Empfehlungen basierend auf "100 Things to Know about History"

A Beguiling Cultural History Of Colour By The Bafta Nominated Broadcaster And Art Historian James Fox 'this Book Is A Triumph. James Fox's Passionate And Illuminating Exploration Of The Extraordinary Relationship We Have With Colour Is Itself Extraordinary. It Is An Intellectual Feast As Well As A Visual One - A True Biography Of Colour Which Will Delight Readers.' Edmund De Waal, Author Of The Hare With Amber Eyes The Subject Of This Book Is Humankind's Extraordinary Relationship With Colour. It Is Composed Of A Series Of Voyages, Ranging Across The World And Throughout History, Which Reveal The Meanings That Have Been Attached To The Colours We See Around Us And The Ways These Have Shaped Our Culture And Imagination. It Takes Seven Primary Colours - Black, Red, Yellow, Blue, White, Purple And Green - And Uncovers Behind Each A Root Idea, Based On Visual Resemblances Or Properties So Rudimentary As To Be Common To All Societies. The Book Traces These Meanings To Show How They Changed And Multiplied, The Role That They Have Played In Our Culture And History, And How Understanding Them Allows Us To See Many Of The Milestones In The History Of Art - From Bronze Age Gold-work To Turner, Titian To Yves Klein - In A New Way. It Proceeds By Stories, Which Cumulatively Tell Another, Larger One: A History Of The World From The Black Nothing Which Preceded Existence To The Birth Of Our Red-blooded Species; The Gilded Gods Who Animated The World In Antiquity To The Blue Horizons Which Framed The Age Of Discovery; The Pristine Aspirations Of Enlightenment, The Technicolour Innovation Which Fuelled The Industrial Revolution And The Colour Which Most Embodies The Environmental Crisis Which Now Faces Us.

This book explores the intriguing idea that there is much more democracy in human history than is generally acknowledged. It establishes that democracy was developing across greater Asia before classical Athens, clung on during the 'Dark Ages', often formed part of indigenous governance and is developing today in unexpected ways.

A global account of the rise of civilization that is also a stunning refutation of ideas of human development based on race. Until around 11,000 b.c., all peoples were still Stone Age hunter/gatherers. At that point, a great divide occurred in the rates that human societies evolved. In Eurasia, parts of the Americas, and Africa, farming became the prevailing mode of existence when indigenous wild plants and animals were domesticated by prehistoric planters and herders. As Jared Diamond vividly reveals, the very people who gained a head start in producing food would collide with preliterate cultures, shaping the modern world through conquest, displacement, and genocide. The paths that lead from scattered centers of food to broad bands of settlement had a great deal to do with climate and geography. But how did differences in societies arise? Why weren't native Australians, Americans, or Africans the ones to colonize Europe? Diamond dismantles pernicious racial theories tracing societal differences to biological differences. He assembles convincing evidence linking germs to domestication of animals, germs that Eurasians then spread in epidemic proportions in their voyages of discovery. In its sweep, Guns, Germs and Steel encompasses the rise of agriculture, technology, writing, government, and religion, providing a unifying theory of human history as intriguing as the histories of dinosaurs and glaciers. Jared Diamond, professor of physiology at the UCLA Medical School, is the author of The Third Chimpanzee, awarded the 1992 Los Angeles Times Science Book Award. He is a regular contributor to Natural History and Discover magazines and lives in Los Angeles.

Peter Watson's hugely ambitious and stimulating history of ideas from deep antiquity to the present day—from the invention of writing, mathematics, science, and philosophy to the rise of such concepts as the law, sacrifice, democracy, and the soul—offers an illuminated path to a greater understanding of our world and ourselves.

NEW YORK TIMES BESTSELLER • A magisterial world history unlike any other that tells the story of humanity through the one thing we all have in common: families • From the author of The RomanovsA Best Book of the Year: The New Yorker, Smithsonian“Succession meets Game of Thrones.” —The Spectator • “The author brings his cast of dynastic titans, rogues and psychopaths to life...An epic that both entertains and informs.” —The Economist, Best Books of the YearAround 950,000 years ago, a family of five walked along the beach and left behind the oldest family footprints ever discovered. For award-winning historian Simon Sebag Montefiore, these poignant, familiar fossils serve as an inspiration for a new kind of world history, one that is genuinely global, spans all eras and all continents, and focuses on the family ties that connect every one of us.In this epic, ever-surprising book, Montefiore chronicles the world’s great dynasties across human history through palace intrigues, love affairs, and family lives, linking grand themes of war, migration, plague, religion, and technology to the people at the heart of the human drama.It features a cast of extraordinary diversity: in addition to rulers and conquerors, there are priests, charlatans, artists, scientists, tycoons, gangsters, lovers, husbands, wives, and children. There is Hongwu, the beggar who founded the Ming dynasty; Ewuare, the Leopard-King of Benin; Henry Christophe, King of Haiti; Kamehameha, the conqueror of Hawaii; Zenobia, the Arab empress who defied Rome; Lady Murasaki, the first female novelist; Sayyida al-Hurra, the Moroccan pirate-queen. Here too are moderns such as Indira Gandhi, Margaret Thatcher, Barack Obama, Vladimir Putin, and Volodymyr Zelensky. Here are the Caesars, Medicis and Incas, Ottomans and Mughals, Bonapartes, Habsburgs and Zulus, Rothschilds, Rockefellers and Krupps, Churchills, Kennedys, Castros, Nehrus, Pahlavis and Kenyattas, Saudis, Kims and Assads.These powerful families represent the breadth of human endeavor, with bloody succession battles, treacherous conspiracies, and shocking megalomania alongside flourishing culture, moving romances, and enlightened benevolence. A dazzling achievement as spellbinding as fiction, The World captures the whole human story in a single, masterful narrative.

