Empfehlungen basierend auf "3 Shades of Blue Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool"

In the Limelight is the official Why Don’t We autobiography, full of never-before-seen photos and behind-the-scenes info about one of today’s hottest bands.When five guys decided to form a band, they never imagined that they would go from playing music online to playing tours across the world so quickly. Why Don’t We has been together for less than two years, and they’ve already headlined sold out shows, played at Madison Square Garden, and amassed millions of fans. And this is all just the beginning.This is the official Why Don’t We story, full of never-before-seen photos and everything you need to know about Corbyn, Daniel, Zach, Jonah, and Jack. Find out the secrets they’ve never shared with fans before, their embarrassing childhood stories, what they look for in a girlfriend, and how it felt to have their lives completely changed by this incredible journey.

Ray Charles (1930-2004) led one of the most extraordinary lives of any popular musician. In Brother Ray, he tells his story in an inimitable and unsparing voice, from the chronicle of his musical development to his heroin addiction to his tangled romantic life. Overcoming poverty, blindness, the loss of his parents, and the pervasive racism of the era, Ray Charles was acclaimed worldwide as a genius by the age of thirty-two. By combining the influences of gospel, jazz, blues, and country music, he invented, almost single-handedly, what became known as soul. And throughout a career spanning more than a half century, Ray Charles remained in complete control of his life and his music, allowing nobody to tell him what he could and couldn't do.As the Chicago Sun-Times put it, Brother Ray is "candid, explicit, sometimes embarrassing, often hilarious, always warm, touching and deeply human-just like his music."

Calling All One Direction Fans! This Is The Only Official Book From 1d, Charting Their Journey Over The Last Year And A Half – From The Places They’ve Visited And Fans They’ve Met, To Their Thoughts And Feelings, Hopes And Dreams, Highs And Lows. It Has Been A Phenomenal Year – And This Is A Phenomenal Story.

'Angry Blonde' is the book that all Eminem fans have been waiting for, including an introduction by Eminem himself and fifty unpublished photos.The book sheds light on the hugely controversial persona of Eminem, whilst discussing his songs and t

In this #1 New York Times bestseller, Michael Jackson tells the story of his life, in his words. In this intimate and often moving personal account of Michael Jackson’s public and private life, he recalls a childhood that was both harsh and joyful but always formidable. Michael and his brothers played amateur music shows and seamy Chicago strip joints until Motown’s corporate image makers turned the Jackson 5 into worldwide superstars. He talks about the happy prankster days of his youth, traveling with his brothers, and of his sometimes difficult relationships with his family over the years. He speaks candidly about the inspiration behind his music, his mesmerizing dance moves, and the compulsive drive to create that has made him one of the biggest stars in the music business and a legend in his own time. Jackson also shares his personal feelings about some of his most public friends…friends like Diana Ross, Berry Gordy, Quincy Jones, Paul McCartney, Fred Astaire, Marlon Brando, and Katharine Hepburn. He talks openly about the crushing isolation of his fame, of his first love, of his plastic surgery, and of his wholly exceptional career and the often bizarre and unfair rumors that have surrounded it. Illustrated with rare photographs from Jackson family albums and Michael’s personal photographic archives, as well as a drawing done by Michael exclusively for this book, Moonwalk is a memorable journey to the very heart and soul of a modern musical genius.

