Reich, and the use of narcotics to control child soldiers in the rebel militias of contemporary Africa.

150 years of American photography come alive in this exciting new book, placing it in its cultural context for the first time. Orvell examines this fascinating subject through a wide range of well known and less-well known images. He ranges from portraiture and landscape photography, family albums and memory, and analyses the particularly 'American' way in which American photographers have viewed the world around them.Orvell combines a clear overview of the changing nature of photographic thinking and practice in this period with an exploration of key concepts. The result is the first coherent history of American photography, which examines issues such as the nature of photographic exploitation, experimental techniques, the power of the photograph to shock, and whether we should subscribe to the notion of a visual history.

A revisionist interpretation of Anglo-Saxon England. Nicholas Howe proposes that the Anglo-Saxons fashioned a myth out of the 5th-century migration of their Germanic ancestors to Britain. Through the retelling of this story, the Anglo-Saxons ordered their complex history and identified their destiny as a people. Howe traces the migration myth throughout the literature of the Anglo-Saxon period, in poems, sermons, letters and histories from the sixth to the eleventh centuries.

A panoramic exploration of peoples, objects and beliefs over 40,000 years from the celebrated author of A History of the World in 100 Objects and Germany, following the new BBC Radio 4 documentary and British Museum exhibition. One of the central facts of human existence is that every society shares a set of beliefs and assumptions - a faith, an ideology, a religion - that goes far beyond the life of the individual. These beliefs are an essential part of a shared identity. They have a unique power to define - and to divide - us, and are a driving force in the politics of much of the world today. Throughout history they have most often been, in the widest sense, religious.Yet this book is not a history of religion, nor an argument in favour of faith. It is about the stories which give shape to our lives, and the different ways in which societies imagine their place in the world. Looking across history and around the globe, it interrogates objects, places and human activities to try to understand what shared beliefs can mean in the public life of a community or a nation, how they shape the relationship between the individual and the state, and how they help give us our sense of who we are.For in deciding how we live with our gods, we also decide how to live with each other.'The new blockbuster by the museums maestro Neil MacGregor ... The man who chronicles world history through objects is back ... examining a new set of objects to explore the theme of faith in society' Sunday Times