Very slightest of wear to the dust jacket, pages nice and clean, no writing or highlighting. Slight spotting to page edges, does not extend to interior. A very nice copy. All our books are individually inspected, rated and described. Never EX-LIB unless specifically listed as such.

I just got off the sunset train I'm from the Angel Town The Golden West Los Angeles Where the sun shines all year round I left a girlie back there She's the sweetest girl I know She said 'Goodbye' I'll wait for you In the Land of the Bungalow from In the Land of the Bungalow by George F. Devereux (1929) The bungalow, in all its various forms, has existed since the early seventeenth century--from its origin as a Bengalese hut, or "banggolo," made of mud, cow dung, thatch, and bamboo, to later developments as a one-story, square structure surrounded by a collonaded veranda, and the subtlepermutations exhibited in designs such as the Frank Lloyd Wright style "prairie House." Originally created as a peasant dwelling in rural India, and later an accommodation for European travellers and expansive permanent residences for the colonial ruling class who served there, the bungalow hasbecome one of the most frequently adopted house forms throughout the world and the most popular home style in the United States. Architects the world over have extolled the bungalow's merits in their interpretations of its modest style and economy, while romantic notions of this humble abode havebeen conveyed through poetry and song by both temporary sojourners and permanent residents, rejoicing in its simplistic luxury. It is, in fact, the only dwelling which, in both name and form, exists on every continent (the word bungalow has entered eighteen languages). The first work of its kind, this richly illustrated volume takes readers on an engaging tour of the history of the bungalow, explaining the evolution of this architectural wonder, from its inception as a practical dwelling place to its present day incarnation as a suburban home looked upon withaffection and pride. Here, Anthony D. King explores the historical forces, which in producing the bungalow, also shaped the modern world: colonialism and industrialization, capitalism and socialism, urbanization and suburbanization. He argues that a global culture of architectural style can beidentified with the bungalow, one which accords with the development of our international, capitalistic, and urban culture, and that the bungalow "was one of, if not the first, common house types of this culture." Every type of bungalow is discussed, including the American Craftsman and Arts andCrafts cottage styles, the Spanish Colonial and California bungalows that became the basis for suburban sprawl throughout Los Angeles, and the Japanese teahouse style that dominates the Florida landscape. Offering the definitive history of America's most popular house form, this fascinating work provides an engaging look at the charming structure of the bungalow. Indeed, as this unique book shows, one might expect to hear a happy bungalow owner (whether from a bohemian summer bungalow in the woodsof Vancouver or a family home in the suburbs of Jacksonville, Florida) singing a bungalow tune: "Far from the city, Somehow it seems, We're sitting pretty in, Our bungalow, Of dreams."

NATIONAL BESTSELLER • A groundbreaking work of science, history, and archaeology that radically alters our understanding of the Americas before the arrival of Columbus in 1492—from “a remarkably engaging writer” (The New York Times Book Review).   Contrary to what so many Americans learn in school, the pre-Columbian Indians were not sparsely settled in a pristine wilderness; rather, there were huge numbers of Indians who actively molded and influenced the land around them. The astonishing Aztec capital of Tenochtitlan had running water and immaculately clean streets, and was larger than any contemporary European city. Mexican cultures created corn in a specialized breeding process that it has been called man’s first feat of genetic engineering. Indeed, Indians were not living lightly on the land but were landscaping and manipulating their world in ways that we are only now beginning to understand. Challenging and surprising, this a transformative new look at a rich and fascinating world we only thought we knew.

"In Fingerprints of the Gods, Graham Hancock embarks on a worldwide quest to put together all the pieces of the vast and fascinating jigsaw of mankind's hidden past. In ancient ruins as far apart as Egypt's Great Sphinx, the strange Andean temples of Tiahuanaco, and Mexico's awe-inspiring Pyramids of the Sun and the Moon, he reveals not only the clear fingerprints of an as-yet-unidentified civilization of remote antiquity, but also disquieting signs of its vast sophistication, technological advancement, and evolved scientific knowledge." "Could the story of mankind be far older and far more mysterious than we have previously believed? Using tools as varied as archaeo-astronomy, geology, and computer analysis of ancient myths, Hancock presents a devastating case to suggest that it is." "As we recover the truth about prehistory, and discover the real meaning of ancient myths and monuments, it becomes apparent that a warning has been handed down to us, a warning of terrible cataclysm that afflicts the Earth in great cycles at irregular intervals of time." "A cataclysm that may be about to recur..."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The second edition of this landmark work is enhanced by new chapters on Ogun worship in the New World. From reviews of the first edition:" . . . an ethnographically rich contribution to the historical understanding of West African culture, as well as an exploration of the continued vitality of that culture in the changing environments of the Americas." —African Studies Review" . . . leav[es] the reader with a sense of the vitality, dynamism, and complexity of Ogun and the cultural contexts in which he thrives. . . . magnificent contribution to the literature on Ogun, Yoruba culture, African religions, and the African diaspora." —International Journal of Historical Studies