Empfehlungen basierend auf "1000 Words A Writer's Guide to Staying Creative, Focused, and Productive All Year Round"

Learn chess from International Master and top Youtube chess teacher GothamChess in this accessible and fun guide for beginner and mid-level players packed full of game-winning strategies and entertaining wit.Clever and informative, How to Win at Chess teaches beginner and intermediate players the art of the game, including all the important chess moves and strategies to keep you thinking several steps ahead.Teeming with Rozman's signature charm and humor, the first half introduces aspiring players to four key areas to consider when playing chess—openings, endings, tactics, and strategies—while the second builds upon these core skills. How to Win at Chess brims with 500 instructional game play illustrations to help you better visualize the board and QR codes to exclusive educational videos on the GothamChess website.Whether you want to become a recreational chess player or a Grandmaster, How to Win at Chess is the perfect interactive introduction to the world of chess!

"One of the greatest creative writing teachers we've ever had." ―Frederick Busch On Becoming a Novelist contains the wisdom accumulated during John Gardner's distinguished twenty-year career as a fiction writer and creative writing teacher. With elegance, humor, and sophistication, Gardner describes the life of a working novelist; warns what needs to be guarded against, both from within the writer and from without; and predicts what the writer can reasonably expect and what, in general, he or she cannot. "For a certain kind of person," Gardner writes, "nothing is more joyful or satisfying than the life of a novelist." But no other vocation, he is quick to add, is so fraught with professional and spiritual difficulties. Whether discussing the supposed value of writer's workshops, explaining the role of the novelist's agent and editor, or railing against the seductive fruits of literary elitism, On Becoming a Novelist is an indispensable, life-affirming handbook for anyone authentically called to the profession. "A miraculously detailed account of the creative process."―Anne Tyler, Baltimore Sun

The eagerly awaited follow-up to the best-selling Why Beethoven Threw the Stew .What did Haydn's wife use for curling-paper for her hair?What did Schubert do with his old spectacles case?Why was Dvorák given a butcher's apron when he was a little boy?Why did Tchaikovsky spit on a map of Europe?Why did Fauré find a plate of spinach on his face?And why did Handel waggle his wig?In Why Beethoven Threw the Stew , renowned cellist Steven Isserlis set out to pass on to children a wonderful gift given to him by his own cello teacher - the chance to people his own world with the great composers by getting to know them as friends. In his new book he draws us irresistibly into the world of six more favourite composers, bringing them alive in a manner that cannot fail to catch the imagination of children encountering classical music for the first time. Once again the text is packed with facts, dates and anecdotes, interspersed with lively black-and-white line illustrations, making this an attractive and accessible read for children to enjoy on their own or share with an adult.'If Why Beethoven Threw the Stew does not turn your child into a music lover, the chances are nothing will.' Daily Mail

This box set of the 50 books in the new Penguin Modern series celebrates the pioneering spirit of the Penguin Modern Classics list and its iconic authors. Including avant-garde essays, radical polemics, newly translated poetry and great fiction, here are brilliant and diverse voices from across the globe. Ground-breaking and original in their day, their words still have the power to move, challenge and inspire.

You know the authors' names. You recognize the title. You've probably used this book yourself. This is The Elements of Style, the classic style manual, now in a fourth edition. A new Foreword by Roger Angell reminds readers that the advice of Strunk & White is as valuable today as when it was first offered. This book's unique tone, wit and charm have conveyed the principles of English style to millions of readers. Use the fourth edition of "the little book" to make a big impact with writing.

