Empfehlungen basierend auf "A Photographer's Life 1990-2005"
Based on your reading history, we think you will also enjoy the following books.
von Prudence Peiffer
Longlisted for the National Book Award · A New York Times Notable Book of the Year · Winner of the New York City Book Award · Shortlisted for the Apollo Book of the Year Award · Shortlisted for the Plutarch Award for Best Biography · Finalist for the Gotham Book Prize · Finalist for the Pattis Family Foundation Creative Arts Book Award at Interlochen The never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip’s eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip’s obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city’s maritime industry; and, in the artists’s own time, a development battleground for Jane Jacobs and Robert Moses. The Slip’s history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city’s many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work.
von Pamela Clarke Keogh
Everyone, it seems, is a fan of Audrey's. She was Gigi, a princess, Holly Golightly, a nun, Maid Marian, even an angel. And we believed her in every role. But Audrey Hepburn was also one of the most admired and emulated women of the twentieth century, who encouraged women to discover and highlight their own strength. By example, she not only changed the way women dress--she forever altered the way they viewed themselves.But Audrey Hepburn's beauty was more than skin deep. "You know the Audrey you saw onscreen? Audrey was like that in real life, only a million times better," says designer Jeffrey Banks. For the first time, this style biography reveals the details--fashion and otherwise--that contributed so greatly to Audrey's appeal. Drawing on original interviews with Hubert de Givenchy, Gregory Peck, Nancy Reagan, Doris Brynner, and Audrey Wilder, as well as reminiscences of professional friends like Steven Spielberg, Ralph Lauren, noted Hollywood photographer Bob Willoughby, Steven Meisel, and Kevyn Aucoin, Audrey Style brings the Audrey her family and friends loved to life.With more than ninety color and black-and-white photographs, many of which have never before been published, and original designer sketches from Edith Head, Hubert de Givenchy, Vera Wang, Manolo Blahnik, Alexander McQueen, and others, Audrey Style gives measure to the grace, humor, intelligence, generosity, and inimitable fashion sense that was Audrey Hepburn.
von Paris Hilton
***An Instant New York Times Bestseller***From the woman who is credited for launching what we know as the celebrity focused, “brand” driven, social media obsessed popular culture of today, comes an honest and surprising memoir that reckons with that truth, and shows that there is so much more to Paris Hilton than you might believe.I was born in New York City on February 17, 1981, three days after Valentine’s Day.From the time I was a toddler, my brain skipped and flickered with the chemical imbalance of ADHD. Sometimes it was too much.I’m not bragging or complaining about it, just telling you: This is my brain. It has a lot to do with how this whole book thing is going to play out, because I love run-on sentences—and dashes. And sentence fragments. I’m probably going to jump around a lot while I tell the story.I came of age during the most turbulent pop culture period ever.The character I played—part Lucy, part Marilyn—was my steel-plated armor.People loved her. Or they loved to hate her, which was just as marketable. I leaned into that character, my ticket to financial freedom and a safe place to hide. I made sure I never had a quiet moment to figure out who I was without her. I was afraid of that moment because I didn’t know what I’d find.I wrote this book in an effort to understand my place in a watershed moment: the technology renaissance, the age of influencers. I also wrote this book so that the world could know who I am today. I focused on key aspects of my life that led to what I am most proud of--how my power was taken away from me and how I took it back, how I built a thriving business, a marriage and a family.There are so many young women who need to hear this story. I don’t want them to learn from my mistakes; I want them to stop hating themselves for their own mistakes. I want them to laugh and cry and embrace every aspect of who they are with fearlessness and pride. We all have our own brand of intelligence, and, girl, fuck fitting in.
von Stefan Al
The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the "implosion capital of the world" as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of "creative destruction." In The Strip, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change.Al tells two parallel stories. He describes the feverish competition of Las Vegas developers to build the snazziest, most tourist-grabbing casinos and resorts—with a cast of characters including the mobster Bugsy Siegel, the eccentric billionaire Howard Hughes, and the would-be political kingmaker Sheldon Adelson. And he views the Strip in a larger social context, showing that it has not only reflected trends but also magnified them and sometimes even initiated them. Generously illustrated with stunning color images throughout, The Strip traces the many metamorphoses of a city that offers a vivid projection of the American dream.
