Empfehlungen basierend auf "300,000 Kisses"

A Must-Read: Vogue, Nylon, Chicago Review of Books, Literary Hub, Frieze, The Millions, Publishers Weekly, InsideHook, The Next Big Idea Club,“[Lauren] Elkin is a stylish, determined provocateur . . . Sharp and cool . . . [Art Monsters is] exemplary. It describes a whole way to live, worthy of secret admiration.” ―Maggie Lange, The Washington Post“Destined to become a new classic . . . Elkin shatters the truisms that have evolved around feminist thought.” ―Chris Kraus, author of I Love Dick and After Kathy Acker: A Literary BiographyWhat kind of art does a monster make? And what if monster is a verb? Noun or a verb, the idea is a dare: to overwhelm limits, to invent our own definitions of beauty.In this dazzlingly original reassessment of women’s stories, bodies, and art, Lauren Elkin―the celebrated author of Flâneuse―explores the ways in which feminist artists have taken up the challenge of their work and how they not only react against the patriarchy but redefine their own aesthetic aims. How do we tell the truth about our experiences as bodies? What is the language, what are the materials, that we need to transcribe them? And what are the unique questions facing those engaged with female bodies, queer bodies, sick bodies, racialized bodies?Encompassing a rich genealogy of work across the literary and artistic landscape, Elkin makes daring links between disparate points of reference―among them Julia Margaret Cameron’s photography, Kara Walker’s silhouettes, Vanessa Bell’s portraits, Eva Hesse’s rope sculptures, Carolee Schneemann’s body art, Theresa Hak Kyung Cha’s trilingual masterpiece DICTEE―and steps into the tradition of cultural criticism established by Susan Sontag, Hélène Cixous, and Maggie Nelson.An erudite, potent examination of beauty and excess, sentiment and touch, the personal and the political, the ambiguous and the opaque, Art Monsters is a radical intervention that forces us to consider how the idea of the art monster might transform the way we imagine―and enact―our lives.

A hilarious, heartfelt sequel to How to Build a Girl, the breakout novel from feminist sensation Caitlin Moran who the New York Times called, "rowdy and fearless . . . sloppy, big-hearted and alive in all the right ways."You can’t have your best friend be famous if you’re not famous. It doesn’t work. You’re emotional pen-friends. You can send each other letters—but you’re not doing anything together. You live in different countries.Johanna Morrigan (AKA Dolly Wilde) has it all: at eighteen, she lives in her own flat in London and writes for the coolest music magazine in Britain. But Johanna is miserable. Her best friend and man of her dreams John Kite has just made it big in 1994’s hot new BritPop scene. Suddenly John exists on another plane of reality: that of the Famouses.Never one to sit on the sidelines, Johanna hatches a plan: she will Saint Paul his Corinthians, she will Jimmy his Pinocchio—she will write a monthly column, by way of a manual to the famous, analyzing fame, its power, its dangers, and its amusing aspects. In stories, girls never win the girl—they are won. Well, Johanna will re-write the stories, and win John, through her writing.But as Johanna’s own star rises, an unpleasant one-night stand she had with a stand-up comedian, Jerry Sharp, comes back to haunt in her in a series of unfortunate consequences. How can a girl deal with public sexual shaming? Especially when her new friend, the up-and-coming feminist rock icon Suzanne Banks, is Jimmy Cricketing her?For anyone who has been a girl or known one, who has admired fame or judged it, and above all anyone who loves to laugh till their sides ache, How to Be Famous is a big-hearted, hilarious tale of fame and fortune-and all they entail.