Rudolf Nureyev had it all: beauty, genius, charm, passion, and sex appeal. No other dancer of our time has generated the same excitement, for both men and women, on or off the stage. With Nureyev: The Life, Julie Kavanagh shows how his intense drive and passion for dance propelled him from a poor, Tatar-peasant background to the most sophisticated circles of London, Paris, and New York. His dramatic defection to the West in l961 created a Cold War crisis and made him an instant celebrity, but this was just the beginning. Nureyev spent the rest of his life breaking barriers: reinventing male technique, “crashing the gates” of modern dance, iconoclastically updating the most hallowed classics, and making dance history by partnering England’ s prima ballerina assoluta, Margot Fonteyn--a woman twice his age. He danced for almost all the major choreographers--Frederick Ashton, George Balanchine, Kenneth MacMillan, Jerome Robbins, Maurice Béjart, Roland Petit--his main motive, he claimed, for having left the Kirov. But Nureyev also made it his mission to stage Russia’s full-length masterpieces in the West. His highly personal productions of Swan Lake, The Nutcracker, Raymonda, Romeo and Juliet, and La Bayadère are the mainstays of the Paris Opéra Ballet repertory to this day. An inspirational director and teacher, Nureyev was a Diaghilev-like mentor to young protégés across the globe--from Karen Kain and Monica Mason (now directors themselves), to Sylvie Guillem, Elisabeth Platel, Laurent Hilaire and Kenneth Greve. Sex, as much as dance, was a driving force for Nureyev. From his first secret liaison in Russia to his tempestuous relationship with the great Danish dancer Erik Bruhn, we see not only Nureyev’s notorious homosexual history unfold, but also learn of his profound effect on women--whether a Sixties wild child or Jackie Kennedy and Lee Radziwill or the aging Marlene Dietrich. Among the first victims of AIDS, Nureyev was diagnosed HIV positive in 1984 but defied the disease for nearly a decade, dancing, directing the Paris Opéra Ballet, choreographing, and even beginning a new career as a conductor. Still making plans for the future, Nureyev finally succumbed and died in January l993. Drawing on previously undisclosed letters, diaries, home-movie footage, interviews with Nureyev’s inner circle, and her own dance background, Julie Kavanagh gives the most intimate, revealing, and dramatic picture we have ever had of this dazzling, complex figure. NOTE: This edition does not include photos.

From legendary Brazilian Jiu-Jitsu and MMA master Rickson Gracie comes a riveting, insightful memoir that weaves together the story of Gracie's stunning career with the larger history of the Gracie family dynasty, showing how the connection between mind and body can be harnessed for success both inside and outside the ring. Undefeated from the late 1970s through his final fight in the Tokyo Dome in 2000, Rickson Gracie amassed hundreds of victories in the street, on the mat, at the beach, and in the ring. He has joined the pantheon that includes Bruce Lee, Chuck Norris, and Jackie Chan as one of the most famous martial artists of the twentieth century. Jiu-Jitsu, the fighting style developed and pioneered by his family, has become one of the world's most prominent martial arts, and Vale Tudo, the "anything goes" style of Brazilian street fighting over which the Gracies had a monopoly, was an early precursor to the Ultimate Fighting Championship. Simply put, without the Gracie family, there would be no sport of 'MMA', no 4-billion-dollar UFC empire, and no 'Brazilian Jiu-Jitsu' at strip malls all across America. In Breathe, for the first time, Rickson will share the full story of how his father and uncles came to develop Jiu-Jitsu, what it was like to grow up among several generations of world-renowned fighters from the Gracie clan, and the principles and skills that guided him to his undefeated record. From learning to assert himself on the streets of Rio to gaining fame and honour in Japan and emerging through heartbreaking tragedy, the martial arts master shares tales of overcoming challenges, extolling universal virtues and showing readers how pride and ego are the enemies of success. With never-before-seen photos and profound insights into the sport and way of life that only a studied legend can provide, Breathe is an entertaining and magnified view of an enduring legacy as well as an inspiring tale of weathering life's complexities and overcoming them with style and grace.

