Articles: Sound, Sense, and Structure In Christina Rossetti's Sing-Song, by Sharon Smulders / "We Don't Mind the Bumps": Reforming the Child's Body in Louisa May Alcott's "Cupid and Chow-Chow, by Angela M. Estes & Kathleen Margaret Lant / The Inner Family of The Wind In the Willows, by Bonnie Gaarden / Response To "The Inner Family", Cynthia Marshall / Response to Cynthia Marshall, by Bonnie Gaarden / Bodies and Pleasures In The Wind In the Willows, by Cynthia Marshall / Response to "Bodies and Pleasures", Bonnie Gaarden / Clothed In Nature or Nature Clothed: Dress As Metaphor In the Illustrations of Beatrix Potter and C.M. Barker, by Carole Scott / Heroic Ideology and the Children's Beowulf, by Anna Smol / The Secret Garden "Misread": The Broadway Musical As Creative Interpretation, by Phyllis BixlerVaria: "Tea with Alice of Alice of Wonderland," by Miles Franklin, with an introduction and cultural critique by Sanjay Sircar / Timescape at Hemingford Grey: Lucy Boston's Centenary, by Peter Hollindale / Cat-Quest: A Symbolic Animal in Margaret Wise Brown, by Suzanne Rahn / Margaret Wise Brown: Awakened By You Know Who, by Angelea M. EstesReviews: Humane Ideology, by Perry Nodelman / Widening Circles: Readers, Classrooms, Cultures, by J.D. Stahl / Hawthorne's "New Literature for the Young," Elizabeth Goodenough / Audaciously, Archetypally American, by John Cech / The Anne-Girl and Her Critics, by Anne K. Phillips / Fiber, Bone, and Sinew Aplenty, by Mary V. Jackson / Folktales and Traditional Morality, by Christa Kamenetsky / Interrupting the Critical Line From Rationalism to Romanticism, by Lissa Paul / Victorian Fantasy Fiction Is No Longer Just for the Childlike, by Glenn Edward SadlerDissertations of Note, by Rachel Fordyce / Contributors and Editors / Award Applications