von Patrick Mauriès, Adélia Sabatini
A comprehensive and captivating overview of all of Karl Lagerfeld's Chanel collections, showcasing his creations through original catwalk photography "Chanel fans rejoice. . . . As glamorous and chic as you'd expect."--The Observer (on the first edition) This fully revised edition of the first overview of Karl Lagerfeld's (1933-2019) Chanel creations maintains every exceptional detail of the first edition. Images of key looks and short informative texts bring to life each season--now with 22 new collections, including Lagerfeld's final show for the house and the work of his successor, Virginie Viard. Beautifully produced, this book will stand as the ultimate reference on Lagerfeld's iconic Chanel looks and serve as a lasting tribute to one of the most talented and influential fashion designers in history. Opening with an introductory essay about Lagerfeld and his vision for Chanel, the book explores the collections chronologically, revealing the designer's inspired reinvention of classic Chanel style elements from season to season. Each collection is illustrated with a curated selection of catwalk images (filled with photos of top fashion models, including Cara Delevingne, Linda Evangelista, Kate Moss, and Claudia Schiffer), showcasing hundreds of spectacular clothes, from luxurious haute couture to trendsetting ready-to-wear, accessories, beauty looks, and set designs.
von Tim Blanks
The first comprehensive presentation of Versace's womenswear collections from its 1978 debut to today, seen through stunning catwalk photography "Dive into this Versace-celebrating book, which amasses more than 40 years of fashion shows and 1,200 catwalk images."--Wallpaper Founded in 1978, Gianni Versace's family-operated fashion house quickly grew into a symbol of high glamour and luxury known the world over. Throughout the 1980s and 1990s Versace's styles were worn by iconic celebrities such as Madonna and Princess Diana. After Gianni Versace's tragic death in 1997, his sister Donatella became artistic director of the brand, steering it into the twenty-first century and cementing its legendary status for a new generation of fans. This magnificent celebration of more than forty years of Versace's trendsetting creations is organized chronologically and includes both haute-couture and ready-to-wear collections. Each collection is introduced by a short text revealing its influences and is illustrated with catwalk photographs that feature clothes, details, accessories, and beauty looks showcased by models including Kate Moss, Naomi Campbell, Gigi Hadid, and Kaia Gerber. With an extensive reference section, a concise history of the house, and biographical profiles of Gianni Versace and Donatella Versace, this volume provides an unrivaled view of one of the world's most illustrious fashion houses.
von Olivier Flaviano
'A photographic encyclopaedia of one of the 20th century's greatest creators' The Business of Fashion Founded by Yves Saint Laurent and Pierre Bergé in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.
von Jane O'Connor
Fancy Words Are Simply Fascinating! From everyone's favorite fancy girl comes an alphabetical guide to enhancing vocabulary. Why say beautiful when there are fancy words like gorgeous and glamorous? Instead of hello, try bonjour, which is French and so much fancier. An umbrella will keep you dry, but a parasol will make you feel like a Hollywood movie star! With this helpful A-to-Z guide, Fancy Nancy shows that making plain words into fancy ones is not only educational, it's fun!
von Mary Schoeser
This gorgeously illustrated volume not only offers a tour through the fascinating history of silk but also a glimpse into the future, when imaginative designers and textile producers will be changing the boundaries of what is possible with this extraordinary material. Textile expert Mary Schoeser presents an authoritative account of the development of silk, its properties and practical uses, and its role in some of the greatest achievements in the history of fashion design. Silk is magical. Made by worms, it is able to absorb up to thirty times its weight in water, it is warmer than wool, and it is unsurpassed for beauty and touch. Schoeser focuses keen attention on silk’s evolution as a symbol of status and substance, then traces its central function in 19th- and 20th-century glamour, expressed through the work of designers from Christian Dior to Yves Saint Laurent, Balenciaga to Emmanuel Ungaro. Schoeser also examines the innovative use of silk by today’s cutting-edge designers, among them Alexander McQueen, Issey Miyake, and John Galliano of Dior. She concludes with a detailed investigation of new silk technologies and how they continue to extend both the physical properties of silk and the possibilities for creative design.
von Stella Blum
Accurate record of actual dress of the Roaring Twenties in over 150 pages of mail-order catalogs, selected and with text by Stella Blum. Over 750 illustrations, captions.