Empfehlungen basierend auf "A History of Women in 101 Objects"

Taking us on a journey through science, the book challenges our preconceptions about men and women, investigating the ferocious gender wars that burn in biology, psychology and anthropology. The author revisits the landmark experiments that have informed our understanding, lays bare the problem of bias in research, and speaks to the scientists finally exploring the truth about the female sex. The result is an account of women's minds, bodies and evolutionary history. Interrogating what these revelations mean for us as individuals and as a society, the book unveils a fresh view of science in which women are included, rather than excluded

Wonderfully illustrated throughout, this book tells inspiring stories of fifteen women artists who made a lasting impact on art and the world through their lives and work.A richly illustrated book, We Are Artists celebrates the life and work of fifteen female artists from around the globe and the distinctive mark they made on art. Presented as a collection of exciting biographical stories, each section reveals how the artist’s unique approach and perspective provided art and society with a new way of seeing things.We Are Artists places the spotlight on women painters, sculptors, printmakers, illustrators, designers, and craftswomen who created monumental artwork, often against daunting odds. The book includes reproductions of modern and contemporary artwork by Frida Kahlo, Yayoi Kusama, Georgia O’Keeffe, Alma Thomas, and Kenojuak Ashevak, to name a few. Through their personal stories, readers will learn about the art movements each artist worked in and the influence they exerted on both the art world and society as a whole.This book starts to rewrite art history for the next generation, and will inspire young readers and artists everywhere. Illustrated in color throughout

What story would Eve have told about picking the apple? Why is Pandora blamed for opening the box? And what about the fate of Cassandra who was blessed with knowing the future but cursed so that no one believed her? What if women had been the storytellers?Elizabeth Lesser believes that if women’s voices had been equally heard and respected throughout history, humankind would have followed different hero myths and guiding stories—stories that value caretaking, champion compassion, and elevate communication over vengeance and violence.Cassandra Speaks is about the stories we tell and how those stories become the culture. It’s about the stories we still blindly cling to, and the ones that cling to us: the origin tales, the guiding myths, the religious parables, the literature and films and fairy tales passed down through the centuries about women and men, power and war, sex and love, and the values we live by. Stories written mostly by men with lessons and laws for all of humanity. We have outgrown so many of them, and still they endure. This book is about what happens when women are the storytellers too—when we speak from our authentic voices, when we flex our values, when we become protagonists in the tales we tell about what it means to be human.Lesser has walked two main paths in her life—the spiritual path and the feminist one—paths that sometimes cross but sometimes feel at cross-purposes. Cassandra Speaks is her extraordinary merging of the two. The bestselling author of Broken Open and Marrow, Lesser is a beloved spiritual writer, as well as a leading feminist thinker. In this book she gives equal voice to the cool water of her meditative self and the fire of her feminist self. With her trademark gifts of both humor and insight, she offers a vision that transcends the either/or ideologies on both sides of the gender debate.Brilliantly structured into three distinct parts, Part One explores how history is carried forward through the stories a culture tells and values, and what we can do to balance the scales. Part Two looks at women and power and expands what it means to be courageous, daring, and strong. And Part Three offers “A Toolbox for Inner Strength.” Lesser argues that change in the culture starts with inner change, and that no one—woman or man—is immune to the corrupting influence of power. She provides inner tools to help us be both strong-willed and kind-hearted.Cassandra Speaks is a beautifully balanced synthesis of storytelling, memoir, and cultural observation. Women, men and all people will find themselves in the pages of this book, and will come away strengthened, opened, and ready to work together to create a better world for all people.

An instant feminist classic, and perfect gift for all parents, women, and people working towards gender equality. Here is a brilliant, beautifully readable, and above all practical expansion of the ideas this iconic author began to explore in her bestselling manifesto, We Should All Be Feminists.A few years ago, Chimamanda Ngozi Adichie received a letter from a dear friend from childhood, asking how to raise her new baby girl a feminist.Although she has written and spoken out widely about feminism, Adichie wasn't sure how to advise her friend Ijeawele. But as a person who'd babysat, had loved her nieces and nephews, and now, too, was the mother of a daughter herself, she thought she would try. So she sent Ijeawele a letter with some suggestions--15 in all--which she has now decided to share with the world.Compelling, direct, wryly funny, and perceptive, Dear Ijeawele offers specifics on how we can empower our daughters to become strong, independent women. Here, too, are ways parents can raise their children--both sons and daughters--beyond a culture's limiting gender prescriptions. This short, sharp work rings out in Chimamanda's voice: infused with deep honesty, clarity, strength, and above all love. She speaks to the important work of raising a girl in today's world, and provides her readers with a clear proposal for inclusive, nuanced thinking. Here we have not only a rousing manifesto, but a powerful gift for all people invested in the idea of creating a just society--an endeavour now more urgent and important than ever.