DMX is an international superstar who has sold more than twenty million albums and defined hip-hop culture better than any of his peers. He also lived the kind of rags-to-riches story that has molded some of the best American heroes. From a smart and mischievous young boy to a teenager dubbed "Crazy Earl" to the most feared MC on the street, DMX never stopped struggling for the kind of life he knew belonged to him. Born in Yonkers, New York, to a father who abandoned him and a mother ill equipped to raise her only boy, Earl Simmons grew to hate and distrust the world around him. But a passionate talent to rhyme gave him a dream, while a lifelong companionship with stray dogs gave him the strength to go on. His journey of self-discovery began with beatings, robbery, and group homes, lead to jails, car chases, gun battles, and rap wars, and culminated in commitment, love, fame, and fortune. This is the extraordinary first-person account of a man who gives expression to the thoughts and feelings of those who have never been heard. In the process, Earl Simmons became a father, a husband, a role model, and an international icon know as DMX. This is his story.

"Jeff Pearlman breaks down Tupac's life like a veteran sportswriter examining a dynasty. This detailed look at his life is the work of a writer who understands the ego of greatness."--Chuck D "Pearlman delivers rich, engrossing, and fascinating new details about Shakur's life and legacy--not just once or twice--but throughout each lively page...This is the type of needed journalism, reporting, and biography that finally and deservedly provides the definitive historic account on Shakur."--Jonathan Abrams, author of The Come Up: An Oral History of the Rise of Hip-Hop Scrutinized in life, mythologized in death, Tupac Shakur remains a subject of immense cultural significance and speculation nearly thirty years after his murder. Despite a multitude of books, documentaries, and even a feature film, much about Tupac's story remains shrouded and misunderstood. Like many icons who died tragically young, Tupac the man has long been obscured--his edges sanded down, his complexity numbed--by the competing agendas that surround his legacy. In Only God Can Judge Me, accomplished biographer and New York Times bestselling author Jeff Pearlman tackles his most nuanced subject, telling the definitive story of Tupac Shakur in unprecedented depth. In this authoritative look at Tupac's life, Pearlman skillfully recreates West Coast hip hop in all its glory, going inside Death Row Records and on the sets of movies like Juice and Poetic Justice to offer the most clear-eyed rendering to date of the man who still casts a shadow over modern hip hop. But more than just a biography of a complicated figure, Only God Can Judge Me also captures the time and place in which Tupac rose, a singular moment in music history when West Coast hip hop became a phenomenon and transformed popular music. Featuring nearly seven hundred original interviews and never-before-published details from every corner of Tupac's life, the result offers a truly singular portrait of one of modern pop culture's most towering figures. Guided by the voices of those who knew and lived life alongside him, Only God Can Judge Me captures the layers of a man who, even thirty years after his death, remains as elusive as ever.

The influence of Miles Davis's "second great quintet," consisting of Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) continues to resonate. Jazz musicians, historians, and critics have celebrated the group for its improvisational communication, openness, and its transitional status between hard bop and the emerging free jazz of the 1960s, creating a synthesis described by one quintet member as "controlled freedom." The book provides a critical analytical study of the Davis quintet studio recordings released between 1965-68, including E.S.P., Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro. In contrast to the quintet's live recordings, which included performances of older jazz standards, the studio recordings offered an astonishing breadth of original compositions. Many of these compositions have since become jazz standards, and all of them played a central role in the development of contemporary jazz composition. Using transcription and analysis, author Keith Waters illuminates the compositional, improvisational, and collective achievements of the group. With additional sources, such as rehearsal takes, alternate takes, session reels, and copyright deposits of lead sheets, he shows how the group in the studio shaped and altered features of the compositions. Despite the earlier hard bop orientation of the players, the Davis quintet compositions offered different responses to questions of form, melody, and harmonic structure, and they often invited other improvisational paths, ones that relied on an uncanny degree of collective rapport. And given the spontaneity of the recorded performances-often undertaken with a minimum of rehearsal-the players responded with any number of techniques to address formal, harmonic, or metrical discrepancies that arose while the tape was rolling. The book provides an invaluable resource for those interested in Davis and his sidemen, as well as in jazz of the 1960s. It serves as a reference for jazz musicians and educators, with detailed transcriptions and commentary on compositions and improvisations heard on the studio recordings.