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von Lea Ypi
THE SUNDAY TIMES BESTSELLERWINNER OF THE ONDAATJE PRIZE'The best book I read last year by a mile. . . so beautifully written that anyone would be hooked' Laura Hackett, Sunday Times, Best Summer Books'Wonderfully funny and poignant. . . a tale of family secrets and political awakening amid a crumbling regime' Luke Harding, Observer'We never lose our inner freedom; the freedom to do what is right'Lea Ypi grew up in one of the most isolated countries on earth, a place where communist ideals had officially replaced religion. Albania, the last Stalinist outpost in Europe, was almost impossible to visit, almost impossible to leave. It was a place of queuing and scarcity, of political executions and secret police. To Lea, it was home. People were equal, neighbours helped each other, and children were expected to build a better world. There was community and hope.Then, in December 1990, everything changed. The statues of Stalin and Hoxha were toppled. Almost overnight, people could vote freely, wear what they liked and worship as they wished. There was no longer anything to fear from prying ears. But factories shut, jobs disappeared and thousands fled to Italy on crowded ships, only to be sent back. Predatory pyramid schemes eventually bankrupted the country, leading to violent conflict. As one generation's aspirations became another's disillusionment, and as her own family's secrets were revealed, Lea found herself questioning what freedom really meant.Free is an engrossing memoir of coming of age amid political upheaval. With acute insight and wit, Lea Ypi traces the limits of progress and the burden of the past, illuminating the spaces between ideals and reality, and the hopes and fears of people pulled up by the sweep of history.THE SUNDAY TIMES MEMOIR OF THE YEARWINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZESHORTLISTED FOR THE COSTA BIOGRAPHY AWARDSHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTIONSHORTLISTED FOR THE GORDON BURN PRIZECHOSEN AS A BOOK OF THE YEAR BY THE GUARDIAN, FINANCIAL TIMES, SUNDAY TIMES, TLS, DAILY MAIL, NEW STATESMAN AND SPECTATOR
von Tash Aw
‘So wise and so well done. It made me wish it were much longer than it is’ Chimamanda Ngozi AdichieFrom the award-winning author of Five Star Billionaire and We, The Survivors comes a whirlwind personal history of modern Asia, as told through his Malaysian and Chinese heritage.If we are lucky we will find writing that grips us with its vitality, beauty and significance - Strangers on a Pier is like that’ Deborah LevyIn Strangers on a Pier, acclaimed author Tash Aw explores the panoramic cultural vitality of modern Asia through his own complicated family story of migration and adaptation, which is reflected in his own face. From a taxi ride in present-day Bangkok, to eating Kentucky Fried Chicken in 1980s Kuala Lumpur, to his grandfathers' treacherous boat journeys to Malaysia from mainland China in the 1920s, Aw weaves together stories of insiders and outsiders, images from rural villages to megacity night clubs, and voices in a dizzying variety of languages, dialects, and slangs, to create an intricate and astoundingly vivid portrait of a place caught between the fast-approaching future and a past that won't let go.
