Empfehlungen basierend auf "A Cornelius Calendar"

Both Joseph K in The Trial and K in The Castle are victims of anonymous governing forces beyond their control. Both are atomized, estranged and rootless citizens deceived by authoritarian power. Whereas Joseph K is relentlessly hunted down for a crime that remains nameless, K ceaselessly attempts to enter the castle, and so belong somewhere. Both novels may be read as powerful allegories of totalitarian government. In America, Karl Rossman experiences Oedipal and cultural isolation, and finds that “America” is never quite as real as it seems.

The Novels of Ray Bradbury by Ray Bradbury, Granada Publishing Limited, 8 Grafton Street, London England, 1984, First British Edition. This is a Highly Collectible, SIGNED, Hardcover Book and Dust jacket. The book is Sunflower Yellow Cloth over Boards with Navy Blue Lettering on the spine. The book is SIGNED on the Front Free End Page, EDIE! Ray Bradbury 1/18/93. The dust jacket has been placed in an archival, clear Mylar for further protection and preservation. Here for the first time in one volume are Ray Bradbury's three haunting novels Fahrenheit 451, Dandelion Wine and Something Wicked This Way Comes. Fahrenheit 451 is a famous and terrifying fable which has also been filmed by the French Director Francois Truffault. Dandelion Wine is a Beautiful Novel - full of summer, set in the real world but enriched by Bradbury's original imagination and his unique gift for fantasy. Something Wicked This Way Comes is a novel of pure and classic fantasy imbued with frightening air of evil. Together these novels reveal the range of imagination, the art, the phenomenon that is Ray Bradbury.

SUM is a dazzling exploration of funny and unexpected afterlives that have never been considered–each presented as a vignette that offers us a stunning lens through which to see ourselves here and now.In one afterlife you may find that God is the size of a microbe and is unaware of your existence. In another, your creators are a species of dim-witted creatures who built us to figure out what they could not. In a different version of the afterlife you work as a background character in other people’s dreams. Or you may find that God is a married couple struggling with discontent, or that the afterlife contains only those people whom you remember, or that the hereafter includes the thousands of previous gods who no longer attract followers. In some afterlives you are split into your different ages; in some you are forced to live with annoying versions of yourself that represent what you could have been; in others you are re-created from your credit card records and Internet history. David Eagleman proposes many versions of our purpose here; we are mobile robots for cosmic mapmakers, we are reunions for a scattered confederacy of atoms, we are experimental subjects for gods trying to understand what makes couples stick together.These wonderfully imagined tale–at once funny, wistful, and unsettling–are rooted in science and romance and awe at our mysterious existence: a mixture of death, hope, computers, immortality, love, biology, and desire that exposes radiant new facets of our humanity.

The sequel to the cult classic The Illuminatus! Trilogy, this is an epic fantasy that offers a twisted look at our modern-day world--a reality that exists in another dimension of time and space that may be closer than we think.

For the first time in English, all the fiction by the writer who has been called “the greatest Spanish-language writer of our century” collected in a single volume“An event, and cause for celebration.”—The New York TimesA Penguin Classics Deluxe Edition with flaps and deckle-edged paperFor some fifty years, in intriguing and ingenious fictions that reimagined the very form of the short story—from his 1935 debut with A Universal History of Iniquity through his immensely influential collections Ficciones and The Aleph, the enigmatic prose poems of The Maker, up to his final work in the 1980s, Shakespeare’s Memory—Jorge Luis Borges returned again and again to his celebrated themes: dreams, duels, labyrinths, mirrors, infinite libraries, the manipulations of chance, gauchos, knife fighters, tigers, and the elusive nature of identity itself. Playfully experimenting with ostensibly subliterary genres, he took the detective story and turned it into metaphysics; he took fantasy writing and made it, with its questioning and reinventing of everyday reality, central to the craft of fiction; he took the literary essay and put it to use reviewing wholly imaginary books.Bringing together for the first time in English all of Borges’s magical stories, and all of them newly rendered into English in brilliant translations by Andrew Hurley, Collected Fictions is the perfect one-volume compendium for all who have long loved Borges, and a superb introduction to the master’s work for all who have yet to discover this singular genius.For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

While Borges remained fascinated by books, doubles, strange heresies, magic and the occult, his last two collections broke new ground in their astonishing range of themes.By the 1970s, Borges was frail, blind and bereft, and The Book of Sand is deeply concerned with loss, approaching death, identities rooted in past events and recollected sexual passion. Yet these painful issues are treated with bemused acceptance as well as characteristic inventiveness and wit. Equally haunting are the tale of the scholar who mysteriously acquires Shakespeare's memory and the other evocative parables which make up his final work. To the last, Borges retained a unique ability to shock and surprise.

An unparalleled work of historical conjecture, ranging imaginatively over huge tracts of the American popular consciousness, Don DeLillo's Libra contains an introduction by the author in Penguin Modern Classics. In this powerful, eerily convincing fictional speculation on the assassination of President John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of JFK will galvanize the nation against Communism, the scales are irrevocably tipped. Don DeLillo (b.1936) was born and raised in New York City. Americana (1971), his first novel, announced the arrival of a major literary talent, and the novels that followed confirmed his reputation as one of the most distinctive and compelling voices in late-twentieth-century American fiction. DeLillo's comic gifts come to the fore in White Noise (1985), which won the National Book Award, Underworld (1997), hailed by Martin Amis as 'the ascension of a great writer', Cosmopolis (2003), adapted into a film by David Cronenberg, due to be released later this year, and Falling Man (2007), a novel about the aftereffects of the 9/11 terrorist attacks in New York. If you enjoyed Libra, you might like DeLillo's Americana, also available in Penguin Modern Classics. 'Don DeLillo's apocalyptic imagination takes on the assassination of John F. Kennedy... Breathtaking' Newsday

Seen by many as a contemporary classic, Janwillem van de Wetering's small and admirable memoir records the experiences of a young Dutch student—later a widely celebrated mystery writer—who spent a year and a half as a novice monk in a Japanese Zen Buddhist monastery. As Chogyam Trungpa Rinpoche, author of Cutting Through Spiritual Materialism, has written, The Empty Mirror "should be very encouraging for other Western seekers."It is the first book in a trilogy that continues with A Glimpse of Nothingness and Afterzen.

From the Author of The Basketball Diaries   Originally released in 1973, Living at the Movies was the first aboveground publication of the work of Jim Carroll, a singer-songwriter Newsweek called “contender for the title of rock’s new poet laureate.” In these poems, all written before the age of twenty-two, Carroll shows an uncanny virtuosity. His power and poisoned purity of vision are reminiscent of Arthur Rimbaud, and, like the strongest poets of the New York School, Carroll transforms the everyday details of city life into poetry. In language at once delicate, hallucinatory, and menacing, his major themes—love, friendship, the exquisite pains and pleasures of drugs, and above all, the ever-present city—emerge in an atmosphere where dream and reality mingle on equal terms. It is an astonishing debut by an important American writer and artist.   “Jim Carroll has the sure confidence of a true artist. . . . He is steeped in his craft. He has worked as only a man of inspiration is capable of working. . . . His beginning is a triumph.”—Gerard Malanga, Poetry

A 2004 PEN/Malamud Award winner, this collection celebrates the work of American artist Richard Bausch -- a writer the New York Times calls "a master of the short story." By turns tender, raw, heartbreaking, and riotously funny, the many voices of this definitive forty-two-story collection (seven of which appear here for the first time) defy expectation, attest to Bausch's remarkable range and versatility, and affirm his place alongside such acclaimed story writers as John Cheever, Flannery O'Connor, Raymond Carver, and Grace Paley.