Yes, you can write a great screenplay. Let Syd Field show you how. “I based Like Water for Chocolate on what I learned in Syd's books. Before, I always felt structure imprisoned me, but what I learned was structure really freed me to focus on the story.”—Laura Esquivel Technology is transforming the art and craft of screenwriting. How does the writer find new ways to tell a story with pictures, to create a truly outstanding film? Syd Field shows what works, why, and how in four extraordinary films: Thelma & Louise, Terminator 2: Judgement Day, The Silence of the Lambs, and Dances with Wolves. Learn how: Callie Khouri, in her first movie script, Thelma & Louise, rewrote the rules for good road movies and played against type to create a new American classic. James Cameron, writer/director of Terminator 2: Judgement Day, created a sequel integrating spectacular special effects and a story line that transformed the Terminator, the quintessential killing machine, into a sympathetic character. This is how an action film is written. Ted Tally adapted Thomas Harris's chilling 350-page novel, The Silence of the Lambs, into a riveting 120-page script—a lesson in the art and craft of adapting novels into film. Michael Blake, author of Dances with Wolves, achieved every writer's dream as he translated his novel into an uncompromising film. Learn how he used transformation as a spiritual dynamic in this work of mythic sweep. Informative and utterly engrossing, Four Screenplays belongs in every writer's library, next to Syn Field's highly acclaimed companion volumes, Screenplay, The Screenwriter's Workbook, and Selling a Screenplay. “If I were writing screenplays . . . I would carry Syd Field around in my back pocket wherever I went.”—Steven Bochco, writer/producer/director, L.A. Law, Hill Street Blues

Most of what you think you know about writing is useless. It’s the harmful debris of your education—a mixture of half-truths, myths, and false assumptions that prevents you from writing well. Drawing on years of experience as a writer and teacher of writing, Verlyn Klinkenborg offers an approach to writing that will change the way you work and think. There is no gospel, no orthodoxy, no dogma in this book. What you’ll find here isn’t the way to write. Instead, you’ll find a way to clear your mind of illusions about writing and discover how you write.Several Short Sentences About Writing is a book of first steps and experiments. They will revolutionize the way you think and perceive, and they will change forever the sense of your own authority as a writer. This is a book full of learning, but it’s also a book full of unlearning—a way to recover the vivid, rhythmic, poetic sense of language you once possessed.An indispensable and unique book that will give you a clear understanding of how to think about what you do when you write and how to improve the quality of your writing.

Even if you’re a diehard fan of the national pastime—admit it: sometimes the umpire’s call can be a little baffling. And if you’re relatively new to the game, there’s certainly more than enough to keep you asking questions about the fine points of Major League Baseball. This revised and updated edition of the Baseball Field Guide explains the rules in plain English, enhanced with plenty of examples and illustrations you won’t find anywhere else. The result is an easy-to-use and entertaining reference guide that’s designed for quick and intuitive searches, helping you understand every aspect of the game while adding to your enjoyment of the sport. Inside you’ll find:  the rules that apply before, during, and after the game equipment specifications and field requirements the duties of the coaches, managers, and umpires the rules for spectators (yes, they have rules, too) the clearest explanation anywhere of the infamous Infield Fly Rule!

Punk revitalized rock in the mid-Seventies, but the movement soon degenerated into self-parody. Rip It Up and Start Again is the first book-length celebration of what happened next: post-punk bands who dedicated themselves to fulfilling punk's unfinished musical revolution. 1978-1984 rivals the sixties for the sheer amount of fabulous music created, the spirit of adventure and possibility that infused it, and the way the sounds felt inextricably connected to the political and social turbulence of the day. Simon Reynolds, acclaimed author of Energy Flash, recreates a time of tremendous urgency and idealism in pop music. Packed with anecdote and insight, populated by charismatic and maverick characters, Rip It Up And Start Again stands as one of the most inspired and inspiring books on popular music ever written.

Each working day from January 29 to November 1, 1951, John Steinbeck warmed up to the work of writing East of Eden with a letter to the late Pascal Covici, his friend and editor at The Viking Press. It was his way, he said, of "getting my mental arm in shape to pitch a good game." Steinbeck's letters were written on the left-hand pages of a notebook in which the facing pages would be filled with the test of East of Eden. They touched on many subjects—story arguments, trial flights of workmanship, concern for his sons.Part autobiography, part writer's workshop, these letters offer an illuminating perspective on Steinbeck's creative process, and a fascinating glimpse of Steinbeck, the private man.