von Stephanie Morrill
“Within These Lines is a moving story of love, hope, and family set against the dark history of Japanese internment in America. This book had me captivated!” —Maureen McQuerry, YALSA award-winning author of The PeculiarsEvalina Cassano’s life in an Italian-American family in 1941 is quiet and ordinary … until she falls in love with Taichi Hamasaki, the son of Japanese immigrants. Despite the scandal it would cause and the fact that interracial marriage is illegal in California, Evalina and Taichi vow they will find a way to be together. But anti-Japanese feelings erupt across the country after the attack on Pearl Harbor, and Taichi and his family are forced to give up their farm and are incarcerated in a Japanese internment camp.Degrading treatment at Manzanar Relocation Center is so difficult, Taichi doubts he will ever leave the camp alive. Treasured letters from Evalina are his sole connection to the outside world. Embracing the boldest action she can to help Taichi, Evalina begins to radically speak out at school and at home, shining a light on this dark and shameful racial injustice.With their future together on the line, Evalina and Taichi can only hold true to their values and believe in their love against all odds to have any hope of making it back to one another.Within These Lines is: A historical YA novel set against the backdrop of WWII and the shameful era of American injustice surrounding Japanese internment camps Told from the dual points of view of an Italian-American woman and Japanese-American man brought together by love then separated by war, injustice, and hatred As haunting and unflinching as it is hope-filled and love-driven Perfect for fans of Monica Hesse, Ruta Sepetys, and Elizabeth Wein
von Anthony Veasna So
A Most Anticipated Book of 2023 from: LA Times * Boston Globe * The Millions * LitHub * ShondalandBy the New York Times bestselling author of the award-winning AFTERPARTIES comes a collection like none other: sharply funny, emotionally expansive essays and linked short fiction exploring family, queer desire, pop culture, and raceThe late Anthony Veasna So’s debut story collection, Afterparties, was a landmark publication, hailed as a “bittersweet triumph for a fresh voice silenced too soon” (Fresh Air). And he was equally known for his comic, soulful essays, published in n+1, The New Yorker, and The Millions.Songs on Endless Repeat gathers those essays together, along with previously unpublished fiction. Written with razor-sharp wit and an unflinching eye, the essays examine his youth in California, the lives of his refugee parents, his intimate friendships, loss, pop culture, and more. And in linked fiction following three Cambodian American cousins who stand to inherit their late aunt’s illegitimate loan-sharking business, So explores community, grief, and longing with inimitable humor and depth.Following “one of the most exciting contributions to Asian American literature in recent years” (Vulture), Songs on Endless Repeat is an astonishing final expression by a writer of “extraordinary achievement and immense promise” (The New Yorker).
von Melissa Fu
A "beautifully rendered" novel about war, migration, and the power of telling our stories, Peach Blossom Spring follows three generations of a Chinese family on their search for a place to call home (Georgia Hunter, New York Times bestselling author).A country at war. A family searching for home.China, 1938. Meilin and her four-year-old son, Renshu, flee their burning city as Japanese forces advance. On the perilous journey that follows, across a China transformed by war, they find comfort and wisdom in their most treasured possession, a beautifully illustrated hand scroll filled with ancient fables.Years later, Renshu has settled in America as Henry Dao. Though his daughter, Lily, is desperate to understand her heritage, he refuses to talk about his childhood in China. How can he tell his story when he's left so much behind?Spanning continents and generations, Peach Blossom Spring is a bold and moving story about the haunting power of our past, the sacrifices we make to protect our children, and one family's search for a place to call home.A BOOK OF THE MONTH CLUB PICK AND NOMINEE FOR "BOOK OF THE YEAR"NOMINATED FOR THE GOODREADS CHOICE "BEST BOOK OF THE YEAR""An accomplished first novel." —New York Times Book Review"A stunning achievement . . . I absolutely adored this novel about love and war, migration and belonging.” —Christy Lefteri, author of The Beekeeper of Aleppo"I so enjoyed this book." —Alisa Chang, NPR's All Things Considered"Magical and powerful, Peach Blossom Spring brings to life the costs of wars and conflicts while illuminating the spirit of human survival.”―Nguyễn Phan Quế Mai, author of The Mountains Sing“Expansive, atmospheric, and affecting.” —Susie Yang, author of White Ivy
von Adeline Yen Mah