ONE OF BILLBOARD'S "100 GREATEST MUSIC BOOKS OF ALL TIME": The provocative transgender advocate and lead singer of the punk rock band Against Me! provides a searing account of her search for identity and her true self.It began in a bedroom in Naples, Florida, when a misbehaving punk teenager named Tom Gabel, armed with nothing but an acoustic guitar and a headful of anarchist politics, landed on a riff. Gabel formed Against Me! and rocketed the band from its scrappy beginnings-banging on a drum kit made of pickle buckets-to a major-label powerhouse that critics have called this generation's The Clash. Since its inception in 1997, Against Me! has been one of punk's most influential modern bands, but also one of its most divisive. With every notch the four-piece climbed in their career, they gained new fans while infuriating their old ones. They suffered legal woes, a revolving door of drummers, and a horde of angry, militant punks who called them "sellouts" and tried to sabotage their shows at every turn.But underneath the public turmoil, something much greater occupied Gabel-a secret kept for 30 years, only acknowledged in the scrawled-out pages of personal journals and hidden in lyrics. Through a troubled childhood, delinquency, and struggles with drugs, Gabel was on a punishing search for identity. Not until May of 2012 did a Rolling Stone profile finally reveal it: Gabel is a transsexual, and would from then on be living as a woman under the name Laura Jane Grace.Tranny is the intimate story of Against Me!'s enigmatic founder, weaving the narrative of the band's history, as well as Grace's, with dozens of never-before-seen entries from the piles of journals Grace kept. More than a typical music memoir about sex, drugs, and rock 'n' roll-although it certainly has plenty of that-Tranny is an inside look at one of the most remarkable stories in the history of rock.

‘An important and honest book that will encourage better conversations about sex. I wish I read this when I was younger!’ - Laura Whitmore 'A must-read for anyone whose sexual expression has been used as a weapon against them' – Ruby Rare 'A fascinating deep dive into the history of slutshaming' - Service 95, Dua Lipa's Book Club A 'taboo-smashing debut book' - Cosmopolitan From award-winning journalist Beth Ashley comes a groundbreaking investigation into the history of slutshaming, how it continues to affect us today and what we can do to fight it. Whore. Hoe. Jezebel. Harlot. Slut. Five words. One meaning. But what exactly is a slut? How has the concept changed over time? And why is slutshaming so dangerous? In this groundbreaking investigation, Beth Ashley reveals the truth about slutshaming, gives us the tools to fight it, and encourages us all to have better conversations about sex. The fight starts now.

Winner of Randy Shilts AwardIn the half century before the Nazis rose to power, Berlin became the undisputed gay capital of the world. Activists and medical professionals made it a city of firsts—the first gay journal, the first homosexual rights organization, the first Institute for Sexual Science, the first sex reassignment surgeries—exploring and educating themselves and the rest of the world about new ways of understanding the human condition. In this fascinating examination of how the uninhibited urban culture of Berlin helped create our categories of sexual orientation and gender identity, Robert Beachy guides readers through the past events and developments that continue to shape and influence our thinking about sex and gender to this day.

'Queer London' explores the underground gay culture of London during four decades when homosexual acts between consenting adults remained illegal. The author discovers how queer men made sense of their sexuality and how their lifestyles were affected by and in turn influenced the life of the metropolis.

"The prose is textured, viscous almost, an ooze of sweet honey shot through with golden light . . . A Language of Limbs is a novel of (impeccable) vibes and mood, a gay hymnal written from inside the guts of the two protagonists." —Yves Rees, Australian Book Review A breathtaking, sliding-doors, will-they-won’t-they love story and a tender epic that explores the weight of a choice, the love of community and how joy is found in even the darkest corners.   Newcastle, Australia, 1972. On a sticky summer night, a choice must be made: To give in to queer desire or suppress it? To venture into the unknown or stay the course? In alternating chapters, we trace the two versions of a life that follow.   In one, a teenage girl is caught kissing her neighbor and is kicked out from her home. She lands at a queer communal home in Sydney called Uranian House, where she meets the people who will forever become her family. Meanwhile, in the second, a teenage girl pushes down her lustful dreams of her best friend and eventually makes her way to a university in Sydney to study English literature.   During pivotal moments, the physical space between these two women closes—like when they each meet the first great loves of their lives in 1977 at a protest, or when, almost a decade later, they are both rushed to the hospital with only a curtain between them. Through the AIDS crisis—and from classrooms to art galleries, beds to bars and hospitals to homes—we witness these two lives shadow each other until, finally and poignantly, they collide.