The most up-to-date global perspective on how women are living today across continents and culturesIn this completely revised and updated fifth edition of her groundbreaking atlas, Joni Seager provides comprehensive and accessible analysis of up-to-the-minute global data on the key issues facing women today: equality, motherhood, feminism, the culture of beauty, women at work, women in the global economy, changing households, domestic violence, lesbian rights, women in government, and more. The result is an invaluable resource on the status of women around the world today.

The story of four remarkable women who shaped the intellectual history of the 20th century: Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch.On the cusp of the Second World War, four women went to Oxford to begin their studies: a fiercely brilliant Catholic convert; a daughter of privilege longing to escape her stifling upbringing; an ardent Communist and aspiring novelist with a list of would-be lovers as long as her arm; and a quiet, messy lover of newts and mice who would become a great public intellectual of our time. They became lifelong friends. At the time, only a handful of women had ever made lives in philosophy. But when Oxford's men were drafted in the war, everything changed.As Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch labored to make a place for themselves in a male-dominated world, as they made friendships and families, and as they drifted toward and away from each other, they never stopped insisting that some lives are better than others. They argued that courage and discernment and justice--and love--are the heart of a good life.This book presents the first sustained engagement with these women's contributions: with the critique and the alternative they framed. Drawing on a cluster of recently opened archives and extensive correspondence and interviews with those who knew them best, Benjamin Lipscomb traces the lives and ideas of four friends who gave us a better way to think about ethics, and ourselves.

#1 NEW YORK TIMES BESTSELLERMeet the little leaders. They're brave. They're bold. They changed the world.Featuring 40 trailblazing black women in history, this book educates and inspires as it relates true stories of women who broke boundaries and exceeded all expectations, including:Nurse Mary SeacolePolitician Diane AbbottMathematician Katherine JohnsonSinger Shirley BasseyBestselling author and artist Vashti Harrison pairs captivating text and beautiful illustrations as she tells the stories of both iconic and lesser-known female figures. Among these biographies, readers will find heroes, role models, and everyday women who did extraordinary things.

An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual.""The classic argument for a women’s literary tradition."—Scott Heller, Chronicle of Higher Education"The authors force us to take a new look at the grandes dames of English literature, and the result is that they will never seem quite the same again."—Le Anne Schreiber, New York Times Book Review"Imperative reading."—Carolyn G. Heilbrun, Washington Post Book World"A masterpiece."—Carolyn See, Los Angeles Times Book Review"The Madwoman in the Attic, The Woman Writer and the Nineteenth-Century, originally published in 1979, has long since become a classic, one of the most important works of literary criticism of the 20th century. This new edition contains an introduction titled 'The Madwoman in the Academy' that is, quite simply, a delight to read, warmly witty, provocative, informative and illuminating."—Joyce Carol Oates, Princeton University"A groundbreaking study of women writers. . . . The book brought the concerns of feminism to the study of female writers and presented the case for the existence of a distinctly feminine imagination."—Martin Arnold, The New York Times"The authors are brilliant academics but they wear their erudition lightly. It remains imperative reading for those who want to understand better the grandes dames of English literature, and is still one of the most powerful pieces of writing from a feminist point of view. Argumentative, polemical, witty and thought-provoking, this is a book which will make the reader return to the original texts." —Yorkshire Post (Leeds)"A feminist classic and still one of the best books on the female Victorian writers."—Judith Shulevitz, New York Times Book Review

Some of the most acclaimed books of the twenty-first century are autobiographical comics by women. Aline Kominsky-Crumb is a pioneer of the autobiographical form, showing women's everyday lives, especially through the lens of the body. Phoebe Gloeckner places teenage sexuality at the center of her work, while Lynda Barry uses collage and the empty spaces between frames to capture the process of memory. Marjane Satrapi's Persepolis experiments with visual witness to frame her personal and historical narrative, and Alison Bechdel's Fun Home meticulously incorporates family documents by hand to re-present the author's past. These five cartoonists move the art of autobiography and graphic storytelling in new directions, particularly through the depiction of sex, gender, and lived experience. Hillary L. Chute explores their verbal and visual techniques, which have transformed autobiographical narrative and contemporary comics. Through the interplay of words and images, and the counterpoint of presence and absence, they express difficult, even traumatic stories while engaging with the workings of memory. Intertwining aesthetics and politics, these women both rewrite and redesign the parameters of acceptable discourse.

"'If we have the habit of freedom and the courage to write exactly as we think, ' as Woolf puts it in A Room of One's Own, writing like a woman simply means writing like what one actually is, in sickness and health, richer and poorer, belly and bowels, the consonants and the vowels too. We may have a general sense that women poets are more likely than men, at the present time, to write in detail about their bodies; to take power relationships as a theme; to want to speak with a strong rather than a subdued voice; are less likely to seek distance, more likely to seek intimacy, in poetic tone. But generalization would be foolish here. 'Woman poet, ' like 'American poet' or 'French poet' or 'Russian poet, ' allows--even insists on--diversity, while implying something valuable in common, some shared language and life, of tremendous importance to the poet and the poet's readers." --Alicia Ostriker