More than 800,000 copies in print! From the author of critically acclaimed and bestselling memoir Falling Leaves, this is a poignant and moving true account of her childhood, growing up as an unloved daughter in 1940s China. A Chinese proverb says, "Falling leaves return to their roots." In her own courageous voice, Adeline Yen Mah returns to her roots to tell the story of her painful childhood and her ultimate triumph in the face of despair. Adeline's affluent, powerful family considers her bad luck after her mother dies giving birth to her, and life does not get any easier when her father remarries. Adeline and her siblings are subjected to the disdain of her stepmother, while her stepbrother and stepsister are spoiled with gifts and attention. Although Adeline wins prizes at school, they are not enough to compensate for what she really yearns for -- the love and understanding of her family. Like the classic Cinderella story, this powerful memoir is a moving story of resilience and hope. Includes an Author's Note, a 6-page photo insert, a historical note, and the Chinese text of the original Chinese Cinderella. A PW BEST BOOK OF THE YEAR AN ALA-YALSA BEST BOOK FOR YOUNG ADULTS “One of the most inspiring books I have ever read.” –The Guardian
von Ruth L. Ozeki
A cross-cultural tale of two women brought together by the intersections of television and industrial agriculture, fertility and motherhood, life and love—the breakout hit by the celebrated author of A Tale for the Time Being and The Book of Form and EmptinessRuth Ozeki’s mesmerizing debut novel has captivated readers and reviewers worldwide. When documentarian Jane Takagi-Little finally lands a job producing a Japanese television show that just happens to be sponsored by an American meat-exporting business, she uncovers some unsavory truths about love, fertility, and a dangerous hormone called DES. Soon she will also cross paths with Akiko Ueno, a beleaguered Japanese housewife struggling to escape her overbearing husband. Hailed by USA Today as “rare and provocative” and awarded the Kirayama Prize for Literature of the Pacific Rim, My Year of Meats is a modern-day take on Upton Sinclair’s The Jungle for fans of Michael Pollan, Margaret Atwood, and Barbara Kingsolver.
von Isabelle Thuy Pelaud, Lan Duong, Mariam B. Lam, Kathy L. Nguyen
Juxtaposing short stories, poetry, painting, and photographs, Troubling Borders showcases the creative work of women of Vietnamese, Cambodian, Lao, Thai, and Filipino ancestry. This thematically arranged collection interrupts borders of categorization and gender, in what preface author Shirley Geok-Lin Lim describes as a "leap over the barbed fences that have kept these women apart in these, our United States of America."The sixty-two contributors have been shaped by colonization, wars, globalization, and militarization. For some of these women on the margins of the margin, crafting and showing their work is a bold act in itself. Their provocative and accessible creations tell unique stories, provide sharp contrasts to familiar stereotypes―Southeast Asian women as exotic sex symbols, dragon ladies, prostitutes, or "bar girls"―and serve as entry points for broader discussions about questions of history, memory, and identity.
von Youngmi Mayer
“Do you know what happens if you laugh while crying? Hair grows out of your butthole.”It was a constant truism Youngmi Mayer’s mother would say threateningly after she would make her daughter laugh while crying. Her mother used it to cheer her up in moments when she could tell Youngmi was overtaken with grief. The humorous saying would never fail to lighten the mood, causing both daughter and mother to laugh and cry at the same time. Her mother had learned this trick from her mother, and her mother had learned this from her mother before her: it had also helped an endless string of her family laugh through suffering.In I’m Laughing Because I’m Crying, Youngmi jokes through the retelling of her childhood as an offbeat biracial kid in Saipan, a place next to a place that Americans might know. She jokes through her difficult adolescence where she must parent her own parents: a mother who married her husband because he looked like white Jesus (and the singer of The Bee Gees). And with humor and irreverence and full-throated openness, she jokes even while sharing the story of what her family went through during the last century of colonialism and war in Korea, while reflecting how years later, their wounds affect her in New York City as a single mom, all the while interrogating whiteness, gender, and sexuality.Youngmi jokes through these stories in hopes of passing onto the reader what her family passed down to her: The gift of laughing while crying. The gift of a hairy butthole. Because throughout it all, the one thing she learned was one cannot exist without the other. And like a yin and yang, this duality is reflected in this whip-smart, heart-wrenching, and disarmingly funny memoir told by a bright new voice with so much heart and wisdom.
von Yiyun Li
Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James.“There is no good way to say this,” Yiyun Li writes at the beginning of this book.“There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.”There is no good way to say this―because words fall short. It takes only an instant for death to become fact, “a single point in a timeline.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: “doing the things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.This is a book for James, but it is not a book about grieving or mourning. As Li writes, “The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.” Things in Nature Merely Grow is a testament to Li’s indomitable spirit.