A collection of cartoons recounting the lives and loves of Mo and Harriet and their diverse group of lesbian friends is accompanied by an autobiographical account of the difficulty of finding a permanent relationship

“Consent” is a Molotov cocktail, flung at the face of the French establishment, a work of dazzling, highly controlled fury...By every conceivable metric, her book is a triumph.” -- The New York TimesAlready an international literary sensation, an intimate and powerful memoir of a young French teenage girl’s relationship with a famous, much older male writer—a universal #MeToo story of power, manipulation, trauma, recovery, and resiliency that exposes the hypocrisy of a culture that has allowed the sexual abuse of minors to occur unchecked.Sometimes, all it takes is a single voice to shatter the silence of complicity.Thirty years ago, Vanessa Springora was the teenage muse of one of the country’s most celebrated writers, a footnote in the narrative of a very influential man in the French literary world.At the end of 2019, as women around the world began to speak out, Vanessa, now in her forties and the director of one of France’s leading publishing houses, decided to reclaim her own story, offering her perspective of those events sharply known.Consent is the story of one precocious young girl’s stolen adolescence. Devastating in its honesty, Vanessa’s painstakingly memoir lays bare the cultural attitudes and circumstances that made it possible for a thirteen-year-old girl to become involved with a fifty-year-old man who happened to be a notable writer. As she recalls the events of her childhood and her seduction by one of her country’s most notable writers, Vanessa reflects on the ways in which this disturbing relationship changed and affected her as she grew older.Drawing parallels between children’s fairy tales and French history and her personal life, Vanessa offers an intimate and absorbing look at the meaning of love and consent and the toll of trauma and the power of healing in women’s lives. Ultimately, she offers a forceful indictment of a chauvinistic literary world that has for too long accepted and helped perpetuate gender inequality and the exploitation and sexual abuse of children.Translated from the French by Natasha Lehrer"...One of the belated truths that emerges from [Consent] is that Springora is a writer. [...]Her sentences gleam like metal; each chapter snaps shut with the clean brutality of a latch." -- The New Yorker"Consent [is] rapier-sharp, written with restraint, elegance and brevity." -- The Times (London)"[Consent] has something steely in its heart, and it departs from the typical American memoir of childhood abuse in exhilarating ways." -- Slate"Lucid and nuanced...[Consent] will speak to trauma survivors everywhere." -- Los Angeles Review of Books”A piercing memoir about the sexually abusive relationship she endured at age 14 with a 50-year-old writer...This chilling account will linger with readers long after the last page is turned.” -- Publishers Weekly"Springora's lucid account is a commanding discussion of sexual abuse and victimization, and a powerful act of reclamation." -- Booklist"A chilling story of child abuse and the sophisticated Parisians who looked the other way...[Springora] is an elegant and perceptive writer." -- Kirkus

The much-anticipated follow up to the groundbreaking anthology Disability Visibility: another revolutionary collection of first-person writing on the joys and challenges of the modern disability experience, and intimacy in all its myriad forms.What is intimacy? More than sex, more than romantic love, the pieces in this stunning and illuminating new anthology offer broader and more inclusive definitions of what it can mean to be intimate with another person. Explorations of caregiving, community, access, and friendship offer us alternative ways of thinking about the connections we form with others—a vital reimagining in an era when forced physical distance is at times a necessary norm.But don't worry: there's still sex to consider—and the numerous ways sexual liberation intersects with disability justice. Plunge between these pages and you'll also find disabled sexual discovery, disabled love stories, and disabled joy. These twenty-five stunning original pieces—plus other modern classics on the subject, all carefully curated by acclaimed activist Alice Wong—include essays, photo essays, poetry, drama, and erotica: a full spectrum of the dreams, fantasies, and deeply personal realities of a wide range of beautiful bodies and minds. Disability Intimacy will free your thinking, invigorate your spirit, and delight your desires.